TeMera Evans
Production Response for HeavenBound
THE 120-07
Tuesday 10:00-11:15
The play was an interesting experience. It was the third complete production with acting that I have seen. I believe it was a gospel stage play. It is titled Heavenbound. The play was written, directed, and produced by Don B. Welch and was performed at Wilshire Ebell Theatre. I enjoyed myself for for almost the entire play with very few exceptions. The production had a well put together storyline and was very funny, conveying a true meaning of what God has in store after death for different people. Although, the play was a great success there were a few small adjustments that could have be made to make the show that much better. The play was extremely funny and
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The lighting changed with each performance or testimony from the characters as they prove they are worthy to get into heaven and join heaven’s choir. By far the best component of the show was the singing from the actors. They all had incredible voices. Their voices made up for the lack of on-stage material. I only had two cons for the entire show which included the length of the production and the on-stage props. The performance was too long for me. From the director mouth it should have been longer; He was happy it had closed right before 11. I was tired and ready to go to sleep by the time I got to the car . But by far the most disappointing aspect of the play was the on stage props, or lack thereof. There was only foldable chairs for the actors to sit on and a cloth wallpaper of clouds that were simulating heaven. I expected props like in the Wine in the Wilderness. Something that took over the stage and had me feeling like I was the crossroad to heaven not some cheap wallpaper of clouds. That was the only aspect that truly disappointed me. But the actors performance and singing made me look past The play showed there is something waiting on the other side, something
In the written play the second row contains Mrs. Soames with others that are not named. In the stage performance, Wally Webb is in the second row. In the written play Wally is suppose to be in the third row of the graves. The third row has people who we do not know the names of. Mrs. Gibbs and Simon Stimson are both in the first row in the written play and the stage performance.
It was much different than anything I have been too. The two main narrators made this circus Olay act, even more entertaining by being humorous. A great deal of times these two narrators made almost the whole crows grin and chuckle. For my family and me, we could not stop smirking or laughing the entire time. What else brought uniqueness to this performance is that they got people from the crowd involved in a couple instances.
The black box theater is a very intimate setting to begin with, and as I took my seat in the theater, I felt that intimacy. The theater was dark, and the audience was virtually silent before the production began. As I sat waiting for the performance to begin, I took in the lighting, the props, and the set as a whole, and I began to feel as if I were sitting just at the edge of a different time period. The design element that stood out most to me was the lighting of the river because the gobos and the selection of down lights made the river come to life, almost as if it was another character in this production. I was definitely drawn into the world of this play due to the intimacy of the black box theater and the lighting design of the
The set was simple, and it had a lot old fashion furniture that you don't see that much unless you have grandparent that still have old style furniture. The theater was small and minimalistic and help the audience feel closer the
The scenery was weird when I first came in maybe because I wasn 't expecting to see boobs been drawn on trees and also penis on trees. Everything went well with what was going on in the stage. The outside venue was nice not like some others I 've been to. The play was interesting and really funny, well the actors made it funny. The actors would interact with the audience.
The switching of roles is as quick as the blink of an eye especially the scenes with the traveling salesman, conductor and Hannay. They also use vocal sounds to reenact trains noises and other objects that aren't visual props but still make you feel as if they're there. The actors themselves being human props is a great thing that makes the play work. The funny accents especially of Hannay are quite comical. When Annabella simulates sex with the male actor with her having a knife wound in her back was hilarious as hell I actually cried
In the Heights a play full enthusiasm and full of energy, it won many awards including a Tony award it was produced and directed by Lin Manuel Miranda. It was performed in Irvington Town hall Theatre on August 15 ,2014. It is a musical that carries a lot of messages, that brings connection to many people about wanting to experience something new and wanting to find home. Usnavi a man who live and own a Bodega in Washington Heights want to connect to his root in the Dominican Republic by going back since he hasn 't gone in a long time.
Unlike the play in the Gene Frankel Theatre the storyline stuck just like the book illustrated it to be. The actors in the play gave a believable interpretation. Besides not being a glammed up play the actors gave it they’re all and presented the book in a correct form, by their accents, their posture and stance how they carefully pronounced their words. My favorite performer was Lennie played by Alexander Kafarakis he was able to bring his character to life just as written in the book. He was able to show Lennies mental disability with his slow thinking and speech patterns.
Those performing are conscience of the audience, which I believe implicates this performance but also allows them to confront their performative self with their indulgent one. There is an evident line between the aspect of performance in the piece and her attempt to dismantle our boundaries so that we are nothing but primal creatures. This performance in play addresses this area that still needs to be explored, we never get the chance to see semi-naked adults playing and just having fun without it being
It was almost as if you were taken on the journey with the characters. The marble statue looked very realistic and I am very interested on if they used or something different. Another thing about the set was how the ensemble smoothly and efficiently and the way that the ensemble “matched” the scene change. They had the commoners change the set for the scenes that took place outside, and they had the maids and hotel workers change the set when it came time for a scene inside. The
A fact that I appreciated was that it was the director’s first year at Trinity and he made sure he did an exceptional job on these pieces. Compared to the last performance I attended, I liked this one more because it was exciting and made me comfortable being
However I was dissatisfied that much of the set seemed identical to the previous play that was held there. I was anticipating a unique appearance, the usage of more props and adornment could have inquestionably changed the look and made the play substancial. The plot was divided into a few parts.
The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.
I liked that Paula Vogel did not hold back and let all of the emotions of the play loose. I am anticipating that I will enjoy the play. I personally think I would like it more if the characters were portrayed by only people rather that people holding puppets, but they have too much symbolic meaning to be left out. I think the puppets are meant to resemble the fact that we really have no control over our own lives as children. The release of the real people from the puppets into adults symbolizes the freedom from their
Readers observe the Stage Manager’s inital definition of “eternal” by noting the events of Act III. Here, popular characters such as Mrs. Gibbs and Simon Stimson exist, though not in the world of the living; rather, they silently observe mortals from beyond the grave. As they exist, time and events eternally unfold around them. The Stage Manager views “eternity” as something abstract, yet he illustrates it in every single human being. He believes eternity serves as a bridge between unappreciative and humility.