What Makes A Monster A Monster?
What makes a monster a monster? In movies and stories of today, the monsters seen are ghosts, ghouls, vampires, evil spirits, and so much more. People know them by their ugly appearance, savage actions, and evilness. What many don’t know is monsters of today are much like monsters back then in the Anglo-Saxon times. A specific monster of those times is Grendel, an antagonist in Beowulf that is bent on killing and eating people. In this epic, Beowulf is a well renowned hero that has great strength and abilities. He is sent to defeat the monster Grendel that has been wreaking havoc on the Geats, located in present day Sweden, for 14 years, murdering and eating their people. Grendel is portrayed to be a typical
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These monsters are aggressive and love murder. The qualities expressed above are evident in the following lines: “Grendel snatched at the first Geat / He came to, ripped him apart, cut / His body to bits with powerful jaws, / Drank the blood from his veins, and bolted / Him down, hands and feet; death / and Grendel’s great teeth came together” (30-35). In this quotation, Grendel has found his first victim at the Hall of Hrothgar and it describes the details of the monster’s violence. The previous lines are exemplary of exactly how murderous and violent Grendel truly is, holding true to the monster archetype. The antagonist is vicious as he rips the Geat apart and drinks his blood, as well as chewing him up for consumption. Grendel’s behavior of murder and violence leads the reader to be less likely to feel any sorrow for him when Beowulf defeats him. Because he is portrayed to be thirsty for blood and death, he fits being an Anglo-Saxon monster, while also being very relatable to modern monsters. In movies like Insidious or Lights Out, the leviathans of today kill in horrific ways, much like Grendel, just for the sake of killing. Monsters of Anglo-Saxon epics are extremely violent and capable of cruel and murderous behavior, not very different from contemporary …show more content…
If a reader looks close enough, they will find that monsters back then are much like monsters of today with their qualities. The question that stands even after the realization of what it means to be a monster in the stories is what it means to be a monster in real life. Who are the monsters of reality, knowing fully well that there are none hiding in the closet or under the
He is portrayed in the poem as a horrendous beast with human characteristics, but looking closer to the text, he is a human out-casted and raised to be a monster. Although Grendel is written as a monstrous villain who kills with no remorse, he is actually a complex human with a repressed anger exploding in bursts. Grendel is often described in a negative way. He is reffered to as a demon in the text “from Beowulf”
The people in the story view Grendel as a monster, but why does Hrothgar-Grendel’s father-want Grendel to be killed? Is he full of shame? What would happen if the Geats knew about Hrothgar and Grendel’s Mother’s secret scandal? Grendel’s sadness and loneliness, the courage to protect himself from what is hurting is why he is despised. As a monster, Grendel was trying to protect himself.
Grendel was a being sung about in the songs of the shaper, who twisted tales to fit his own means. In the song Grendel was made out to be a wretched monster, without intellect, who only sought to kill. This wasn’t the case entirely. Grendel was determined to enter society, to be a part of their gatherings, instead at every turn he was chased away, cursed, and attacked. He was only a monster to those in the mead hall, a beast who could never be a part of them.
Using a monster to help us examine what it means to be human is how the novel helps readers to make that distinction between humans, and monsters. Indeed, aside from Grendel’s horrible appearance and nasty eating habits, very little actually separated him aside from the humans such as Hrothgar or Wealtheow. Even his extreme brutality was not unique. The author, John Gardner, stresses man’s inherent violence many times throughout the novel. Additionally, Grendel’s ethical journey was a very human one, its urgency intensified by his status as an outsider.
One 8 feet tall, put together by multiple people's body parts, the other a giant, angry, man eating monster, the monster from Frankenstein and a monster named Grendel. Grendel is a fictional character first introduced in the novel Beowulf. He is the protagonist to Beowulf, exiled from civilization. Grendel was born an outcast from society then slowly became what he was always told he was, a monster. What makes Grendel such a successful villain is his lack of remorse for anything.
Beowulf’s Motivations (An Understanding of the motivations of Beowulf to Fight the Three Monsters) Every human being has a certain code with which they follow, most are outlined by the Anglo-Saxon, better known as Viking, code. This code itself was depicted through the epic poem known as, “Beowulf,” and more importantly, Beowulf’s motivations. His first motivation for fighting Grendel, is because he believes it is his duty to fight the monster. Secondly, Beowulf believes that fighting Grendel’s mother would help him in receive glory.
Grendel had being killing and terrorizing Hrothgar’s people. The news of Grendel had travel to the land of the Geats and Beowulf had come to provide assistance to Hrothgar. One day after Beowulf and Grendel’s fight, where Beowulf tears off the demons’ arm, the monster’s mother came to vengeance her son’s death. She was also defeated and killed by Beowulf, for which he received many gifts and praise by Hrothgar and his wife Wealhtheow.
It could be argued that he kills people who are at the hall because they are all having fun and socializing, but he isn’t able to do that so he punishes those who can. Readers see both sides of Grendel in his backstory because he is evil, but he is not evil for no reason, like
Grendel in the novel is very different from the monster in Frankenstein because Grendel wants to and enjoys to humiliate and kill people, the monster in Frankenstein wants to be able to socialize with people without them getting frightened by his appearance. They are alike because they are both alone, they both frighten people with their looks, and they are not welcome in the human world. Grendel in the novel knows he is a fright to people, he is danger. He doesn’t seem to have a problem with that, but at the same time is not proud of it, either. He does like the pain of others, preferably king Hrothgar and his men.
Both authors paint a grotesque picture of their creations and how they both desire to destroy beauty; Aesthetic Iconoclasm, that is shared between the two figures. However, both authors present their monsters separate to one another in philosophy; with Grendel being a mindless savage and the Monster being more contemplative and questioning the nature of its own creation. ‘Monster’ characters have always been a target of both folk tales and pagan myths since the dawn of humanity, the very concept of a monstrous creature harkens back to the primal fear instinct of facing a dangerous predator that presents a danger to humanity. Grendel from Beowulf is the perfect example of this hysteria and
The common characteristics of what makes a monster have remained constant throughout society: evil, isolated, violent. Monsters have no regards for social normatives, and cause chaos and destruction wherever they go. Grendel is no exception. In Beowulf, Grendel manifests every characteristic of a stereotypical monster. He is considered inherently evil, and is an outcast; he roams alone and commits devilish atrocities whenever he pleases.
In the epic poem Beowulf, the protagonist, Beowulf, faces three “monsters” at different times in his life. The poem begins with Grendel, a monster who attacks only in the dark of night, tormenting the kingdom of Hrothgar. The last two sections of the epic detail the conquering by Beowulf of Grendel’s mother and the dragon. The battle between the monsters and Beowulf represent the theme of good versus evil in the poem, as well as the fusion of pagan and Christian ideals in the changing Germanic society. Grendel’s mother’s actions directly juxtapose the role of a woman in this time period, and the greediness of the dragon with his treasure contrasts with the virtues of what would be considered a good king.
This is the beginning of Grendel falling directly into the role that the dragon said he would need to fill. Grendel’s murderous tendencies completely reflect the monstrous side of his personality and the more he kills the more he grows insane, separating from rational, humanistic thought. “I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bone-fire... I am blazing, half-crazy with joy” (168). It is clear that, by the time Beowulf arrives, Grendel has embraced the fact that he is required to be evil, despite the fact that he previously claimed he would oppose that destiny.
Grendel in the novel displays the idea that he is far more superior than mankind. He mentions, "I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bonfire" (Gardner 167-168). Grendel knows that that the people fear him because he is different and he uses that to his advantage. The "Monster", Grendel, seems to be fascinated in attacking Meadhall and is not frightened at all. Although he is brave in the novel, Grendel in the epic poem is described in being scared and weak on the attack at Meadhall.
A genuine definition of a monster is an "imaginary creature that is typically large, ugly, and frightening," but in the poem Beowulf a monster has much more meaning than just an imaginary creature. Monsters were commonly used in stories written during the pagan times. Throughout the plot of ‘Beowulf,' the protagonist Beowulf faces many obstacles that include fighting monsters: Grendel, Grendel's mother, and a Dragon. The monsters in Beowulf are present for a substantial reason to contribute towards the story, and they are symbolic of many qualities in the Anglo-Saxon culture.