Throughout “Are Humans One Race or Many?”, Alfred Russell Wallace asserts that human races, despite initially sharing an ancestry line, diversified due to the unique environments each group resided in. Wallace’s thesis postulates that the environment’s “physical peculiarities” (Wallace 218) and specific “climate, food, and habitat” (Wallace 219) are the underlying influences behind the growth of each race. Wallace believes that as human races fostered physical strength and higher thinking, humanity bypassed natural order and established superiority between human races.
Paragraph One The book starts off with the crew and their Captain Marlow on the boat called Nellie, They are very civil and play board games to pass time. Once you go farther down the river the people turn to savages and they kill people for fun.
8. He lost his pants when trying to escape from the Radley’s yard. They get caught on the fence and get tattered. He takes the pants off to get out. When he goes back to get them, they are sewn up and neatly folded.
In their respective works, Barbara Kingsolver and Joseph Conrad give to the reader their main idea, through the internal reassessment of their characters. Though written 100 years apart Kingsolver’s Poisonwood Bible and Conrad’s Heart of Darkness both include the theme of a transformation of a major character. To show this theme Kingsolver uses her character of Leah Price, while Conrad uses his character of Charles Marlow.
" The thing is," she says, "we should both be careful about who we see. It isn't good for either of us to get down." (p. 57) Also, Conrad becomes interested in a girl, Jeanine who was new in Lake Forest. From the novel, we see, that they start very close and make a good pair by the end of the novel. Even shocking news of the death of Karen, don't take him down and he finds the strength to go straight into the future.
Survivor of the Holocaust and author of the well-respected memoir, Night, Elie Wiesel invites humane action with this statement: “Wherever men or women are persecuted because of their race, religion, or political views, that place must – at that moment – become the center of the universe” (1). One of the various “center[s] of the universe” presently is the Democratic Republic of the Congo, a struggling nation in which thousands of innocent civilians die each month from war-related causes and governmental forces. In the last decade alone, the Democratic Republic of the Congo suffered through two severe wars, one in 1996 and the other in 1998. The first resulted from ethnic tensions and, in particular, perpetrators of the Rwandan genocide, who,
In Joseph Conrad’s Heart of Darkness, the natives of Africa – the Blacks – were represented in such a way that they seemed to have close to little or no value compared to the Whites. The constant use of animal imagery in the novel is both a comparison and a symbol that has been used in order to dehumanize any character that was not White. As such, it can be said that the novel seeks to represent the Blacks of Africa as lowlife beings, prehistoric barbarians and savage creatures that have no rights to say anything for themselves. However, Conrad also shows a flipside to the typical ideology of Whites being superior to Blacks by representing the Blacks as a strong and restrained group of people, confined only due to helplessness.
Ignorance of another's personal values or situation results in an impassable schism between the two parties. People fail to understand each other, and as such, they regard each other in lower lights. In “Heart of Darkness”, Joseph Conrad, through Marlow, writes his novella through a lense of ignorance and the perspective of the typical white person of the time in order to relate his story to the reader. Marlow and the accountant are contrasted with Kurtz to display the effects of evil on an individual.
Conrad uses examples of order and chaos throughout his novel to aid in the delivery of the differentiation of the truth of human nature and the sham of civilization. In these examples, order represents civilization and chaos represents the wilderness of Africa. When Marlow finally left the central station to retrieve Mr. Kurtz, he and his crew stop at an abandoned cottage in the middle of the jungle where a European once lived and noticed an old book on the table. Marlow says, “Not a very enthralling book; but at the first glance you could see the singleness of intention, an honest concern for the right way of doing work, . . . The simple od sailor, with is talk of chains and purchases, made me forget about the jungle and the pilgrims in a delicious sensation of having come upon something unmistakably real” (78). This book represents order, and it was heavily used by the white man; this implies that this book was his way of protecting himself from the chaotic jungle around him. As Marlow read this book, he began to forget about the chaotic world around him, and it made him feel something normal from civilization. Conrad is using this plot event and the setting of the cottage to show the difference in the Europeans principles of order and chaos, as well as show how some of them use this order to shield themselves from the chaos.
The lights from the city reflected the Thames River because London is described as being light, the light symbolizes Conrad’s view of civilization. According to Conrad civilization is where evil is present but ignored. The light is the knowledge that is gained through exploring. Conrad uses Africa and the Congo River to represent the evil that waits in the unknown. The darkness is said to be full of savages and cannibals it is further emphasized as being the uncivilized part of the world where people eat people and the savages wait in the trees and in the darkness. Africa in this novella is portrayed as “the Heart of Darkness” the place where the men’s inner evil is exposed, this is done through their thoughts and actions.
The use of various literary devices in Joseph Conrad’s novel helps to bring his story to life, which ultimately is to his advantage. Conrad brings the reader into the darkness, displayed the corruptibility of humankind and left them pondering the absurdity of evil and imperialism. One of the strongest literary devices that Conrad uses to engage the reader in his novella is the use of imagery. However other important literary devices that are used throughout the novel as well as in the extract above is: similes, metaphors, personification, foreshadowing, and symbolism and narrative techniques.
In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.
A gun gives you the opportunity, but a thought pulls the trigger. In this world, there are many life changing situations that can test one's sanity. Such situations can capture one's mind leading the mind to be on the verge of psychotic. Heart of Darkness, by Joseph Conrad, grants the characters with a series of insane scenes that can generate question of psychotic characters. Conrad uses psychological influence throughout the novella specifically in the areas of, physical health, geographical surroundings, and eerie obsession to lead to the overall truth of madness.
Often in literature, the physical journey the main character takes represents their psychological growth. In Heart of Darkness by Joseph Conrad, Marlow’s journey into the heart of the Congo represents his progression into the darkest parts of his mind. As he travels deeper into the foreign terrain, he begins to question the world around him and himself.
In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective through the main character, Marlow. Through the lens of New Criticism, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.