Heathcliff Deterioration Analysis
Transitive Deterioration
Throughout Wuthering Heights by Emily Brontë, the intense suffering of Hindley, Catherine, and Heathcliff not only causes their individual deterioration, but sets the stage for the younger generation to follow.
Hindley’s self deterioration is started by his intimidation of Heathcliff, and evolves to the point of his demise. Hindley truly never accepts Heathcliff as a member of the Earnshaw family. From the moment that Heathcliff enters Wuthering Heights, Hindley causes Heathcliff pain and suffering through demeaning and oppressing him. Hindley verbally abuses Heathcliff, and differentiates Heathcliff from himself and Catherine. Catherine remarks on this, “Hindley calls him a vagabond, and won’t let him sit with us, nor eat with us any more; and,
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From the very first he showed great courage, steadfastness, and love. But with Mr. Earnshaw 's death Hindley has the power to degrade Heathcliff to the status of a servant. A weak, vindictive character, as cruel as Heathcliff without Heathcliff 's strength, Hindley prepares for his own destruction by his inhumanity to Heathcliff and the other inhabitants of the Heights” (Watson, 90). With the loss of his father, Hindley has a sudden gain of power, in that he must navigate the entire future of Wuthering Heights himself. This opens Hindley up to the stresses and strains of leadership, in which Heathcliff can manipulate the the suffering of Hindley. Heathcliff and Hindley gamble, and Hindley is often drunk. However, Wade Thompson writes, “Hindley 's first instinct when drunk is to kill his son, whom Nelly Dean constantly hides. At one time Heathcliff accidentally rescues Hareton from a fall, but is so incensed by the mistake that "had it been dark... he would have tried to remedy the mistake by smashing Hareton 's skull on the steps"” (Thompson, 69). At this point, Hindley is a drunken wreck. Hindley has his priorities out of order, and
Catherine Called Birdy Book Report
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558 Words | 3 PagesHindley’s evil nature is further evident after Mr. Earnshaw dies and Hindley becomes Heathcliff’s guardian. He uses this new foreseen power to avenge and enslave Heathcliff for stealing his father’s love from him, tantalizing him for the better half of his childhood until Heathcliff finally escapes his tormentors relentless grasp. The same ignoble and vengeful characteristics can be seen again after the birth of Hindley’s son Hareton. He blames his son for his wife Frances’ death as she died during childbirth, and because of this torments and abuses his child as he did with Heathcliff. He becomes and alcoholic which causes him to have unforeseen bursts of rage, usually ending in him harming the child physically.
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Dichotomy In Frankenstein
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Isolation In Mary Shelley's Frankenstein
819 Words | 4 PagesHindley's isolation serves as a major theme throughout the novel, and its effects can be seen in his relationships with other characters. Hindley is isolated from the beginning of the novel, with the death of his mother and the arrival of Heathcliff at Wuthering Heights. Hindley is jealous of his father's attention towards Heathcliff, and as a result, he becomes bitter and resentful. He is unable to form a bond with Heathcliff, and their relationship is fraught with tension and conflict. One of many insults that Hindley has towards Heathcliff includes, “Off, dog!
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1239 Words | 5 PagesThe old lady told her, “ ‘Little Bird, in the world to come, you will not be asked “Why were you not George?’ or ‘Why were you not Perkin’ but ‘Why were you not Catherine?’ ” (Cushman 17). Catherine didn’t fully understand what it meant at first, but the old woman’s words helped her later when it really mattered. When Shaggy Beard’s messengers came, Catherine ran to her Aunt Ethelfritha’s house in fear and desperation.
Wuthering Heights Comparison Analysis
833 Words | 4 PagesCompare the ways in which the writers of your two chosen texts make use of different voices. You must relate your discussion to relevant contextual factors. Bronte in Wuthering Heights and Hosseini in A Thousand Splendid Suns aim to give a voice to their oppressed female characters in their respective patriarchal societies (the Georgian/Victorian period and ISIS ruled Afghanistan) through utilising narrative voice and perspective. Both authors use interchangeable and unreliable narrators to distort the truth of the women's stories, giving the reader a subconscious bias. Lockwood is the main narrator within 'Wuthering Heights', he is written by Bronte as an ignorant character, constantly making mistakes about peoples character.
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709 Words | 3 PagesHe places her in the nursery of the colonial mansion, despite her requests to be placed otherwise, “I don 't like our room a bit. I wanted one downstairs... but John would not hear of it” (Gilman, 2). The narrator’s husband dictates all aspects of her life to the point where she internalizes her husband 's authority, accepting his dominance over her, “I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad,” (Gilman, 2). Even though the narrator knows what she needs is to be active surrounded by people instead of cooped up alone in a house out in the countryside, she abruptly stops her train of thought as she remembers John’s instructions to not think about her condition.
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1379 Words | 6 PagesWhile mankind has made substantial progress in ridding the world of diseases, mental illnesses are still prominent, and often overlooked. In the novel Wuthering Heights, Emily Brontë highlights illnesses caused by tensions in order to construct a world where mental health problems and internal struggles take on a life of their own. In the case of Catherine Earnshaw Linton and Heathcliff Earnshaw, the body follows the mind 's descent into distress, with mental illness inflating strenuous circumstances. On the surface, the fevers and hallucinations are nothing more than a plot point orchestrated to spawn grief.
Theme Of Self Alienation In Wuthering Heights And Frankenstein
2102 Words | 9 PagesAt the beginning of the novel, Catherine is described as a wild and rebellious child. However, that changes after her stay with the Linton’s. When she returns from her stay her “manners were much improved,” and “instead of a wild, hatless little savage jumping into the house…there lighted from a handsome black pony a very dignified person, with brown ringlets falling from the cover of a feathered beaver, and a long cloth habit which she was obliged to hold up with both hands that she might sail in” (46). Catherine was tempted by the way of life the Linton’s lived and, to fit in, has concealed her wild and rebellious nature. She confides in her housekeeper that she loves Heathcliff, but can’t marry him because it would “degrade” her (71).
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