To start, even before readers know he has become a creature, they are made aware that Gregor has a particular disdain for his life and his job. He might as well be a visitor to his own home due to his job as a travelling salesman. Already it becomes clear that Gregor is not has happy and stable as he could be, and to top it all off, Gregor is not even all that concerned with his new form (Klingenstein 1.) His reasoning behind this apathy is that he is still the provider for his family, thus not allowing him time to dwindle on his transformation. Gregor’s apathy towards his new form shows not only that he cares deeply for his family, but also that the initial stress caused by his transformation is nothing compared to what he endures in his day to day life. Gregor’s …show more content…
Despite her best efforts, however, Grete’s fondness for Gregor begin to fade just as do the rest of the family’s (Sweeney 1.) She becomes more and more weary of him, even going so far as to outright avoid the room after seeing him. Eventually, the day to day caretaking of Gregor becomes a job for her, something she must do for the sake of the family. She feeds him as one who do any animal that is under their care. During the last portion of the the story, Grete even becomes hostile towards Gregor. As he leaves his room for the final time, Grete makes the remark, “We must try to get rid of it (Klingenstein 1.)” Her words here finalize that she no longers cares for Gregor in any way that could be considered remotely like love. Unlike Grete, Gregor’s mother regards him with fondness but it is more withdrawn. She takes a passive stance in the earlier portions of the novella, not seeing Gregor but not forgetting him either. Towards the middle of the story, she becomes aggressively adamant about seeing Gregor even at the dismay of her family. She exclaims that he is her son as it is her duty to love and care for him. Ironically, it is she who unintentionally causes a reasonably sized portion of his
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Show MoreWhen Gregor's father saw his condition he didn’t feel empathetic and only hated Gregor,“his father gave him a hard shove, which was truly his salvation, and bleeding profusely, he flew into his room”, Gregor's father is never really ever able to understand him and is always impatient with him and even. Grete although is nothing like the father, she is very kind to gregor and with her new responsibilities she has been helping the family a lot. “ whereas until now they had frequently been annoyed with her because she had struck them as being a little useless”, right when the family thought she was useless, Gregor’s condition had lead the family to discover how useful Grete really is. Mrs. Samsa protects Gregor because she care about him deeply and cannot stand the fact that he is a bug, “Let me go to Gregor, he is my unfortunate boy! Don't you understand that I have to go to him?”
" Physically: Gregor literally crawls into his room, lays down on the floor, and takes his last breath. Mentally: Gregor's family alienates him and is ultimately responsible for Gregor's death through their negligence. Clearly, the bug is Gregor, but Mr. and Mrs. Samsa and Grete treat 'it' as if he was scum. " They were treating him as though he was invisible. They would literally walk past his room every day and attend their family dinners without saying anything to Gregor at all.
Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and
He notices that they are beginning to wear down from his transformation and financial situation. They take on some boarders to make up what they are missing from Gregor inability to work. Soon after there is an incident with the boarders that causes them to leave. Gregor’s family is treating him like he is a burden now, even saying so and not understanding that he can still hear them. He feels so bad at this point that he decides to rid his family of his presence.
The narrator said, “During the first fortnight, Gregor’s parents could not bring themselves to enter his room…” He has been disconnected from his family to the point where they’re emotionally unstable and unable to treat him as he deserves with affection and comfort to help him cope with his metamorphosis. The narrator shows this disconnection before the mutation,”Gregor later earned so much money that he was in a position to cover the expenses for the entire family…” He later described the exchange not “particularly warm”. Gregor feels alienated by his parents because of the lack of affection for him providing for them.
In Gregor the Overlander, written by Suzanne Collins, Gregor tries to escape back to New York from the Underland filled with many creatures. Gregor finds himself in many difficult conflicts and situations. In each of the conflicts Gregor has a set of traits that helps him get pass it throughout the story. The character traits caring, self-confidence and bravery are traits that helped him solve his problems. He is caring toward his sister as a result of her staying safe, Gregor is brave for trying to solve the mystery in the Underland, and Gregor is peaceful, he solves his problems without violence.
But, it is his sister Greta that implies that they should get rid of the furniture in his room. She starts to feel that she does not recognize her brother anymore. Gregor tries numerous times to get his families attention so, they could maybe try to understand more what was happening to him. With every attempt, he tried he failed and was injured by his father in the process. Which caused him to stop eating and drinking water.
While Gregor begins are the all mighty, male provider, he regresses into an effeminate state as he no longer can perform his tasks for work. As his transformation into a vermin worsens, he no longer can perform any action and further conforms to the true identity of a bug. Grete, on the other hand, picks up the male provider role that Gregor could no longer perform, but then, as she becomes tired with the work and as Gregor identifies with an “it”, goes back to her female role. Gregor's physical change forces him to degenerate to death, but allows Grete to thrive, growing into a
Franz Kafka had a hard family life, his only glimmer of hope was from his sister who betrayed him. In Metamorphosis, we see that this is represented through Grete, Gregor’s sister. Grete at first tries to understand and help Gregor but later gives up hope. “‘It’s got to go,’ called the sister, ‘that’s the only remedy, Father. All you have to do is try to shake off the idea that that’s Gregor.
Gregor began to resent his father for throwing household items at him, squashing him like a bug. Even his beloved sister Grete began irritating Gregor by removing all of his belonging from his room, leaving him with nothing. The cruelty performed on Gregor by his own family sends him into a dark pit of despair. With nothing to live for he began to slowly end his life, making one final sacrifice for the ones he loves
Most people would have been in complete disarray when they discovered the new body provided. In Gregor’s case what is perceived is that he will be able to continue on living his normal existence after
In Metamorphosis, Gregor’s love for his sister, Grete, is what brings him happiness and the ultimate reason why he stays alive. His love for his sister, is what allows him to continue living as a transformed bug, but once his sister rejects Gregor saying, “He must go… this creature
Growing up in a community with an unequal view of women, Grete has been influenced by the idea that her knowledge is of no importance. Grete had been looked down upon by her family for her lack of a stance and her position in society. However, Gregor’s transformation forces Grete to make up for his shortcomings, pushing her out of her comfort zone as well as her ideal gender role. Given the circumstances, Grete gives up her simple, easy lifestyle to make up for the loss of Gregor. In the beginning, Gregor depicts Grete using degrading terms to explain his sister, which suggests that her role as a female falls below his status as a male.
However, Grete does not even notice. Towards the end of the piece, Grete is fed up with Gregor when she insists to her parents they must get rid of him. Grete states “I will not mention my brothers name when I speak of this monster here; I merely want to say: we must find some means of getting rid of it” (pg. 124). At this point, Grete has no more time to spend on Gregor.
Yet, she is actually exercising her authority over both her mother and Gregor. As Gregor’s mother reasons as to why not to remove Gregor’s furniture, Grete “did not let herself be swerved from her decision by her mother” (Kafka 34). Her conviction to deprive Gregor of the pieces that represent his life as a human reveals the process of her own transformation into a figure of power. Finally, Grete’s most significant show of power is her convincing of the family that the insect is not Gregor. She announces to her family that they “have to try to get rid of it” (Kafka 51), and upon hearing this Gregor retreats to his room and dies.