Henry Nash Smith and the ‘Myth and Symbol School’
After Turner’s ‘introduction’ , the West became one of the foundational elements for the earliest scholars of American Studies. Proposing similar questions as Turner, the so-called ‘Myth and Symbol School’ worked on the assumption that American culture could be studied as a “common language” (Chapman) comprised of myths and symbols that represented the American imagination. The myths and symbols were defined by Smith as “larger or small units of the same kind of thing, namely an intellectual confusion that fuses concept an emotion into an image” (Virgin Land xi) and it was through these a culture could express its values, ideas, and identity. Scholars of the MS School thus argued that myths
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By opening Virgin Land with de Crévecouer’s question, “What is an American?,” (3) Smith demonstrated that the primary ambition was to answer that very question. Smith uses the frontier myth as his starting point because the most persistent “generalizations concerning American life and character has been shaped by the pull of a continent drawing population westward.” (Virgin Land 3) Where Turner had argued that the frontier had shaped the American identity, Smith shifted the attention “away from what ‘actually happened’ in time past to what people though was happening.” (Marks, 71) Focusing instead on the mythic and symbolic aspects of the West, Smith demonstrated that the image of the West was considered to be a reflection of American nationality, identity, and culture. The American identity was, according to Smith, not the result of the actual experience of living on the frontier as Turner had argued but the result of the utopian ideas used to describe the West and the myths that followed in its …show more content…
The MS School’s approach and methodology were also critiqued which Smith addressed in a 1986 essay where he describes his approach as having been a “naïvely inductive examination of nineteenth-century American attitudes towards the West.” (Symbol and Idea 27) Smith acknowledged that by primarily focusing on literature and avoiding dealing with “conflicts that are ideological in the political sense,” (Symbol and Idea 21) the MS School’s approach had itself evoked a mythic and romanticized image of the West. This point has also been one of the objections from critics of the MS School: that there is a “lack of clarity about the relations between facts and the myths that spun around them.” (Fabian, The West 130) This is also noted by Bruce Kuklick who states that “symbols and myths at best reflect empirical fact, and so are never themselves factual.” (436) The MS School were also critiqued for their narrow sense of what constitutes an ‘American’ as well as having ignored the “fact that the myth of virgin land actually served the economic interests of railroad promoter and land speculators, narrowly, and industrial capitalist, more generally.” (Fabian, The West
Part one allows John Grady Cole to act as the often romanticized western hero incomplete in a constrained life off the open fields without horses. Part two continues perpetuating the mythic West through John Grady Cole’s ability to demonstrate his heroic skills of horse training, as the work’s true western hero. Part three’s introduction to blatant violence with Blevins’ death finally breaks the myth of the perfect west for John Grady Cole, introducing him to the inevitability of violence accompanying the western hero. Finally, part four demonstrates John Grady Cole’s rugged individualism as the western hero, estranged from his friends and family despite trying to reconcile the old aspects of his life in Texas. John Grady Cole’s evolution ultimately demonstrates the collapse of the frontier hypothesis at large, questioning if the notion of the frontier as central to American identity can take root in a modernized America.
Ripped from the fabric of American history, the truth of the Old West is far darker and less heroic than depicted when the fresh wounds from the American Civil War were still fresh and the expansion of the railroads encroached on the eroding territory of Native Americans in the name of “progress” and manifest destiny. The slaughtering grounds of Little Bighorn where General Armstrong Custer valiantly fought to the last man deflates into an ignorant move that Lakota warriors, led by Crazy Horse of the Lakota tribe, took advantage of to fight assimilation in the form of constricting reservations. The lawless land of the West where notorious criminals robbed banks and trains, while the heroic sheriffs ignited
Throughout the seventeenth century, conflict between Europeans and Native Americans was rampant and constant. As more and more Europeans migrated to America, violence became increasingly consistent. This seemingly institutionalized pattern of conflict begs a question: Was conflict between Europeans and Native Americans inevitable? Kevin Kenny and Cynthia J. Van Zandt take opposing sides on the issue. Kevin Kenny asserts that William Penn’s vision for cordial relations with local Native Americans was destined for failure due to European colonists’ demands for privately owned land.
“Myth is an arrangement of the past” (Wright 2009) our entire idea of North America’s history is based on stories. Stories of travel, war, treasure hunts, death and appropriation of land. In Ronald Wrights book Stolen Continents, Wright argues that the stories we know are one sided, He in fact calls them myths. These myths reflect one half of the people involved in our history. He argues that the Europeans took the new world in the name of their countries from the indigenous peoples who had discovered it long before them.
During the early to mid 1800s, the colonization of “Indians” and subordination of “women’s rights in the American society,” was very essential to those in authority. They were perceived as a mere means to an end by promises of a better life in exchange for “land and work.” Although locals complied, those in offices took advantage by using antagonistic tactics in achieving wealth, power, and ownership. However, these actions lead to “The First Seminole War, The Monroe Doctrine, Andrew Jackson’s leadership, The Indian Removal Act, The California Gold Rush, The Seneca Falls Convention, and the Birth of the Republican Party.” Although some Americans have been perceived as heroes, their actions have said otherwise about their character.
Manifest Destiny is a unique, yet mysterious fundamental series of events in American history. No other country’s history contains such an eventful history as the United States. Amy Greenberg’s book, Manifest Destiny and American Territorial Expansion, provides documented evidence that settlers believed they were destined for expansion throughout the continent. In other words, many religious settlers believed that it was a call from God for the United States to expand west. On the other hand, people believed that Manifest Destiny vindicated the war against Mexico.
The Americans now had opened up the Mississippi Valley for expansion. This victory made American colonists very proud and patriotic toward their English heritage. “But only twelve years later, these American colonists found themselves locked in a bitter and violent conflict with the mother country that had so recently been the object of their
After “The Corps of Discovery” many people wanted to migrate towards the West, and this then lead to “The Westward Migration”. This impacted the American Identity because it represented new opportunities and a fresh start. Westward Migration was when people migrated towards CA, OR, and TX and this was commonly seen because people wanted to migrate towards places that had access to more land or how others might of saw this opportunity; financial reasons. This represented the West of the United States as place of new opportunity.
Through transcendentalism, we see the studied perception of what is divine, and through the frontier, we can see what is said to be God’s will guiding the American westward expansion. One might think that these ideologies created divine humans that God guided to populate the west but George Caleb Bingham’s, “Daniel Boone Escorting a Band of Pioneers (circa 1851)” demonstrates a much more grim presence.
Scott Russell Sanders’ passage from ‘Staying Put: making home in a Restless World’ gives readers the idea that roaming foreign territory and enforcing your ways is worse than staying put and adapting to your surroundings. Sanders achieves this mood through the use of parallelism, juxtaposition, rhetorical questions, and other rhetorical devices. Within the first sentence of the passage, Sanders paints a picture that Americans think that they are inherently good people, always the alpha of the pack that is the world. He describes our selfishness and need for acquiring more land as a ‘seductive virtue’, which can be found in lines 1-2. Sanders again pokes fun at the ‘American Lifestyle’ in lines 20-25.
Exam Paper 1 In what ways did the American West of the late nineteenth century represent a contrast to the East? In what ways did the two regions resemble each other?
Native Americans who traveled with Buffalo Bill’s Wild West show used the press to make social and political statements as well as communicate their opinions of white society. According to memoirs, some Native Americans accepted to travel with a show that portrayed them stereotypically in order to understand “‘the white man’s beliefs about God’s will, and how they act according to it.”’ Although the only way for this goal to be achieved was through the noble savage stereotype, the performance of the stereotype gave Native Americans some control over the ways in which tourism and religion intersect. The tourist gaze is therefore symbiotic because the tourist gains access to the authenticity he or she desires while the Native Americans gather knowledge to better protect their religion and culture against the encroaching white world. Thus, self-commodification can be utilized as a method to adapt but not necessarily resolve a problematic history of colonialism.
During the “Gilded Age” period of American history, development of the Trans-Mississippi west was crucial to fulfilling the American dream of manifest destiny and creating an identity which was distinctly American. Since the west is often associated with rugged pioneers and frontiersmen, there is an overarching idea of hardy American individualism. However, although these settlers were brave and helped to make America into what it is today, they heavily relied on federal support. It would not have been possible for white Americans to settle the Trans-Mississippi west without the US government removing Native Americans from their lands and placing them on reservations, offering land grants and incentives for people to move out west, and the
As America saw an end to World war 1 and entered the 1920s, the country was faced with rapid changes in American society. These changes challenged the old traditional American values and introduced tension between modernists and traditionalist. Tension grew in churches and schools after new scientific discoveries were being made which supported the idea of evolution, rather than the bible. American society saw dramatic changes in it’s old, familiar culture as the Harlem Renaissance emerged and women gained more rights, which began taking affect on the customary American lifestyle. After World War 1, science became the main contributing factor to the controversy over religion during the 1920s.
Perhaps the most significant myth in American culture is that of the American frontier generated by the European encounters with the American West. The most noticeable part of the frontier myth is the mythic struggle between modern civilization and wilderness. Frontier is defined as “the meeting point between savagery and civilization”. Turner believes that the American frontier is closely related to American civilization and that frontier