Heidi Yardley’s Ritual (2008) depicts a young woman lying face down on a table in a dark room, her long hair concealing her face and her hands curled up to meet her. The visual narrative of this work is unsettling and leaves the viewer with a sense of unease and vulnerability long after they have finished looking at it, due to the subtly ominous undertones. The artwork utilises the elements of colour, shape, space and light working together in tandem to present the viewer with an overwhelming sense of emptiness and a crushing feeling of closeness to that emptiness as the woman in the painting almost falls out of frame into the viewer’s world.
This artwork presents itself at an unintimidating 55.0 x 50.0 cm; however it sparks a sense of urgency within the viewer, demanding they pay attention to this woman and encouraging them to walk around her and inquire about her welfare. Yardley’s use of
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However, there is no highlight on her clothes, and there is no light under the table. These negative spaces swallow the light, and are what makes the work so unsettling. Every child at some point is afraid of what is under the bed, but as one grows those fears change. The one thing that doesn’t change is how that fear, shrouded in darkness, makes us feel like we may be consumed by the feeling of despair and emptiness. The woman’s hair is falling out of frame, bringing her into our world. This forces the audience to become incredibly close to their own fears as they can almost imagine themselves as the girl on the table.
This artwork is unsettling and leaves the viewer feeling empty and incredibly close to that emptiness. The visual elements of colour, shape, space, and light working together to push these feeling forward into the light. This revelation means viewer realises that they must confront their darkness or be consumed by
Art has been around for centuries, expressed in various ways through different mediums; painting, drawing, photography, music, and so many more. Each having smaller categories within them. One can create a portrait with different types of paint, chalk, pens and pencils, the lens of a camera. A musician can convey a feeling within lyrics, or notes of a song. Separate forms of art, yet if you look closely enough, you can see similarities as well.
The tactile imagery reveals that there is cruelty, neglect and coldness in humanity. The speaker also predicts that his daughter will “relish in the sting of other’s agony” (10). The tactile and auditory imagery reveals that there is pain, suffering, as well as hatred in life. Another tactile imagery “mesh of seaweed snarled” (4-5) describes the feeling of having cold, slimy seaweed tangled around one’s wrists, suggest that the daughter is drowning. This imagery implies that accidents can happen in life.
The Into the Light exhibit, located in the Thomas Center, displays a wide array of Virginia Louise Leak’s artwork. Although Leak was diagnosed with a mental illness, she was still able to produce a lifetime of art. I believe her illness is what makes her art so extraordinary and relays a deeper message than what it appears to be on the surface. To me, if you truly desire to understand a work of art you first have to learn about the artist; therefore, before I even began observing the paintings and etchings I carefully read all of the plaques that gave detailed information about Leak’s life, history, and her works of art. Not all of Leak’s painting and etchings are on display for the public, but the artwork that is available to the public is truly astonishing.
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
It makes the overall work more dark and robust.” Avery said that the variety and doctoring of the sounds made her feel disassociated from her surroundings and engaged in the new occurrences within the video. There is not one specific fear or theme to focus on, but rather a
At night, her intense observation of the paper seems to change her very personality. She watches it as the patterns come to life to form the bars of her postpartum and her longing to be liberated. Darkness has the power to release the mask disguising human nature. In the story of "The Yellow Wallpaper", the main character is trapped by her sickness, constantly feeling as though she has no power to change the course of her life.
The subject matter of this work of art is representational to Dia de Muertos(Day of the Dead), or All Soul's and All Saint’s Day . The art is an acrylic painting of a woman that has paint on her face in celebration of the Mexican holiday that commemorates life and honors the deceased. It was painted with acrylic paint on a canvas that is approximately 20 inches wide by 30 inches in length. The first thing you sense when you see the artwork is the buoyant colors of happiness but the contradicting depressed facial expression and body position. Although the holiday is supposed to celebrate life, there is a time when you also recall the memories of the loved ones that have passed.
My initial thought of the piece was that she was creating a scene encompassing the changing of seasons and how they flow from one to another, parallel to that of a stream. Patiently, over time, this piece’s identity began to morph into a more complex ideology. The theme that Sakoto Fujikasa is expressing through her piece is to show how the encompassment of life is comprised of the various emotions we express and sense.
In Charlotte Gilman’s short story “The Yellow Wallpaper,” she tells a horrific ghost story about symptoms of the rest cure. The “rest cure” was a treatment developed by Dr. Silas Weir Mitchell who restricted women of intellectual stimuli and condemned them to a domestic life to help their postpartum recovery. After being a victim of this treatment, Gilman wrote “The Yellow Wallpaper.” Careful attention to the use of Gilman’s symbols in her short story allows the reader to analyze some of the themes concerning feminism and societal misogyny. Foreshadowing throughout, Gilman uses the house, the writing, and the wallpaper as symbols to show how man’s use of the “rest cure” limit women in society and offers that the solution to this issue is to persistently tear away at man’s injustice.
This makes us instantly look at them. The wide space between the man and woman has no major distractions within in, the artist could have filled that space with some interesting art, but chose not to because it would have drawn the viewers’ attention away from the woman and man. The authors choice of color is quite plain, but the bright colors that follow the sides of the viewing box help guide the viewers eyes to the man in the background, assisting the implied created by the railings. The author used value in the artwork to show what is important. The woman’s body is heavily shaded and doesn’t catch the viewer’s eye.
Initially, the narrator is disgusted and irritated by the paper, claiming, “I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin” (339). This reaction mirrors that of a sane person’s--fearing the unknown, they distance themselves from insanity and any iteration of it, seeing it as grotesque and shameful. Yet, as she spends more time in the room, she grows interested in the wallpaper and begins to investigate. She comes to the conclusion that: “I didn 't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman” (346).
From beginning to end, I am captivated by the music. Each element brings a unique character to the overall piece. The music takes the listener on a suspenseful journey. The arrangement of the song gives me a visual of someone stumbling upon a dark forest and begins to hear the fast-approaching movement of something behind them. The pairing of several melodic phrases throughout the composition adds to the sense of chaos and turbulence.
There is no name for a mother who has to bury their own child. In Kathe Kollwitz’ artwork, Woman with Dead Child, viewers learn the agony and pain associated with losing a child. This artwork, crafted in 1903, grabs attention by expressing love, passion, and emotion over the simplicity of a human being. Viewers of this piece capture a shock and a heart-breaking feeling when first viewing the artwork. Suffering through love is a terrific way to describe Kollwitz’ artwork created by etching.
On of the greatest examples of imagery that Alice Walker uses is the one that compares light and darkness. At the beguining of the story the author mentions delicate and calm setting of a farm. In creating this imagery the reader is able to understand that all the positive and upbeat words are associated with the farm setting. Myop’s light-hearted innocence is also shown when “watching the tiny white bubbles disrupt the thin black scale”. The effective description provides credibility to the environment, and makes the later events all the more shocking,
In her childhood, the unnamed narrator has had a wild imagination which still haunts her: she admits "I do not sleep," and as a result she becomes restless.(653). Her imagination makes her live in an imagined world of her own and completely detached from reality. The