The Devil in Her Eyes: Oppression, Allowable Femininity, and Good Versus Evil in Beowulf Beowulf, the lauded Anglo-Saxon epic poem of unknown authorship, contains deeply embedded themes of Good versus Evil, especially between the female characters. Queen Wealtheow and Grendel’s Mother have detailed descriptions based on their contrasting physical appearances, allowing the author to subject them to reduction to body. Both characters, while vastly different in actions and motivators, are strong, passionate women who attempt to protect their progeny at all cost. However, both fall victim to instrumentality as the author assigns honor to Queen Wealtheow’s actions, and forces Grendel’s Mother into a base and despicable role. Queen Wealtheow is a shining example of acceptable femininity as defined by the patriarchy, yet even she is not immune to being silenced by the author for his own purposes. Grendel’s Mother, of course, remains nearly …show more content…
This denial of autonomy removes the ability for the women to have fully developed characters for the reader to have any meaningful connection to either the Queen or the wretched Mother. Grendel’s Mother has no speech, relying instead on crudely pantomimed displays of anger, loss, and grief. This inability to do anything other than lash out at the warriors leads to more bloodshed and ultimately, her demise. Francis Leneghan discusses author John M. Hill’s contention that this generates “social tension” within the narrative “pulse” as the story unfolds (112). This animalistic nature foisted upon the grieving Mother, coupled with her complete inability to be heard forces her into a subjugated position, iterating her as a base creature, forcing the reader to feel separate and disconnected from her without insight to her thoughts or feelings, other than her
Equally important, the innocence Grendel had as a child provide an outline for his lack of baneful intentions. One act of innocence that has shown through Grendel’s entire life, from childhood until death, was a tendency to call for his mother when in danger of any kind. Putting this into perspective, shortly before the death of Grendel, on page one-hundred and seventy, he calls for his mother for the final time. “Mama!” he is heard bellowing.
To begin with, Grendel’s last words are “ Poor Grendel’s had an accident,” I whisper. “So may you all” (Gardner 174). Grendel is cursing the animals around him. For instance, when Grendel illustrates that he doesn’t like animals. This is when he has several incidences with the animals.
“Grendel should be home now, what is wrong with that child,” the mother of the descendant of Caine thought. Just then Grendel burst through the ceiling, deep dark red blood gushing from his shoulder. He trails blood through the chalet towards his room where he collapses from his injuries on his bed. His mother instantly falls to his side trying to save him but it is too late for he has passed. “SO MUCH BLOOD.
In John Gardner's Grendel, he shows Grendel as a genuinely one of a kind character. Gardner depicts Grendel as a misjudged, confounded yet a perplexing animal. Whom he refines. I feel that by depicting him along these lines, Gardner indicates how there are two sides to every story. This makes him more relatable to the peruser.
He lurches in, groaning, grabbing at the emptiness that used to be his arm. Stumbling around for a few moments, Grendel, my son, my window of happiness in the darkness of my life, slumps against the wall. I scream, my anguish blinding me, choking the air out of my lungs. I feel like cold, wet hands are wrapping around my throat- but I need to be strong.
At the end of Chapter 12, Grendel’s last words were “Poor Grendel’s had an accident … So may you all.” (Gardner 174). Such words are meant as a curse to affect mankind. To start off, Grendel’s relationship with humans are not great.
Beowulf reflects the traits that conformed to their masculine norms . While sorrowful Hrothgar laments the deaths caused by Grendel’s mother, Beowulf urges him to “not grieve” and to “avenge dear ones than to indulge in mourning” (1384-5). However, earlier the epic alluded to a story about a princess named Hildeburh who after losing her husband, child, and brother, was “waylaid by grief” (1081). There is a definite contrast between how men and women are expected to confront loss- according to the patriarchal values, men avenge and women weep. Therefore, Beowulf is even more of an ideal masculine hero because he adheres the the Anglo-Saxon gender roles.
Throughout Old English Literature, women were seen as evil. Like in Beowulf where the woman with the most power was a monstrous sea creature who destroyed things. Or in Lanval and Sir Gawain and the Green Knight where women were dishonest and corrupted men, or like in The Wife of Bath where women manipulated men to get what they wanted; owned them in a way. In old English texts women are seen as an evil force; a force of destruction, corruption and cunning.
Her actions do seem cruel and evil, but she is also a grieving mother that wants to avenge her son. After Grendel’s death, “Grendel’s fierce mother” begins to exhibit human-like characteristics such as her caring and protective nature for her child. This can be shown when she carried “off the claw that Beowulf tore from her child” to demonstrates her anger and grief for her son’s death. While she is characterised to be a “she-wolf,” she is also a “mighty mother” that just wants to protect her child. Her whole purpose of killing Hrothgar’s friend and wreaking in Heorot is was to avenge Grendel’s death.
Point of view is an essential component of Grendel because it gives us a perspective of how Grendel sees the world. Having the ability to view the story from the eyes of Grendel gives the reader insight into how Grendel thinks, how he sees people, and how people see him. The first person point of view in Grendel reveals a deeper understanding of how isolation can shape one’s existence and change them over time. When Grendel was younger, he was a curious creature who was intrigued but terrified of the outside world. The first person viewpoint of the story allows us to see how the way the humans treated Grendel took away his innocence and isolated him.
The “Monstrous ogress” was “savage in her grief,” and her actions become even more beastly than her sons (Beowulf 1258-76). Women in this Germanic Warrior society were meek, so the actions of Grendel’s mother greatly contrast with the typical behavior of a woman in this time period. Grendel’s mother’s gruesome actions are beastly in nature, but her emotions of outrage and grief for the murder of her son are human. Once again, Beowulf’s victory of the savage monster shows the overall theme of good winning against evil.
Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; both have underlying meanings when it comes to defining what the role men and women in a good community should be. Or in other words, both stories paint a vivid picture of the role of women during the medieval time period, by suggesting that one gender had more power over another. However, these two narratives take alternative paths when expressing their views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when telling the experience of a woman that is highly different from other women in her time. Furthermore, another difference that is appealing to the reader’s eyes, besides the way the two narratives reflect to women’s role in medieval times, is that men become the hero in Beowulf, while “the wife”, so a woman, becomes the authority figure in the story of “The Wife of Bath’s Tale.” I want to first introduce the two main differences between the two narratives and then I will explain how regardless of the differences, both of these narratives’ main goal is to show that women had less power and a good community back that time was male dominated.
Thus allowing the reader to interpret the tone better because of how Grendel expresses his feeling. On the other hand, Beowulf gives the reader a generalization of how he sees society. Plain and simple. Beowulf only sees the world as good and evil, black and white, there is no gray area, causing the tone to be bland and boring due to no detail or unexpected turns. Beowulf overlooks society as a horrible place that only " the vicious raids and ravages of Grendel, his long and unrelenting feud, nothing but war...young and old were hunted down by the death shadow" (line 151-160).
This reinforces the idea that Grendel’s mother is also a monster, since put in the same position as the prior one. The two monsters, Grendel and his mother are also associated with the night as a time for action. This reinforces their animal-like behavior, and the monstrosity of their actions because they are not giving fair warning to the humans. The monstrosity of Grendel is also seen through his savagery when killing the men. He is carnivorous and feeds on human flesh.
The poem remarks a biblical reference as “Grendel … A kindred of Cain” first surfaces. Moreover, the poem often alludes to God as well as the worlds of Heaven and Hell further elucidating the Anglo Saxon views. Beowulf clearly demonstrates his acknowledgement of God countless times: In fact, Beowulf could well have been slayed by Grendel’s fiendish mother had “God not saved him [Beowulf].” The presence of religious influences are reinstated by the glut of glorifications and innuendos of Christianity and the concept of God within the Anglo Saxon society. Even the mighty King Hrothgar depicts these values showing his scarce concern for material objects “Sharing the gifts God had bestowed on him” signifying his compassion, a requisite for Christian