Henry Ford Hospital Analysis

Within her painting, the audience gets a feel of what it was like to grow-up or be a part of the artist’s life. The artist’s images speak of memory and of hope. She is considered a folk Chicana artist and is widely celebrated as one of the best known Chicana artists. Garza’s images incorporate religion, tradition, and political struggle in the

It reveals a theme concerning the impact of a death on people and what they do to try to avoid that foregone conclusion. Striving to skirt around the pain that his wife died, Jorge therefore enshrined the dishes so that would seem like she was still alive. Another effective symbol in this story was a tree planted in front of the Ramirez funeral home. Luis remembers, “In the front yard was a huge oak tree that Luis remembered having climbed during the funeral to draw away from people. The tree looked different now, not like a skeleton, as it had then,but green with leaves.”

The animals in the paintings include a cat (signifies on being catty), a monkey (substitute for children she could not have), a butterfly (transformation), and her thorn necklace that pierced her flesh (shows suffering). These animals and objects created a spotlight on her emotional and physical pain throughout her life. Such as these events that we are able to discover in Frida Kahlo ’s artwork, metaphors are used to fill semantic gaps when new concepts emerge, just like how it is being used within science. When an image gets produced, it becomes a reference point for other images and the meaning will change according to how the individual will view it.

Diego Rivera’s small image of fruits and vegetables displays a connection to all the other images on the wall. The fruits and vegetables are considered to be a “minor image” shown next to the main image of the baby curled up in the center of the plant. All the minor images on the wall are placed under the major images, and have some sort of relatedness between them. For example, the major image above the fruits and vegetables is a fertility figure that is holding apples, the connection between these two images, is that these fruits and vegetables are naturally grown from the ground to help keep our bodies nourished. In addition, the baby and the fruits and vegetables both symbolize growth and nourishment.

The Virgin of Guadalupe is a worldly known work of art; Jeanette Favrot Peterson questions the meaning of this iconic symbol in her article The Virgin of Guadalupe: Symbol of Conquest or Liberation? Peterson argues that this symbol is not only of religious connotation but of political value to freedom as well. Furthermore, paraphrasing her claims, that it was not until the nineteenth and twentieth century’s did the image reach its fullest potential of bringing together a fragmented people and become known as the “Mother of Mexicans.” The legend says that Juan Diego was visited by the Virgin on the hill of Tepeyacac and that she sent a message with him that she wanted a church built in her name, only after the third visit was he able to convince

Diego Rivera is a painter and a muralist who had an abstract style in his work. Most of his themes were depicting the lives of the Mexican people. As for Frida Kahlo, she is a self-portrait artist whose style was representational. Her themes were depicting her agony of her medical condition and the sufferings she went through on her miscarriages. In 1933, the couple had a controversial collaboration of a mural called the “Man at the Crossroads” in New York City RCA building which featured Vladmir

“It is time to wake up Washington as it has never been shocked before,” were the famous words spoken by black labor leader A. Philip Randolph. After WWII in the 1940’s African Americans wanted to see change following the war. African Americans became more assertive for equality and the rights they knew they should be given. During this time the NAACP worked to end the discrimination within the armed forces. There was an organization called CORE, congress of racial equality that wanted to protest without using violence, which lead to the sit ins in the south that challenged the Jim Crow laws.

I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.

The two women kneeling down in their bulky bodies symbolize strength and perseverance. Being a laborer during the Mexican Revolution meant that one had to be tough and resilient in order to survive. Rivera’s depictions of the two women symbolize Mexico’s triumph over the Mexican Revolution. He wanted to create paintings that spoke highly of his country after being hired to do so by the government of Mexico. His purpose was to inform the natives of Mexico that even in times of struggle, they still are strong enough to

Las Dos Fridas, translated to The Two Fridas, is a self portrait created by Frida Kahlo in 1939 through oil paint on canvas. The piece includes two portraits of Kahlo, of which bare two separate and contrasting images. In comparison, Kahlo painted both a dark unibrow and a faint mustache in addition to bold red lips. The two are seen intermingling hands. In contrast, the Kahlo on the left side is wearing a white and lacy gown with floral designs embroidered on the bottom of the dress, mimicking european wear.

In the Two Fridas, we see two different characteristics of the same person, eventhough they represent two different people. The Frida on the left illustrates herself in a traditional European dress with a cut exposing her broken heart. On the right side, Frida is in a Mexican attire dress with a full beating heart and is holding a picture of her now ex-husband Diego Rivera. Frida choice of colors for this painting are dark and creates a sense of yearning for someone.

In this essay, I’m going to discuss the gender roles in the paintings of Dalí, in the film “Un Chien Andalou” by Buñuel and the poems of Federico García Lorca. Gender roles play a huge part within these works. All three of these artists had the ability to showcase something beautiful or majestic through disturbing and off putting imagery. This is what made their work so distinctive compared to many other artists during the surrealist period. The main things all of these artists have in common are their feelings and expressions of gender roles.

This painting was created in 1939 by Frida Kahlo. Kahlo created this painting shortly after her divorce with her then husband Diego Rivera. It is said that the painting is used to represent the different sole characteristics of Frida. One of the images represents the traditional Frida in Tehuana costume with a broken heart, the other is seen as an modern day independent Frida. The period of the artwork

Subsequently, the contrasting imagery suggests that even if she were to re-enter the physical space of Mexico at that very moment, there would be no true ever-present Mexico to which she could refer to. For Kahlo, Mexico does not suggest either a conclusive national personality because that is impossible when the past was in ruins and the future was continually being compromised with modernity which is aptly represented in her painting as the roots of the Mexican plants stretched out and entwined with the power cords of the US loudspeakers (Volk 2000 177). As a result, the Self-Portrait not only complicates the notion of the emergence of a Mexican nation — which Rivera was working so hard to depict — but seems to parody his attempt to merge

The cropped hair to Kahlo represents her failure to fulfill societies role as a wife and woman. The braids were a central element in Kahlo's identity as the traditional La Mexicana, and in the act of cutting off her braids, she rejects her former identity. The hair surrounding her on the floor echoes an earlier self-portrait painted as the Mexican folkloric figure La Llorona, here ridding herself of these female