Because he is first hesitant to take the case of Sierva, he does not believe he is capable of being responsible for her exorcism, and he seems afraid. He tells the bishop, “I am not an exorcist, father, I do not have the character or the training or the knowledge to claim to be one. Besides, we know that God has set me on another path” (76). But by him accepting the responsibility that is where it all began. It starts with a belief that Sierva is not possessed and that took over his life because he knew he had to do something to prove it.
An example of such comparison would be when he states, “My fictional view of the period, my sense of its unreality had been, like any impotence, a psychological painful experience”(17). Miller clearly states that viewpoint coming from the fictional characters from The Crucible compares to his reality. The reality in which both places had to maintain a “social unity intact”, “authority of leaders had to be hardened”, and “words of skepticism had to be constricted”(17). The Crucible is a story in which it compares the two worlds such as fictional and non-fictional and makes them into one, the story is not history but instead, a moral, “political and psychological construct that floats on the fluid of emotion from both eras”(47). Miller would also use simile to compare two thing or two words, an example would be when it states, “Turning to Salem was like looking into a petri dish, an embalmed stasis with its principal moving forces caught in stillness”(28).
With a few exceptions, people simultaneously embody evil and good in their life; Hosseini demonstrates this with Amir, who is convinced that he himself is evil, and spends most of the book struggling to redeem himself so he can finally realize he is not wicked after all. A person is truly evil when they have a lack of morals, or morals unbelievably skewed from the rest of society. Hosseini presents
Phenomenon of evil in the human heart Evil is a sin, it is a force in nature that presides over, and gives rise to wickedness and corruption. Some may think of evil as a separation from God and usually can be personified by the form of Satan. Phenomenon of evil can exist in many forms that can be hidden within ourselves and others. In the short story "Young Goodman Brown, by Nathaniel Hawthorne, Hawthorne writes about a man whose faith cannot save him from the evil that lies around him and others. In "The Cask of Amontillado" Edgar Allen Poe illustrates that evil can be revealed through revenge, and it only brings malice and cruelty to this world.
In addition, Fatima Anjum’s article "Loss of Civilization and Innocence in Lord of the Flies," states that, Ralph is not bad at the core he still has a sense of his original innocence, but as bad things happen he falls deeper and deeper into the madness. At points when engulfed by madness, he wants to revert to his innocence rather than face the evil that he has become. Anjum relates his points to the quote stating that ralph“wept for innocence” (Golding 202). Ralph is at a point where he does not even recognize himself, he is so far into evil he does not even know how he got there. Ralph may be falling into evil but overall he is still a kid, and he still has innocence even if it does not amount to the innocence he had upon arriving to the island.
Pessimism is conceptualised as a lens under which the values of life are viewed with a sombre temperament that distorts one’s appreciation for life itself, by ignoring its good aspects, thus lowering one’s expectations. Arthur Schopenhauer is often understood as the greatest pessimist in Western philosophy despite never formally characterising himself as such. He does however use the concepts “optimism” and “pessimism” to classify certain conceits of suffering in his philosophy on human existence in order to classify the ‘good’ and ‘evil’ that pervade the human condition. Schopenhauer articulates what he perceives as the cruel realities of the pain that comes with life, by asserting that human existence is burdened by the twin poles of human suffering; want and boredom, stressing that ‘will’ dictates the cursor towards these ends, 1850, p: 45. In the matter of good and evil, can pessimistic judgments about life, such as the one expressed in the quotation by Schopenhauer, be an objective philosophical analysis of human existence?
In the end proctor says “ let rebecca nurse go like a saint; for me it is fraud” and “it is evil and I do it.” (miller 138) This quote furthermore proves that he knows he is responsible for where he is at and for his actions. Based on this information proctor meets all the characteristics of a tragic hero and therefore is one. Proctor does have goodness in him, but he tends to keep it hidden. He has some superiority because if he didn’t he would not be so feared. His tragic flaw that he suffers from is being lustful and he even admits it.
Their lack of control and and their lack of obedience for rules brings them to savagery and loss of innocence, leading to the tragic deaths of a few of their own. William Golding uses symbolism, similes, and repetition to brilliantly and powerfully illustrate loss of civilization and innocence in the novel. Using these literary devices, Golding makes the read much more descriptive and meaningful. The novel really shows the darkness deep inside every man, and under the right conditions, this darkness can arise, resulting in a loss of innocence and civilization. Golding’s uses of symbolism, similes, and repetition help convey that theme even
Card believes he is teching through his book that the morality of an act is based solely on the intentions of the person acting. On the other hand, John Kessel, a writer, thinks the book is about making the readers feel bad for the main character Enderx. Kessel’s evidence that the book is not a work of moral fiction is through the points of the defeated being ignored, intention-based morality failing to make sense, and Mr.Wiggins always receiving the sympathy of the victim.
The basis of the article includes the two opposing attitudes in the characters, Walton and Victor, in Mary Shelley’s Frankenstein. The differing beliefs are Free Will and Fate; Walton believing in free will and Victor in fate. John Reed’s article, “Will and Fate in Frankenstein”, argues the true theme of the novel, not just being of human will, but rather about self-enslavement. Reed believes that “while its ostensible subject is the pursuit of knowledge, its real concern is human ignorance and folly”, meaning that Frankenstein is full of oblivious human impulses. Through Walton, Victor, and the Monster Reed explains his thesis not through mere plot summary, but uses of allusions made, evidence, and character analysis producing his argument thoroughly.