The graphic imagery shown on pages 86 and 87 are displayed in a way to show the repercussions of the war. Up until this point in the graphic novel the main characters had yet to see the war, since after the arrived they had to dig ditches, and graves, but hadn’t see the war up until this moment. This is conveyed by the characters face, one looking shocked, another looking solemn , and the last looking disgusted that people had done this to other human beings. We see people who have had limbs amputated, burned horribly, and have gone blind. To top it all off it gives the reader a top down view of the hospital, to show how many people were affected, and the total path of destruction to the war, knowing that this is only one hospital. What makes
" These images convey the sense of disorientation and confusion that soldiers experience as they navigate an unfamiliar and hostile environment. Furthermore, the use of imagery underscores the idea that war is not just a physical battle, but also a mental and emotional one. As O'Brien writes, "The war wasn't simply good versus evil, it was also about men who were struggling to find meaning amidst chaos."
Pyle is showing how gloomy, sad, and tough a war can be by having all of those soldiers lying dead all over his painting about the Minnesota Civil
But again, it was clear that the doctors or aids did not have the enough knowledge or tools to treat the wound correctly. Soldiers were being bandaged without any anesthetic to calm the pain. Nothing was being used to disinfect the wound or the tools they were using. It was possible that they used tweezers to remove a patient's bullet and then it’d be used again on some other patient to remove their bullet with the previous patient’s blood, pus, and germs. They had to be tough, fight the pain, and suck it up because it wasn’t time to be feeling sick or any pain during the
Both nurses and civilians were victims of terrible mistreatment and cruelty during the traumatic war. Being demanded to kowtow during tenko in Scene 1 transports the responder into visualizing the past action. In Scene 3 Bridie’s monologue in the distinctively visual image of the TV studio displays a recollection of the Vyner Brook being strafed with an image of Japanese shooting at life boats and the deck, while more people die from breaking their necks by jumping off the deck with inappropriate life jackets. Misto uses irony with the image of the WW2 navy life jacket, showing the object out of context, letting the viewer use their imagination and visualise the dead floating bodies next to the sinking ship, killed by these presumed life-saving
It gives the viewer first hand knowledge into what it feels like to be surrounded by such horrific and agonising circumstances, such as those in World War I. It uses monochrome colour to represent death and fear, also the use of varied tone highlighted different areas which symbolise hope and a life beyond war, as well as strong shadows which were used to give a negative effect and symbolise the inhumanity behind war. The plate also relates back to cultural histories with ideas representing the Tomb of the Unknown Soldier and an abstracted idea of what the soldiers in World War I went
In the story The Most Dangerous Game, Richard Connell reveals a man named Rainsford, who is stuck on an island after falling off a yacht. Richard Connell uses imagery and events to create a feeling of suspense throughout the story, this in turn creates feelings of fear and danger. As the story starts, Connell uses dialogue to let the reader know what the setting is like on the yacht. While Rainsford and his friend Whitney are standing on the yacht, Rainsford states, “It’s like moist black velvet”.
The author used a "logical appeal." The readers can found this appeal in this subtract paper from Fulbright; from the attempting of the author in the use of logos to persuade the audience in his logical on views that he understand was the malfunction of Congress to create boundaries in the United States ' participation in the Vietnam War. The readers can’t recognize when the author isn’t succeeding in the description of ideas and start using sarcastic comparison that drag the readers to a rational view of passion idea of this criticism paper. Logos is a kind of rhetoric logic idea that is being made, but whether or not makes sense to the readers. Logos it can be an define as the authors attempts to influence the audience by making a rational
The nurses seem unconcerned with his health and really just leave him to die. He is unidentified and will remain so since his face was burned off. The others are unsure if he is even alive anymore. This represents the inhumane practices of the officers as they do not worry about his safety or well-being. He has served his sole purpose as a soldier and made a “sacrifice” for their cause.
In the article “To Make
Within the illustration you can see two different ages represented. An old man, portrayed with glasses and walking frame, and the fallen soldiers forever young in the prime of was once their lives. The cartoon represents these soldiers, still marching alongside their veteran mate and comrade represented in the centre of the illustration. The illustration clearly represents two separate viewpoints. In the mind of the veteran, he is surrounded by his friends whose spirit lives on in him, whilst the media only see him walking by himself.
Graphic violence seen by the soldiers portrays that realism, and really makes you visualize what is happening in the novel. On many occasions
With war photography a photo isn’t just a image it is a trace of reality, an experience that was captured ,or even a moment. War photography is like an art that gives importance to real life events and also makes them worth remembering after you take them. When you take a photo it 's about telling the reality of that photo, about showing what others may not see, to make them aware of it though the images come from the media. However, when the photo serves as informing the world we find ourselves facing the world to see if it 's true or if it 's not true. If people could be there to see it for themselves, the fear and grief for just one time in their life, they would understand that nothing is worth letting things get to the point to where people get hurt but everyone can’t be there, so that 's why photographers go there to show them, to reach out, or to grab them and make them realize what 's happening to the world or to even pay attention to what is going on, to create a powerful picture to overcome the effects of the mass media and to shake people out of their indifferences that they have against each other.
Panic, anxiety, and most importantly, fear, are all components that form the adventurous tale, The Most Dangerous Game. Rainsford, the protagonist of the story, is widely recognized as an experienced hunter who ventures off in a ship to travel to Rio in order to hunt jaguars. However, the story turns when Rainsford falls off his ship, encounters a hunter who hunts men, and becomes the prey himself. Although Connell sets up an intense plot by using irony, characterization, word choice, and other literary devices, imagery is one of the main aspects that releases an uneasy feeling within the audience. Imagery is a common literary device that authors use to engage a reader into the story, by painting the scene in the audience’s mind.
Connell uses imagery to show the reader how intense and fearful Rainsford feels in the story. For instance, Zaroff first look to Rainsford was “menacing look” (17) This quote is imagery because it describing the look in his eyes did not change and it was a menacing look also. Another example for imagery would be when “Ivan conducted him was in many ways remarkable.”
First, the black and white picture makes an appeal to emotion. The monochromatic colors help to evoke a nostalgic and sentimental feeling while also giving it a sense of timelessness. That probably explains why this photo still persists in people’s memories after so many passing years. Furthermore, the placement of the soldiers and flag in the middle create a central focal point for the viewers. The eyes are following the straight pole of the flag downward into the ground and from there the rubble surrounding the scene become much more noticeable while also indicating the devastation of the battle.