Hector Berlioz Symphony Fantastique

In the book, Symphony for the City of the Dead, by M.T. Anderson, the author accentuates the composer, Dmitri Shostakovich, to describe the composer’s devotion for his city and country. The novel was set during 1905-1975 in northern Europe and western Russia. When Shostakovich lived in Leningrad, Russia, during World War 2, he wrote symphonies. He expressed his feelings of horror and hope for Russia's victory against the Nazi power in his symphonies. Although, his seventh symphony was the most significant to all globally in this time of war. It brought allied forces together to defeat the Nazi power. M.T. Anderson argued that Russia's dedication in music and nationalist feelings was prominent in obtaining and battling for its own country during

Other than this, no sound of a person, conversations or anything is heard. The music seems to be composed of string instrument like violin. Sound effects are strong and captures the attention of people watching the film. Primarily two major different category of sounds are used. The first sound heard is composed of violin or similar string instrument in a loop. The second sound is related with opera where women with high pitch in a loop as well. The music makes the film more gloomy and makes to think something is going to happen either bad or good.

As one of the most noteworthy performers and musicians of his time, and more specifically of the era of 20th century classical music, Glenn Gould (1932 - 1982) has certainly earned his widespread recognition that has extended across decades since his passing in 1982. While his body of work is extensive, and within that body of work lies several characteristics worthy of discussion, perhaps the most noteworthy of Gould 's performances lie within his interpretation of Johann Sebastian Bach (1685 - 1750) 's music. Having been performed throughout his life, Gould influenced the development of classical music in Canada and changed the approach of many musicians towards the Baroque era of music. With his passion for contrapuntal craftmanship, it is clear that that Gould garnered influence from

A symphony is defined as ‘an elaborate musical composition for full orchestra, typically in four movements, at least one of which is traditionally in sonata form.’ However, this definition is a basic structure and has been altered over the various periods to suit composers. This large scale work requires a wide range of instrumentation and the form may vary greatly.

The opening piece for the evening was “Entry of the Gods into Valhalla” written by Richard Wagner. This specific song was taken from Das Rheingold and was written in the Romantic Era. “Entry of the Gods into Valhalla” starts with deep mysterious music

Consisting of five miniatures, the Sarcasms Op. 17 was composed in 1912-1914 and was one of Prokofiev’s early pieces during his years at the St. Petersburg Conservatory (1904-1914). His years in the conservatory helped him to establish his early style, which highly resembled that of his predecessors, romanticists Scriabin and Rachmaninoff, at the beginning of his career. Later on, as he got in touch with more and more avant-garde music and modernist artistic ideas, he began to forge his own modernist path. Sarcasms mark the turning point in his search for a new musical language, in which his exploration of the limits of modernism was taken to its extreme. Each of the five pieces has a different character, projecting different dramatic emotions.

This essay analyses Steve Reich’s Music for 18 Musicians, and how this minimalistic piece of Steve Reich’s later days proves to be a work of an alternative paradigm to many of his other earlier works. Music for 18 Musicians is an alternative paradigm to Steve Reich’s earlier works in various aspects. These aspects include harmony, rhythm, and instrumentation, which will the elements described and explained in this

For assignment 2, I choose the piece “Lohengrin: Act III: Prelude” composed by Richard Wagner. This piece is located in the “Types of Listeners I: Introduction and Casual Listeners” section.

Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place. In John Harrington Edward’s book God and Music, he states, “In simplest definition,

The shortest tune of the record, “Sequoia/Kings Canyon”, features Wadada in great interactions with his peers, especially AkLaff during the final improvised section. The brilliant suite culminates with the sparse “Yosemite”, an exercise in contemporary chamber music.

Capulet: He is the one who rules the Capulet Family in Verona and has a blood feud with the Family of Montagues.

Edith Borroff was born in New York City, on August 2, 1925. Her father and mother both musicians and very popular at that, were Marie Bergerson and Ramon Borroff. Her parents were very accomplished pianist. Her mother graduated from the University of Michigan with a Bachelors and also a Masters. She then went on to receive her Ph.D from Yale University. Her mother was the first woman to ever teach in the English Department of Yale. Her father was not very much spoken of. Of course since her parents were musicians, it was only natural that Edith start her career with music at infancy. The music within Borroff definitely came naturally, she was even writing her own pieces of music at the age of six. This skill and dedication for many doesn’t

his perspective rather than just a simple song. The anguished look on his face portrays that there

I attended the Houston Symphony conducted by Andres Orozco-Estrada on Sunday, February 18th. It consisted of three pieces by the name of Three Dance Episodes from On the Town, Lago de Lagrimas Concert for Flutes, and Symphony no 7 in D minor, Opus 70. Overall, it was a great experience that I would definitely repeat because it was relaxing and peaceful watching the performance. The crowd was very respectful and the setting was professional and fancy. Everyone was nicely dressed and the workers were extremely helpful in directing the audience to the correct place. The doors were not allowed to be opened during performances which kept the distractions to a minimum.

The concert that I attended was the UIC Wind Ensemble concert on October 17, 2015 at 7:30 pm, in the UIC Theater and was about an hour to two hours long. The fist performer I will introduce is Jose Oliver Riojas, which was also the conductor of the concert. Riojas is the assistant professor of music at the University of Illinois in Chicago and the conductor of the Wildacres Saxophone Ensemble. Some other performers was The New Century Saxophone Quartet, Chris Heming way (Member of the Stan Rubin Orchestra), and Ashlee Hardgrave (“Vocal Powerhouse” Soprano Soloist). This concert was played by UIC students. The Composer, which was a guest, of the concert was James Syler. Syler compositional interests were between orchestra, wind ensemble,