Haydn String Quartet Op 33 No 2 Analysis

He started writing more pieces for the public as well as the family. He had composed some pretty big pieces in which were from abroad, such as pieces like the Symphonies from Paris and The seven last words of Christ. Soon after the newest Esterhazy family fired Haydn, he started to feel lonely because he was missing his friends, so he quickly accepted the invitation to write and play/conduct peices in England. While in England, Tons and tons of viewers and fellow ‘fans’ attended his concerts. From about 1768 to 1774, that was kind of a time period for Haydn to mature and write more pieces as a composer.

Jerry Herman was the composer of this song. He was born in 1931, was a talented pianist at a young age, and is a very famous American composer and lyricist. His work on Broadway is what he is most known for. “Bidi Bom” composed by David Eddleman was the second song in the program. The song is polyphonic because there are multiple voices that have independent melodies.

• Music: • Music was composed by Igor Stravinsky • The composer contributed to the libretto. • Violinist was Marcel Darrieux • The score of Apollon Musagète is written for strings only and is consistently classical in style: dry harmonies, an abundance of perfect chords, rare polytonal superimposition. Those are borrowed from the past (from Lully and Delibes), but divested of all historical reference to achieve an abstract purity. • Stravinsky began Apollo on 16 July 1927, and completed the score on 9 January 1928. He chose to make a ballet blanc, which he composed for a refined instrumental force, manifested as a string orchestra of 34 instrumentalists: 8 first violins, 8 second violins, 6 violas, 4 first cellos, 4 second cellos and 4 double basses • Stravinsky had centered Apollo music in Greek mythology.

Shrek the Musical is a Broadway musical comedy that is created by DreamWorks Theatricals in 2008. It is adapted from Shrek, a 2001 DreamWorks Animation movie, as well as a 1990 children’s literature Shrek! written by William Steig. The original musical is directed by Jason Moore with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast.

Shrek the Musical is a Broadway musical comedy that is created by DreamWorks Theatricals in 2008. It is adapted from Shrek, a 2001 DreamWorks Animation movie, as well as a 1990 children’s literature Shrek! written by William Steig. The original musical is directed by Jason Moore with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori. After watching the recording version of Shrek the Musical, I consider that it is a successful production if the purpose of this musical is to amuse audiences and bring them an enduring audio-visual feast.

Evocative of much of the work he composed during his younger years Wolfgang Amadeus Mozart’s Symphony No. 29 is a testament to his genius and mastery of classical musical forms. Written when he was just eighteen years old the composition is a concise and peculiar example of classical Sonata form. Instead of having an introduction before the exposition Mozart ops to present the primary theme of the piece’s Allegro movement at the start of the first downbeat. Exceptionally melodic the primary theme of the movement start with an authoritative leap of an octave in the violins.

His first success as a librettist came in 1922 with Wildflower, written with Otto Harbach. One of his friends led to the meeting of him and Richard Rodgers. The Rodgers and Hammerstein team quickly produced in a smash hit. After long and highly distinguished careers with other people, Richard Rodgers and Oscar Hammerstein ll joined forces in 1943 to create the most fruitful and successful partnership in the American musical theatre. OKLAHOMA!, the first Rodgers and Hammerstein musical, was also the first of a new genre, the musical play, blending Rodgers’ sophisticated style of musical comedy with Hammerstein’s innovations in operetta.

Tchaikovsky versus Chopin Tchaikovsky and Chopin were two of the most influential and ingenious composers of the Romantic era which stretched from 1850 – 1920. While of the same time period and similar in melodic mood, Tchaikovsky and Chopin each have their own distinct musical style. And though both men are considered Romantic composers, their lives only just overlapped with Frédéric-François Chopin being born in Poland in 1810 and Pyotr Ilych Tchaikovsky in Russia in 1840. Frédéric-François Chopin was from a middle class, Polish family while Pyotr Ilych Tchaikovsky was born into a wealthy, Russian family of five brothers and one sister. Both composers were recognized as prodigies and given music lessons from an early age.

On Thursday, February 23rd at 7 pm I attended the Department of Music Winter Concert that took place in Ogden.I got to experience a variety of selections that were played by both the Concert Band and the Symphonic Winds. I learned how instruments that differ from each other are able to connect in a way to make beautiful music. This musical event connection with humanities would have to do with creation, experience, and skill. All of those factors is something that was needed whether it was with certain civilizations creating architecture, religion, or writing. The "Elegy for a Young American" by Ronald Lo Presti was one of the most captivating compositions to me.

Which was the event he wrote his Piano Concerto number 3. Fortunately, it was an extremely good success and brought him fame in America. Which lead to him Immigrating to New York, right before the Russian Revolution in 1917.His family was Struggling in the russian recession, which lead to Rachmaninoff 's music outputs slow as he worked to support them in Russia. Rocky was haunted with the idea that quote when he left Russia, he left a musical inspiration behind end quote. Inspiration came when he wrote his famous Rhapsody on a theme of Paganini.

He started off with a sole interest in serious drama, however, in 1945 after seeing the musical On the Town, he found himself drawn to musical drama. The show had a line up of many new young talents, such as: Leonard Bernstein who was a composer, choreographer Jerome Robbins, and Betty Comden and Adolph Green who were writing partners. In addition to the talented lineup was veteran showman

George Walker was a successful man. He conducted, wrote, and played a part in many different pieces of music in his day and age. In November of 1945, Walker played in the third piano concerto by Rachmaninoff along with the Philadelphia Orchestra and Eugene Ormandy, the music director and conductor of the Philadelphia Orchestra. Walker then went on to conduct his String Quartet No. 1and Lyric for Strings in 1946.

Assignment #3 Zixin Zhang Music Concert Paper On Saturday, December 5, 2015, I went to the Palo Alto philharmonic orchestra concert II, which is called “Viola Night”. The concert was directed by Thomas Shoebotham, who has a highly varied musical career that includes opera and orchestral conducting, cello and piano performance. As the concert was designed as “Viola Night”, it was mainly leading by two outstanding viola soloists, Geri Actor and Mimi Dye. Attending the concert gave me a chance to know these outstanding viola soloists. By reading the guide book, I knew that Actor usually performances with ensembles on viola, piano and percussion, and she also consults in business occasionally.

It was a part of his other amazing symphonies during his trip to London. This piece is called “miracle” because of the fact that a chandelier fell during a certain performance. Fortunately, the audience had evaded the fall of the chandelier safely. It was considered a miracle which is why this piece is named “Miracle.” When this symphony was officially released, many political related events were happening at the moment. a few significant occurrences were the pact that India and the USSR signed for a 20-year friendship.

The San Diego Ballet performed Romeo and Juliet at the Old Town Temecula Theatre on October the 25th. This dance company uses music from a famous composer Sergei Prokofiev and the choreography was done by Javier Velasco. Velasco explains that his focus was centered on the two young people in love, Romeo and Juliet. He wanted to give the audience a glimpse of the first sensation of one’s true love. It was decided by Javier Velasco to select a smaller cast of colorful characters that would help bring a clear perspective between the feuding families, the entire performance lasted ninety minutes.