Act 1 is a considered as a turning point in the play’s plot. Yet, before defining the content of the extract or examining its form, one should highlight its context. Hamlet’s doubts are confirmed as he musters up his courage and decides to take action. The ghost speaks to him, claiming to be his father’s spirit, come to rouse him to revenge his death, a “foul and most unnatural murder” (1.5.30). Hamlet is appalled at the revelation that his father has been murdered, and the alleged spirit of the former king tells him that the only “villain” to blame is Claudius “who now wears his crown”.
Although these men are not fighting for a great reason, when “honor’s at the stake” (4.4.59), they fight to their “imminent death” (4.4.63). This shows how Hamlet should act since his justification for seeking revenge is far greater than this army’s reasons for going to battle. Since these soldiers “go to their graves like beds” (4.4.65), Hamlet acknowledges that he must take action and have his “thoughts be bloody or be nothing worth” (4.4.69). In this soliloquy, Hamlet realizes that it is necessary to take action now. For too long, he has worried about the aftermath of murdering his uncle, but now he has been motivated by Fortinbras’ army willing to die for a worthless cause.
Like one of the reason, we betray people is to protect someone or yourself. In Hamlet, Shakespeare reveals that betrayal is hopeless because of it a domino effect. That means it keeps happening over and over again. For instance, in the play, Claudius had to betray his brother because he wanted to take Hamlet father 's throne. In this quote, “Ay, that incestuous, that adulterate beast, With witchcraft of his wit, with traitorous gifts- So to seduce!- won to his shameful lust, The will of my most seeming- virtuous queen.” The metaphor is used in this quote and the old ghost Hamlet describes Claudius as a “ traitorous gift” meaning Claudius is an untrustworthy person because of what he has done to old ghost Hamlet.
Eventually, Ophelia’s heartache, along with the death of her father, causes her to commit suicide. Next, Claudius and Gertrude’s role play affect their relationship with Hamlet. At the beginning of the play, Claudius takes on the role of a kind, just king; he seems to genuinely care for Hamlet. He often gives him fatherly advice, and shows affection for Hamlet in ways that an uncle would. However, Hamlet soon discovers that Claudius has been lying to him, and Claudius’ real motive is to kill Hamlet in order to exterminate all possible threats to his reign.
It is clear that Hamlet is the winner in the cause that he actually get to stab and poison Claudius, which is his But toward the end of the play, he recognized his fault and ask for forgiveness.“ Lo, here I lie, never to rise again. Thy mother’s poison’d. I am no more. The King, the King’s to blame” (Shakespeare 126). Laetres realized he has been trapped by Claudius, he points out Claudius as the murder.
When the ghost of King Hamlet appears and tells his son that Claudius killed him by pouring poison in his ear, Hamlet does not act straight away he takes his time to think about what the ghost told him. He wonders whether it is a good ghost or a bad ghost. He plans things out wanting the new king to be embarrassed for what he has committed. When the group of actors come to town, Hamlet says to one of them, "Dost thou hear me old friend? Can you play The Murder of Gonzago?"
7 The final scene demonstrates the extent and influence of revenge, the prince must die in order to achieve vengeance. “he has my dying voice” (VI. 2. 335) Despite the fact that Hamlet accomplishes his revenge in the final act, his initial procrastination, melancholy, gravity / down to earthness followed by hoaxed madness as well as his impulsiveness lead to a perplexed state of mind, which renders him incapable of a well-structured
Subsequently, he equips an artificial mask of madness at the beginning of the play in order to fulfill his father 's wishes. However, as the plot continues Hamlet is overcome by the grief sparked by the heinous events that allow Claudius hold the throne, the bloodthirsty task that faces him, and the reemergence of his Oedipal desires. Thus, Hamlet succumbs to a mental state of decay spearheaded by his artificial madness as he embodies the essence of insanity. Don Nardo delves into two critical layers of “truths” with regards to the title character Hamlet: the corrupted world, and solitude. These layers symbolize the walls that must be breached in order to invoke madness.
Firstly, King Hamlet appears when Hamlet was contemplating about suicide, thus, letting Thanatos rule. However, his father, his Superego provides him with a motive to live for- revenge against Claudius. This not only prevents Hamlet from committing the immoral sin of suicide, but also promises a reward- the eradication of the barrier between him and Gertrude. Franco Zefirrelli`s Hamlet (1990) points at the dramatic entrance of King Hamlet who catches Hamlet and Gertrude kissing, turning Hamlet guilty while his Superego effectively stifle his actions. This scene also displays Gertrude`s desires.
Claudius for example, hastily draws up a plan to kill Hamlet once he figures out that the young Prince knows the truth. Laertes is another character that does not hesitate when it is his turn to avenge his father and sister’s death: “But my revenge will come!“ (4.7.29). Even though these two characters fail miserably at their plan, they both contrast greatly with Hamlet’s thought process and procrastination. As I stated previously, we see that Hamlet is a man of reason and intellect. His reaction to the events that take place make him to first reflect upon them.