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At this point, nothing else matters besides her intuitions and desires. This brings difficulty to her familiar relationships and friendships due to her rejection of living according to her role as a mother and a wife. Even though this conflict is addressed, it does not make an impact on her decision to remain a bit selfish through this time that she is finding herself. As a way of explaining her state of mind, Edna states that she "would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something which I am beginning to comprehend, which is revealing itself to me."
Hudock, Amy E. "The Yellow Wallpaper." Masterplots II: Women’s Literature Series (1995): 1-3. Literary Reference Center. Web. 26 June 2017 In this article the author, Amy E. Hudock, talked about the social issues with women maltreatment, mental disorders, and gender roles.
“A Doll’s House” by Henrik Ibsen is a feminist play, as shown by demonstrating the risks of defying societal norms and the burden of gender rules through many of his characters. In Ibsen’s opinion, “A Doll’s House” was primarily about the human condition. However, humanism and feminism are both centered around people and their values. Women were disregarded as human beings at the time of “A Doll’s House” publication. “Ibsen has been resoundingly saved from feminism, or, as it was called in his day, “the woman question”(Templeton).