Gypsy Carousel. South Pacific. The Sound of Music. Oklahoma!. Each of these now well-known musicals would not exist today if not for the partnership of Richard Rodgers and Oscar Hammerstein II. This duo wrote many renowned musical plays, of which the majority share similar themes and ideals. Later in the twentieth century, the show Gypsy was created by Arthur Laurents, Steven Sondheim, and Jule Stein. This new musical shared some of the themes of the Rodgers and Hammerstein musicals, but also diverged from them in some ways. The 1959 musical Gypsy demonstrates the Rodgers and Hammerstein ideals of integration, character development, and strong female characters, but lacks a central love story that many Rodgers and Hammerstein musicals had. …show more content…
Integration in a show is the intentional combination of musical elements in a seamless way. In their shows, Rodgers and Hammerstein emphasized the integration of these different musical elements, which include the book, lyrics, music, dance, and more. Gypsy demonstrates this ideal as it is, overall, a very well-integrated show. This means that the musical numbers in the show, aside from those that are diagetic, transition very smoothly from the preceding dialogue and give the audience more information about either the feelings of a particular character or advancements in the plot. In other words, the musical numbers do not feel random or out of place, they are rather intentional and effective in the context of the book. There is, however, a slight difference in the type of integration in Gypsy as opposed to in Rodgers and Hammerstein musicals. Slightly moving away from the extremely seamless style of integration utilized by Rodgers and Hammerstein, Gypsy has a more vaudeville energy, with both the cards on the wings that change according to the scene, and the idea of the show within the show. These elements add a seemingly more disjointed dimension to the show, alluding to the very disjointed vaudeville shows, but the elements of the show as a whole manage to remain tightly
Stephen Schwartz is a composer and lyricist known for his work on Godspell (1976), Pippin (1972), The Magic Show (1974), and most recently Wicked (2003). He studied music at Julliard and Carnegie Mellon University, before breaking into the performance industry as a producer. After producing he moved on to writing musicals for Broadway and songs for film. He has written songs for movies, such as Disney’s Pocahontas and The Hunchback of Notre Dame (“Biography The Pieces of My Heart”). But, his big break was writing the score of Godspell.
The two musicals I have chosen to analyze in this essay is Dilwale Dulhania Le Jayenge and Seven Brides for Seven Brothers. I am from India and have watched the DDLJ movie multiple times as it is an extremely popular movie among my peers and family members. Being in a music class in middle school I was introduce to the teacher’s favorite musical which was Seven Brides for Seven Brothers. First and foremost, music in both films are similar because they have a theme revolving around individuals who are in love and are finding ways to overcome the obstacles placed around them by their families and society. The main difference between DDLJ (Dilwale Dulhania Le Jayenge) and SBSB (Seven Brides for Seven Brothers) is the music, DDLJ has unique
Sweeney Todd and A Little Night Music especially, normalized the musical/opera hybrid that can be seen in many of the popular musicals that followed it. Into the Woods was a musical that all
Gypsy is the musical is based on the memoirs of Gypsy Rose Lee, and tells of her life in show business. She was a famous strip tease artist, and focuses on her mother, Rose. The name rose has become the name associated with the stage mom. Rose dreams of having her two daughters in the limelight, and comes to find out the hardships that come along with show business. The musical has become one of the greatest “book musicals” to date, and has provided many timeless songs to the musical theatre cannon.
That same year she began rehearsals for Allegro acting as a stage director as well as choreographer. It was the first time any dancer had tried this. It was very challenging because she was in charge of nearly 100 cast members. But there wasn’t any hard work or dedication put in by Rodgers, who wrote the score, and by Hammerstein, who wrote the book. The act ended up being a disappointment.
The Wizard of Oz and Wicked are both very successful and well-known broadway musicals. Both of these musicals are based off of the same story, but each give a slightly different meaning to it. While they are both based on a similar tale, these two broadway musicals have many characteristics that are similar and differ from each other. This paper will compare and contrast the characters, theme, and plot.
Shrek the Musical is a Broadway musical comedy that is created by DreamWorks Theatricals in 2008. It is adapted from Shrek, a 2001 DreamWorks Animation movie, as well as a 1990 children’s literature Shrek! written by William Steig. The original musical is directed by Jason Moore with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast.
Wicked is a musical with music and lyrics by Stephen Schwartz based on a book by Winnie Holzman. The musical is told from the perspective of the witches of the Land of Oz. Wicked celebrated its tenth anniversary on Broadway on 30 October 2013. It is the 9th longest-Broadway show, surpassing Beauty and the Beast. A typical performance runs for approximately two hours and thirty minutes.
Shrek the Musical is a Broadway musical comedy that is created by DreamWorks Theatricals in 2008. It is adapted from Shrek, a 2001 DreamWorks Animation movie, as well as a 1990 children’s literature Shrek! written by William Steig. The original musical is directed by Jason Moore with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast.
Multiple sources of inspiration were utilized in the creation of Rent the Musical. Writer Jonathan Larson’s primary source of inspiration while creating Rent the Musical was Giacomo Puccini 's most notable opera, La Boheme. Alison Kronberg, writer
Ultimately, much of this musical's greatness is about the joys and sorrows of friendship and how these relationships change us for the better. The dancing in this over two hour musical is
A Chorus Line was different from any of the plays that we had seen during the semester, given that it was a musical. This is definitely what I am more accustomed to from watching my friends through the years preform this style alone essentially as well as my sister playing any Broadway musical soundtrack she could get her hands on for weeks on end. This felt so drastically different from anything else we had seen in the semester because it seemed that there was no end goal or resolution, it just ended. Sure, a handful of characters grew but a lot was left to the imagination at the end of the play. One thing that always sticks out within a musical are the songs itself.
Into the Woods is a broadway musical that was first performed on December 4, 1986 with music and lyrics written by Stephen Sondheim. I 've performed in dozens of musicals, but this one is by far my favorite. The story line intertwines fairytales, and shows how they helped and fought each other in gruesome conditions. The main family in this show is the baker and his wife who must locate items from different fairytales in order to lift a curse placed on them by a witch. The curse has prevented the family from bearing any children, but they prevail in their quest and the baker 's wife has her baby in the second act. "
The musical biopic is a style of film that has never faded away. Audiences never tire of hearing the stories of the actors and performers that they grew up listening to and watching, and whether those performers are portrayed by other actors or by themselves, something about the dramatization and magnification of their stories draws the viewer in a powerful way. These movies still carry the glitz and glamour of a fictional Hollywood musical, but the fact that the stories behind them are so concrete, so memorable, and so fascinating is what makes them stand out from a more untrue set of events. Judy Garland is one of the most revered Hollywood stars, so it is only fitting that one of the earliest musical biopics was hers. Unlike some later