For my gender and halloween analysis, last friday I went to Spirit Halloween to study the differences between mens and womens costumes. The store was mostly comprised of young people and families shopping for costumes. The atmosphere was hectic and chaotic.
Gender was used as a strategy by placing two signs were strategically placed on opposite sides of the store to divide the young boys and girls costumes. On the boys side, there was a billboard with super heroes with authoritative postures popping out at the viewer. On the girls side, there was cinderella and two other princesses trapped in a castle. Cinderella was looking at her glass slipper while the others were giving something looks. playing with their hair performing no actions. For
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The key was how the costumes were gendered from males to females. Even though I knew the sexualization of female costumes has been a problem over recent years, I was in awe with the degree of objectification. One costume that stood out to me the most was a women and mens prisoner costume. For the men's, it was a baggy black and white costume that barely showed any skin whatsoever. On the flip side, the womens costume wasn’t even a third of the fabric covering the male costume. This theme carried thoguhout all of the costumes; a normal looking costume for men, and an exteme sexualization for the womens costume. The only costume I was able to find that had some coverage to the body was the Rosy the Riviter outfit, which gives me a slight glimmer of hope in the Halloween industry.
Growing up Halloween had always been an interesting experience for me. When I was younger I always bought princess outfits but as I grew older I wanted to dress as a harry potter himself or the grim reaper. My parents never cared what I wore as a transitioned from Halloween to Halloween, but it was in fact my two older brothers who gender policed me and told me I shouldn’t be wearing those costumes. I found myself wanting to step away from “girly” things and found myself being more interested in things that my brothers
Comparative Critique The topic of gender equality, culture and environmental effects on girls and young women has brought up the discussion of princess culture - dressing up, waiting for prince charming, the importance of beauty. Both “The Princess Paradox” and “Cinderella and Princess Culture” examine how companies such as Disney are responsible for girls falling into princess culture and influencing them. However, there are distinct parallels between Orenstein and Poniewozik on how they perceive the effects of cinematic influence. Orenstein insinuates that Disney’s princess culture bears a negative impact on the mental health of young girls whereas, Poniewozik disputes that princess culture is a gateway to female empowerment.
The costumes provide additional humor to an already hilarious play. Bella’s costumes help show the development of her character throughout the show. They all have a large padding on the behind to show her large backside. The most interesting costumes, however, are worn by the freaks in the circus.
However, one area that we did not have enough time to cover in depth would be the interaction of gender. This is a large topic, and though we were able to touch on it there was simply not enough time to give it a full analysis. Therefore, I will attempt
A particularly effective element of the production was the use of costume. The costumes exposed the time period, transporting the audience back to 1981, immediately involving me in the story. Costume represented the social class the characters belonged to. Mr and Mrs Lyons were rich and had a high social status, their costume established their character; Mr. Lyons was wearing a suit and Mrs. Lyons wore tights and uniform.
This occurred on Jimmy’s seventh Halloween; it started several days before this holiday. Excitement took over him, the thought about going to every single house in the neighborhood to get candy. The mother of this young child had bought a banana costume for him, which she thought was cute. At school, Jimmy won the costume contest and his friend Tommy won second place with his hit dog costume. After school jimmy’s mother picked him up, and he would not stop talking about getting a lot of candies.
Costuming as a film technique allows the audience to condemn and admire certain characteristics such as Sally Bowles’s naive attitude towards the natural world. Throughout the movie, Bowles is seen to boost her personal corruption by wearing extravagant and revealing clothing. Flaunting her promiscuity, the audience is able to gather the condemned idea that Sally Bowles uses her sexuality to move up in the social ladder. The use of Sally Bowles wearing bold makeup, fur coats, green nails and an unusual fringe allows the audience to see how Sally wishes to be seen as “shocking”. When Sally Bowles is in the real world, the audience can see just how flamboyant her attire really is with the contrastingly plain costumes of the Berlin women and men.
“If these things are true, this is not such a free country; one’s life is not what one makes it; many doors open for certain people through no virtues of their own” (McIntosh, 15). This quote is from the article White Privilege: Unpacking the Invisible Knapsack. It refers to a list McIntosh compiled, of twenty-six examples of white privilege. McIntosh used the metaphor of an invisible knapsack to represent white privilege, unearned assets that one is able to easily able to cash in. These advantages are so prevalent, yet they are considered the society norm and we are taught not to recognize the.
Another thing is how the women dressed and how Braddock's wife had and all the women had the 'Bob'. Also, lastly and most noticible to me was how the movie depicted and talked about the ' Hoovervilles'. Which were basically the more ran down areas and slums of most communities turned into there on community. These areas were infested with sick and struggling
Halloween: a day where children can knock on strangers’ doors, asking for candy and dress up as far as their imagination stretches. But, when it comes to women, the producers of such Halloween apparel have certain standards that they deem acceptable for the female gender. Essentials of Sociology: A Down-to-Earth Approach, Eleventh Edition, defines gender as,” the behaviors and attitudes that a society considers proper for its males and females; masculinity or femininity (Henslin, 2014,).” Wade’s (2012) publication A Halloween Gender Binary, showcases the major differences on how each gender is portrayed using the exact same character. For example, Scooby-Do is an iconic character of a mystery-solving male dog: a character so notable also
Then I grew up. I would watch TV and see shows and movies with girls
Cover Girl and Disney Campaign Females, of all ages, are always being told that they cannot do something, for instance, they are being told that they are unable to do what the boys do. Unfortunately, females are allowing males to be the dominant gender and are accepting the roles that society has set in place for them. From birth, it is evident that the color for girls is pink and blue for boys. A nursey for a baby girl will be filled with stuffed animals, baby dolls, and everything in pink.
The one-act play, “Trifles,” by Susan Glaspell, has several themes that are incorporated within it. There are several dominant ideas such as female identity, patriarchal dominance, isolation, and justice are themes that are all reflected in different ways throughout the play; however, gender is the main theme of “Trifles.” There is a considerable difference between the roles of the men and the women in this play. The men are expected to act in a more controlling, dominant way, while the women are expected to act in the typical ‘housekeeper’ fashion. The theme of gender is brought out through the play in many dramatic elements such as character, tone, and dramatic irony.
The very act of cross-dressing itself was subversive, especially in Spain where costume was hugely important, not just on stage but in real life. Literary critic William Egginton notes in An Epistemology of the Stage, that when it came to costume the "Spanish public was extremely sensitive to such signifiers of class and could not, for example, tolerate or comprehend a scene in which the signs of social status presented by costume and speech would conflict". (402) With the audience so sensitive to costume details, what must they have thought about Rosaura 's male attire? Women dressing as men was a common device used by playwrights in the Golden Age (mujer vestida de hombre ) and one wonders was it merely because it was practical?
As stated before, costumes and décor, affected significantly the impression of the audience and it defined a statement for Ford as a director. The costumes were chosen carefully for the various parts: black suit for George 's present, staple dresses and heavy make- up for Charlotte and white clothes for both Jim, Kenny and past
She further suggests that there is a tendency to look beyond cross-dressing or ‘transvestism’ as it challenges the binary of ‘female and ‘male’. Garber is careful not to call it the ‘third sex’; instead she classifies it as ‘third’ which puts into question “identities previously conceived as stable, unchallengeable, grounded and known” (Garber 13). Keeping this in mind it is also important to answer certain questions regarding the cross-dressing motif. Questions such as does the use of cross-dressing motif point towards an interest in the historical practices or does it bring out the contemporary debate around gender? Secondly, what is accomplished by using this motif: - blurring of the gender differences or the heightening of the same?