The Deathly Hallows: Cinematic Analysis

“Things like 'mad as a hatter' or 'grinning like a Cheshire cat', are so powerful that music and songs incorporate the imagery. Writers, artists, illustrators, a lot of them have incorporated that.” This quote by Tim Burton perfectly sums up his own Cinematic style in one quote. He uses many cinematic elements to make his movies, especially music, lighting and color, and camera angles, all to tell us more than the dialogue does. Burton made his first movie in 1985 and has made upwards of 40 films since then.

Tim Burton Essay Throughout Tim Burton's mesmerizing movies, he uses many cinematic techniques to portray such a unique style. The three cinematic techniques Burton uses flashbacks, music, and lighting. With the proper use of techniques, Burton is able to create eye catching and attention holding films. In this paper I will thoroughly discuss the use of cinematic techniques, followed by some examples from the Tim Burton films that we watched in class.

In the Heat of the Night It is quite common for award winning books to be transformed into a movie. Readers are sparked with excitement, only to be disappointed by the results. They do not find themselves being able to have the same experience the felt whilst reading the text. They are let down and not satisfied by what the movie produced for them. There are also times when people assume that these films will always be identical to its book version so they refrain from actually reading the book.

The film of J.K Rowling's Harry Potter and the Goblet of Fire is an uncommon critical movie in the arrangement. Like the book, this film is vital in setting up a perception for the straggling leftovers of the course of action. It is essential that the film supplements the novel however much as could sensibly be normal. Using one of the critical features of a movie; visual imagery, the film change of the fourth novel is a better than average reinforcement to the novel. The visual similarity in this film complements sentiments and reactions that we can't in any capacity, shape or form get from the book.

The Harry Potter series consists of seven books all written by J.K. Rowling. Within Rowling’s books, where the fanciful exists, there resides the young wizard Harry Potter. Throughout Harry’s life, he has to deal with his haunting past along with his assimilation into the Wizard world. Harry’s struggle deals with values such as equality, courage, as well as love. The most significant value within the Harry Potter series is equality because through its institution conflicts are resolved.

For the love of food: Best Meals in Films. Warning: Please avoid these films if you are hungry. Marie Antoinette (Sofia Coppola, 2006) The 18th century France greets the new queen Marie Antoinette who arrived from Austria for the arranged marriage with the heir to the throne.

In the movie “The Lovely bones” Susie dies and is taken to a place that is suited to her and brings her peace. But there is no god or higher being in her heaven it could be because she didn’t believe in a higher power. Or because in her heaven she was focused on how she died and her family not a higher being. Susies heaven is peaceful, it doesn’t just take one form it shows her what is happening to her loved ones. In a way different things are symbols of events that have happened and of her family members or just those she cared about.

From the dark, ominous tones to the intense, emotional moments there is no doubt that Tim Burton movies are vastly different from others. His creativeness has made him one of the most influential directors in the modern era of movies. He truly is like no other, but when one looks closer, they can see the many events that contributed to his unique personality and his rise to success in the industry. His real story is when one looks in retrospect, at his life from beginning until now. Tim Burton’s success is influenced by many factors, making him an oulier.

Spellbound follows a female psychiatrist named Dr. Constance Peterson at a mental hospital who is considered by her fellow doctors as one of the best. When Dr. Anthony Edwardes arrives at a that hospital to replace the outgoing hospital director, he begins to behave very strangely, and soon Constance discovers that he is not who he claims to be. He is actually an impostor, suffering from a serious case of amnesia. His real name is John Ballantyne, and all of the circumstantial evidence indicates that he was the patient of the missing Dr. Edwardes and maybe he is the murderer. Constance and John fall in love, and she is convinced that her lover is innocent.

The film adaptation of the religious musical Godspell composed Stephen Schwartz and John-Michael Tebleak attempts to revitalize Christianity by expressing the teachings of Christ as expressed in the Gospel of Matthew in contemporary terms. Structured through parables primarily sung but also enacted through puppetry, storytelling, and skits; the main point of the film is to translate complex philosophical ideas into terms easily understood by a modern-day audience. In the Bible, Jesus illustrates his teaching to his disciples through stories of everyday situations. The play/film accomplishes the same task, but because Godspell is set thousands of years later, the details of the stories are once again modernized to the intended audience. The

Darrel’s return stage in the novel consists of many inferences, as we don’t know the end to his journey that will allow the reader to see the final steps. Darrel experiences a refusal of return, in which he has become so used to and has enjoyed taking responsibility of Ponyboy and Soda, that he experiences refusal of ever going back to his old life. His return though, the magic flight, can most likely be inferred when Ponyboy gets in danger, like in the book, and Darrel must come and rescue him from whatever he has gotten himself into. After that, he experiences his rescue from without in which he is brought back to his old life by powerful guides, which are most likely Ponyboy and Soda, as they feel they have been raised well by him and don’t

It has been years since the last Harry Potter film was released, but that doesn 't mean loyal “Potterheads” are actually stopping themselves from reminiscing about the days that they 're waiting for the release of a new book or a new film, that is why these loyal fans seem to put their imaginations into good use by making these theories that actually make sense. “We do not need magic to change the world, we carry all the power we need inside ourselves already, we have the power to imagine better.” – J.K. Rowling SNAPE IS PROBABLY ALIVE The first fan theory is about a very important character especially in the last few books and movies. J.K. Rowling did such an amazing job at making him look like he 's one of the bad guys but turns out he was sacrificing a lot just to be the hero.

The movie I chose to analyze is a popular children’s movie that is known and loved throughout the world. I watched it on February 3rd. This movie depicts an orphan boy who is raised by his aunt and uncle. He comes to learn that the world he knows is not the world he was born into, and on his 12th birthday, he is brought back into that world. He discovers that he is famous within this world for his family’s tragedy.

“I believe whatever doesn’t kill you simply makes you stranger” (The Dark Knight, 2008), this is the stand out sentence that the main antagonist, The Joker (Heath Ledger) speaks in the opening scene of the movie. Not only does this line set up the suspense for the rest of the movie but it also sets up the suspense for the opening scene of the movie. ‘The Dark Knight’ is a film directed by Christopher Nolan that builds suspense and intrigue throughout the movie, the director uses mise-en-scene, mise-en-shot and editing to put a seed of meaning for the viewer to draw from. This essay will analyse the opening scene of ‘The Dark Knight” mainly focusing on mise-en-scene, mise-en-shot and editing, where meaning can be taken away from the movie. This can definitely be seen in the opening scene of the movie, it has all the components to make it the perfect scene and the viewer will be able

The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged