Hercules and Antaeus
Italian Renaissance began approximately in 1420. It was a period of great cultural changed and achievement that began in Italy during the 14th century and lasted until the 17th century
Antonio del Pollaiouo was an Italian artist specialized in painting, sculpture, engraved and goldsmith during the Italian Renaissance. He was well-known for his mastery of line and renderings of the human figure in his sculpture . Antonio created the sculpture of “Hercules and Antaeus” during the Early Classical Period. He was also one of the few artists to study human anatomy together with Leonardo Da Vinci and Michelangelo.
In addition, the Early Classical Period (480/479-450 B.C.E) started to achieved the two-and-three-dimensional forms in proportions and contrapposto. Also, the sculpture started to form in a naturalistic way, even though the experimentation in realistic contrapposto began before the end of Archaic Period.
The story behind the “Hercules and Antaeus” sculpture was Antaeus was the son of Poseidon and Gaia. He tends to challenge all passers-by to a match which he incredibly won and used their skulls or bones to build an empire for his father. His powers are invincible as he got all the source of strength from his mother – the earth. In other words, just by him standing on the ground, he was dominant than all the other men.
Due to his arrogance, he invited Hercules into a fight when he was busy searching for the golden apples. Being a hero
One major contrast between the two is that in Dillard’s article, the main sculptures created by the Etruscans were the human like figures that stood flat footed as for the in the book Benton and DiYanni wrote on page 131, the twin infants added in the Renaissance actually became the symbol of Rome making the figures less important than what Dillard described them
Many know about the idea of the "monomyth," or the hero's journey as an outline for many of our modern books, movies, t.v. series, etc. Joseph Campbell's definition for the hero's journey is, "the quintessential (or best example) of an archetypal myth. " The Disney film Hercules is one of the best examples of Joseph Campbell's monomyth. For instance step one of the hero's journey outline is the Ordinary world. Hercules was born the son to Zeus and Hero.
The Roman Empire, at its height (c. 117 CE), was the most extensive political and social structure of western civilization. Under Trajan, the empire reached its greatest territorial expanse and his admiration for Greek culture spurred new building programs and classicizing works of art throughout the empire. The marble representation of Trajan at the San Antonio Museum of Art known as (The Lansdowne Trajan, 98-117 A.D.) establishes Trajan as a skilled military commander, an affluent ruler and a god that’s why the torso of this sculpture belonged to a statue of a youthful god and later consolidated with Trajan's head. In The Lansdowne Trajan, the unknown artist utilized fine marble, contrapposto pose, shape and line to capture the dynamism of
About 1280 C.E. a new distinct era, the Renaissance, arose and replaced the turbulent and dark Middle Ages. This new era brought unique ideas and a rebirth of Greek and Roman cultures. Universities and schools were founded for learning, Renaissance people were well rounded in studies, and enlightenment thinkers of the time held strong beliefs that there was a Renaissance. From its beginnings in Italy, the Renaissance spread throughout Europe, and furthermore differencing Renaissance Europeans from the religious medieval people.
Political figures in art has always been an important part of our history, culture and artistic representation, Roman and Byzantine art is a classic case of these representations. The Equestrian Statue of Marcus Aurelius and Justinian as World Conqueror are two examples that demonstrate the power and prestige of these political authorities. First, Equestrian Statue of Marcus Aurelius from the Roman, Italy (173-176 CE) measures 11’6” high, cast in bronze. Secondly, Justinian as World conqueror from Byzantium period measures 13” x 11” entire panel, center panel 7” x 5” and 1” deep. The creator of the equestrian statue is unknown, however, the creator of Justinian’s ivory relief was probably made by the imperial work of Constantinople.
To start, he is formidable for all of his opponents because he is very strategic in his actions. He uses strategy way more that force in the Odyssey. For example, he bypasses Scylla and Charybdis by choosing to loose six men by Scylla or taking the chance of losing all of them with Charybdis. On this trip he did not warn them about the upcoming monster so that they would not behave like cowards when Scylla would charge their vessel. To continue, he is a formidable opponent because of his bravery.
In most cases, to be a hero you must be willing to give up a life as yours to a life of others. To solve problems others cannot and to never hesitate when discouraged, is what makes a true
He is a marble statue found in the ruins of the Athenian Acropolis, a bit smaller than life-sized, and is dated at 480 BC, a transitionary period from the Archaic to Early Classical era of Greek art. He is an emerging youth nearing the cusp of puberty, with a weight shift characteristic of this artistic period. Overall, the piece displays an incredible understanding of human physiology, and has moved away from the twisted perspectives and unnatural stiffness of earlier art. An anatomical chain of events occurs with the weight shift, and his overall musculature and skeletal structure are unforced and lifelike. He is the most famous Early Classical statue.
He is praised by the Goddess Athena through a conversation with Telemachus, "Your father had no equal for cunning, and very few for strength and skill in battle” (pg. 8) In other words, he is witty and has great strength. These two ideals were put to good use when Odysseus and his men were trapped in the cavern of the Cyclops Polyphemus. To save them, he devised an ingenious escape plan.
The hero has extraordinary strength, being the strongest man on earth he is sometimes he is unaware of the power he posses, Hercules is invulnerable. Although worshiped as a God, he was properly a hero. In his early years, Hercules defeated Thebes from the armies of a neighboring city. Since he was young
Though he may be ridiculously unintelligent and emotionally unstable, he had a burning passion for justice and making things right. No matter how many people he had accidently killed, he always made it right by doing more and more good deeds. He was constantly working to become the best man he could. Though he couldn’t think properly, he was a man of his word. Hercules and Theseus both did great deeds, but Hercules just achieved more because of his strength.
Botticelli's The Birth of Venus was created in 1482-1486. It is a tempera on canvas. Tempera on canvas is a type of painting which is painted on oil painitng cloth. Botticelli's The Birth of Venus is a horizontal painting, which scaled 5'8" x 9'1. Raphael's Galatea, on the other hand, was created in 1513.
The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.
It is the sculpture of a handsome and young ruler, namely, Augustus, sporting an ornamented cuirass and a tunic, with the figure of Cupid riding a dolphin on his side. The face reflects a youthful emperor, even though Augustus was about forty years of age when the statue was built. The Prima Porta style of facial composition comprises of, an expansive skull and slim chin, sharp-ridged eyebrows, hooked nose and a plump mouth and his hair is crowned with what is termed the Primaporta hairstyle. The breastplate is adorned with characters and is a composite of the narration of the Augustan and Tiberian propaganda, while he is barefoot. His right hand is
In both sculptures the hair is deeply carved and is a vivid feature of the busts. The detail of realism in David’s left hand we can see his veins on his hands when he is holding the slingshot and his ribs near the chest. In the bust of Commodus we can see the similar detail of his hands especially the joints above the knuckle area and how realistic it looks when he’s holding the apples and Hercules club on his. In both busts chest, arms and face are sooth. In both busts these sculptures have the portrait of emperor Commodus and the small town hero David as musculant where as in real life they weren’t this is done because Romans believed that the god made us humans and by showing David and Commodus as being musculant hey are portraying them as gods and God were portrayed to be musculant and strong.