In William Shakespeare's play The Tragedy of Romeo and Juliet, the use of multiple literary devices makes the play interesting. Dramatic irony, which is when the audience knows more than the characters, occurs numerous times throughout the play and grabs the attention of the audience. Soliloquies, which are lengthy speeches by a character to project their thoughts and emotions to the audience, this allows the audience to be more attentive. Allusions are references by characters to well-known places, events from myths or other literature that cause the audience to be absorbed into the play. After reading this marvelous play, it is obvious that Shakespeare uses dramatic irony, allusions, and soliloquies all written in blank verse to grasp the undivided attention of the audience.
They usually used this to represent a God or Gods flying. (City Dionysia - Masks, Costumes, and Props) The comedy was one of the two principal dramatic forms of ancient Greek theater. The Athenian comedy was traditionally divided into three eras: New Comedy, Middle Comedy, and Old Comedy. Old comedy arose from the obscene jests of Dionysus revelers, composed of virulent abuse and personal vilification.
He produced his first play when he was only twenty years old and his next two plays followed right after. With every new play, he became more famous and Rostand’s name began to attract distinguished actors and actresses to star in his productions. In 1897, Rostand produced Cyrano de Bergerac. The play was a huge success. Late nineteenth-century theater had been based on realistic stories and unsentimental characters.
Through the outcomes of both plays, the audience is able to receive some hard truths and be confronted with reality. In their respective ways, the two plays reveal truths about the human experience in the way that the plays are symbolic of very real human or societal problems. Sophocles’ Greek tragedy, Oedipus Rex, has a fateful plot with a tragic ending. His play follows the conventions of tragedy, implementing plot, character development,
William Shakespeare used love and humor to connect to his readers while writing his classic tragedies and comedies. Two of his classic plays Romeo and Juliet, and Much Ado About Nothing, are very alike, yet very different. The characters Mercutio, from Romeo and Juliet, and Benedick, from Much Ado About Nothing, have many similarities and many differences. Shakespeare is known as one of the best tragedy writers along with one of the best comedy writers ever. One of his best known tragedies is Romeo and Juliet; likewise, one of his best known comedies is Much Ado About Nothing.
When it comes to sex, the New Woman is more frank and open, exactly the opposite of the Victorians. The New Woman feels free to initiate sexual relationships and to explore alternativesto marriage and motherhood. Lucy is thus regarded as a New Woman. In an early letter to Mina, Lucy laments, “Why can’t they let a girl marry three men, or as many as want her, and save all this trouble? ” Through her speech, her sexual desire exposed and that, is forbidden for a Victorian woman.
Masks are objects which are worn on someone’s face, and are very popular during theatrical performances. Masks have a very long history, as they have been used for centuries and were popular amongst many of the famous ancient civilisations. Greek theatre is a huge part of masks’ history, because many of the Greek performances included masks. For starters, masks were were a main component of worship for Dionysus, and after every performance the masks were burned as a dedication and offering to Dionysus. Also, the Greeks used masks because many plays only had one to three main actors, so the use of masks would allow them to play multiple characters.
The role of fool in Renaissance drama with Specific reference to Touchstone Fools in Shakespeare’s plays are unique. The clowns or fool figures are one of the most fascinating stage characters in Shakespeare’s work of art. A few of his fools have major roles in his works. Their importance and personalities may vary according to the play but their frequent appearance shows how noteworthy and relevant they are in Shakespeare’s theatre.
Tragicomedy and Meta-theater in The Amphitryon The playwright Plautus was famous for his capability to please the Roman audience, who above all wanted to laugh and have fun at the theater, while forgetting the daily worries. Therefore, the priority for Plautus was to risum movere, to entertain the audience through either the humor of the situation or the humor of the words. The play Amphitryon is about Jupiter who is in love with Alcmene and decides to take advantage of the fact that her husband, Amphitryon, is fighting in the war between Thebes and Teleboi.
Molière changed acting from what it had previously been by adding what many call “naturalness.” Prior to Molière many theatres focused on reusing characters and ideas, but Molière added individuality to every character he played and created, as well as adding amore show specific prop and scene elements. While in modern times we have greatly adapted our acting methods in recent years, the way that Molière changed theatre can still be seen today. In modern times shows have become so individualized that the same show can be completely different depending on those who bring it to life. This adds a great deal of diversity and allows people to tell stories the way they see them rather than just repeating what others have done before, and while this is not exclusively due to Molière, his impact is anything but a small
The Globe Theater was a very well-known and entertaining theater where many famous plays were shown which were written by many famous writers including Shakespeare. The theater had a very unique structure, one that you would not find today. An article about the construction of the globe theater states “ The Globe theater was built in 1599 using timber from an earlier theater” (The Globe Theatre, PlayShakespeare.com). The Globe Theater was mainly built of timber, stone, and plaster.