Throughout Hamlet, written by William Shakespeare, displaying the acts of suicide as an attempt to escape reality, religiously, and morally. Standing with two well-known soliloquies Hamlet, questions should I be alive, or should I be dead. Indecisive he wavers on the fact of the religious and classical perspective of suicide.
Opening Act Three, Hamlets first known soliloquy “To be or not to be”, suggest the idea of suicide. “The sling and arrows of outrageous fortune” (3.1. 1-3). Stating that love is like being hit with a million arrows, his heart yearned for Ophelia, and betrayal of his mother’s affection towards his uncle. Hamlet’s soliloquy providing the understanding of a “perfect closure” because all one has to do is simply sleep. The
Hamlet contemplates suicide as a way to escape his troubles, but he ultimately decides against it because of his fear of the afterlife. As the play progresses, Hamlet's view
In Shakespeare’s Hamlet, Hamlet struggles to cope with his late father’s death and his mother’s quick marriage. In Act 1, Scene 2, King Claudius, Queen Gertrude, and Hamlet are all introduced. Hamlet has just finished publicly speaking with his mom and the new king, and after he is interrupted by his good friend Horatio, who reveal the secret about King Hamlet’s ghost. Hamlet’s soliloquy is particularly crucial because it serves as his initial characterization, revealing the causes of his anguish. Hamlet’s grief is apparent to the audience, as he begins lamenting about the uselessness of life.
When applied correctly, soliloquies successfully allow the reader to experience characters in their most vulnerable state: within their own minds. Hamlet is no exception to this principle, as Shakespeare’s mastery of rhetoric in establishing the main character’s inner conflict provides depth and rawness to his complex character. In this well-known soliloquy, Shakespeare employs logos to acknowledge that death can be both a relief and nightmare due to natural human emotions; accordingly, Hamlet personifies a severe case of teenage depression by simultaneously wishing for an end to suffering yet remaining hesitant to act on his own thoughts due to his fear of the unknown. Throughout this passage, Hamlet attempts to rationalize ending his life over continuing to endure the painful reality of his existence. The parallelism in this particular soliloquy serves several rhetorical purposes, including the development of an implicit contrast between Hamlet’s mental state and the actual organization of his thoughts.
Most of us are evidently consequentialists, though we might not see it. Most people choose act in whatever way will produce the most favorable outcome. However, there are times when an individual may choose a course of action that is not respectable or morally sound. In Shakespeare 's tragedy, "Hamlet, the Prince of Denmark", Hamlet is forced to rationally evaluate his situation and acts in the way he knows is morally right, although the resulting outcome is not beneficial to him or anyone else involved.
Throughout the play, Hamlet has various points where he is confronted with suicidal thoughts or attempts. Throughout Hamlet’s first soliloquy “Oh, that this too, too sullied flesh would melt, / Thaw resolve itself into a dew, / Or that the Everlasting had not fixed/ His canon ‘gainst self-slaughter! Oh God, God!”
Throughout the play, suicide is mention by Hamlet and the suicide that he mentions is something that is related with death and decay. The prime idea of this play is about a mystery of death which then causes revenge. This prime idea then lead every single action of Hamlet throughout the play as, his action mostly is in order to seek revenge for the death of his death father, King of Denmark. Hamlet’s father appears to Hamlet as a ghost and tells him that he was murdered by Claudius.
Death is one of the most prominent themes in Hamlet, appearing in different forms. Shakespeare displays death through the suicide of Ophelia, Hamlet’s own thoughts and eventual suicide, and the murder of King Hamlet and Polonius. Hamlet displays suicidal tendencies throughout the play through his soliloquies. The first time that Hamlet contemplates committing suicide is when Gertrude and Claudius tell him that he has to stay in Denmark in Act one. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the Everlasting had not fixed his canon ‘gainst self-slaughter!
When Hamlet encounters his Father death, he becomes obsessed with death itself. He begins to wonder if suicide is the answer to end his suffering. In the play, hamlet says “O, that this too sullied flesh would melt, Thaw and resolve itself into a dew”(I.ii.133-138).
In the “To be or not to be” soliloquy, Hamlet says, “To die, to sleep/ No more—and by a sleep to say we end/ The heartache and the thousand natural shocks/ That flesh/ is heir to—’tis a consummation/ Devoutly to be wished!”(3.1 61-64) Proving that he is so distraught about taking action against his uncle that he believes that death would be an easier alterative to losing his purity and innocence. He ultimately decides that suicide is not the answer, “With this regard their currents turn awry/ And lose the name of action,” (3.1 88-89) because he cannot take the uncertainty of the afterlife. This entire soliloquy also highlights Hamlets delayed action to his problems.
In the play Hamlet, by William Shakespeare, the main protagonist, Prince Hamlet, is tangled with the theme of death. During the play, he presents how his life is surrounded with death after his father, King Hamlet, dies. Death theme is the most occurring theme Shakespeare writes about in his plays, which most of his plays have a very dramatic death ending and involve the death of the main protagonist. Throughout the play, Shakespeare presents the idea of life, which is the never ending cycle of revenge and death. Shakespeare starts the death theme with the death of King Hamlet, which stimulates Hamlet to seek for revenge with his various soliloquies considering death from various points of view and certainly leads to a dramatic ending.
However, hamlet’s frustration is manifested against the society he lives in. Nishi mourns his father not because of the man he was, but because of the relationship he feels he lost. Nishi recounts his father coming to him before his suicide, and believes this means his father truly loves him.
As a result of rumors and revenge in Hamlet, self-murder is a consequence. For example,Gertrude and Ophelia, felt that suicide was the only way to escape the pain and craziness they experienced. When people kill themselves, they are not in their right state of mind. In the Hamlet Primary Source about self-murder,it states that suicide destroys the beauty of life each of us has,when the real the beauty of life could be on the other side when people have truly passed away. Ophelia is a clear example of this, she appeared to be crazy to everybody else,but is only misunderstood.
Shakespeare presents death as an inevitable act of life, noting that all that is living must eventually come to an end. Due to “Hamlet” being a Shakespearean tragedy, the theme of death recurs throughout the play. Additionally, Shakespeare can be seen as using revenge as the main motive of a character’s murder, which makes “Hamlet” a revenge tragedy. The tragic nature means that by the end of the play, majority of the characters would have died. In this case, many of the characters have died due to murder or suicide.
Suicide is a reoccuring theme in Hamlet. Since this is a theme that affects all characters to a certain degree, it is interesting to see how the idea of suicide is treated both morally, religiously and aesthetically. This essay will mostly be based on Hamlet´s own soliloquies, considering their relevance to the theme, but Queen Gertrude´s treatment of Ophelia´s death is also worth a mention. The story of Hamlet takes place in medieval Denmark, but a precise date is not mentioned.
Hamlet’s ability to overthink situations or decisions makes him conclude that committing suicide might be the easy way out of his indecisiveness. Hamlet overthinks every problem that is happening. He overthinks so much that he cannot make up his decision about what to do with the problem. The cluelessness that is going on within his mind makes him lose his mental status, life and the love of his life. Hamlets actions are hypnotized by his thoughts: “Thus Conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment, With this regard their currents turn awry, And lose the name of action” (3.1.85-90).