Every hero must go through the hero’s journey of departure, initiation and return. The hope for each hero, and the most common ending to stories using the monomyth, is that the hero succeeds and returns to the normal world with wisdom and freedom from the fear of death. However, what happens if the hero doesn’t defeat the great evil, or fails to rescue the princess? The novel, The Natural, seeks to answer this question through its’ loose adaptation of the Fisher King myth and its’ main character: Roy Hobbs. So, why does Roy, our Percival, fail to “save” Pop, our Fisher King?
The Hero’s Journey is a cyclical journey commonly used in literature. Joseph Campbell was the first to realize this pattern is frequently used in stories, movies, and fairytales. The cycle contains twelve significant milestones that occur as a hero explores an unknown special world. This cycle resembles a clock in a few ways. The twelve hours represent the twelve stages. The minutes in between resemble the minor, yet important events. Similar to the clock’s order sequence, the hero’s journey must occur in a specific order; beginning with status quo and ending with status. The hero's journey has many regulations, therefore, many stories do not qualify. A Christmas Carol by Charles Dickens is not an example of A Hero’s Journey because it does not possess certain components included in the hero’s journey.
The 1996 novel, Brian’s Winter is a fictional nature survival story that focuses on Brian, the protagonist. Brian’s Winter is the alternate ending to Hatchet, the first book in which Brian is in a plane crash, and is rescued after having spent just over forty-five days alone in the Canadian wilderness. In Brian's Winter, the author Gary Paulsen experiments with what would have happened if Brian had been left in the Canadian wilderness during winter. The separation starts with Brian noticing cold weather on a day of fall hunting. Brian prepares himself for winter performing all of the necessary survival tasks. Brian experiences initiation When you faces even greater challenges such as the bear and the moose. Brian experiences his return when he discovers a log cabin in the woods that belongs to a trapping family. They call a cargo plane for him, and he gets on it,
The Hero’s Journey theory was proposed by Joseph Campbell in 1949 who based it on Edward Taylor’s original theory. This theory states that every story follows a certain cycle or is based on this cycle. The cycle is broken down into seventeen arts which are then broken down into three acts, Departure, Initiation, and finally, Return. During the Departure act, the hero is called on by someone or something to leave their normal world and go on a journey. At first, the hero may be reluctant to go but is aided by a mentor figure. At the beginning of the Initiation act, the hero encounters a monster or enemy called the threshold guardian. This guardian is the hero’s first trial in this new world. Later on in the act, the hero reaches “the innermost cave” where he has to face the main enemy of the story. After the hero receives his treasure the Return act begins. During this act, the hero returns back to his normal world with his treasure and his life forever changed. This theory can be applied to Greek heroes like Hercules and modern heroes like Batman and Superman. These connections show that a hero's traits remain the same even over thousands of years. Ultimately, the traits displayed by these revered members of society display the very features we as humans aspire to have and
One of the most defining elements of an epic work is the presence of the Hero’s Journey, also known as the monomyth. Introduced by Joseph Campbell, the Hero’s Journey describes the typical narrative pattern that accompanies many forms of storytelling, most commonly and most easily seen in classical literature. “The standard path of the
The Odyssey, one of the world’s most famous stories, has been under debate on whether on whether or not it conforms to be a hero’s journey, a type of pattern theorized to be at the core of many myths. To understand its potential monomyth-hood, the story has be understood, as well as the different phases of a hero’s journey. A hero’s journey, by definition, must include a few characteristics: a phase where the hero leaves their home and decides on a quest, a period marked by a discovered conflict, an all-out struggle, the development of the hero, and the hero bettering the lives of those back at home. In The Odyssey, Odysseus, the protagonist, journeys to his home, in Ithaca, from Troy, where he waged and won a war. Along the way, Odysseus
Once upon a time, there was a marvelous warrior that was a hero to so many and king to some. In the story of Beowulf, the hero, Beowulf, must follow and go through the hero’s journey. The hero’s journey has twelve stages, or three acts. The stages go in the order: 1) The Call to Adventure, 2) Assistance, 3) Departure, 4) Trials, 5) Approach to the Inmost Cave, 6) Crisis, 7) Treasure, 8) Result, 9) Return, 10) New Life, 11) Resolution, and 12) Status Quo (Winkler). Since Beowulf is facing three different monsters, there is not only the story’s significant journey, but also multiple inside it. There are three mini-hero journeys Beowulf’s main journey.
The hero's journey is a popular form of writing that involves a hero who embarks on an adventure, quest, or journey where in the climax they win a victory, then comes home transformed or changed. The book, “The Odyssey” is a prodigious example of the hero's journey. Odysseus is the hero of “The Odyssey”. All heroes in a hero's journey display particular traits. Odysseus displays perseverance and fortitude, two specific characteristics that all heroes should display.
Fahrenheit 451 by Ray Bradbury is an excellent utopian/dystopian fictional story about a man who fights for the freedom to read. The government in this world has made almost every book (with a few exceptions) illegal. They have done this due to the contradictory ideas found in them. It was thought that all of the contradictions might confuse citizens on what is the truth and what isn’t. This book, along with being a utopian fiction, follows the Hero’s Journey archetype. Even though this book may not have purposely been made as an example of the Hero’s Journey the book and many others follow the paradigm. It may not be a perfect example, however, it definitely has it’s moments.
Sir Gawain is one of King Arthur’s knights. It is Christmas time in Camelot, the time of the year where knights return home and people celebrate their achievements as well as the birth of Jesus. Every year they have a dinner with the king that must begin with a story before eating. No one has a story to tell which causes the king to postpone the dinner until, all of a sudden, a green knight appeared. This story contains ideas known as the hero’s journey.
In stage two, the hero goes into their journey portion of the quest in which transformation of the individual occurs. Within this stage, the Road of Trials are commenced. It is a “series of trials and tribulation the hero goes through in order to develop the necessary skills and traits it takes to become the hero” as according to the Discovering the Monomyth powerpoint presentation by Marc Bray. Huckleberry Finn underwent a series of 4 trials in which he gained the traits and skills to become the hero. One of the trials he underwent was when he got separated from Jim and the raft. When he comes back, Huck learns a lesson that he should never lie to Jim. This revelation comes after when he comes back, Huck tells Jim after Jim asks him where he was and Huck said “What’s the matter with
When creating a story, many great minds will use a pattern to enthrall readers and shape them into a hero. Established by Joseph Campbell, The Hero 's Journey is the iconic template many utilize to plan their imaginative tale. The Hero’s Journey is the cycle in which the protagonist ventures into an unknown world where he or she will go through a series of adventures and learn moral lessons. Heroes in ancient myths such as Homer 's epic poem, The Odyssey follows this formula since the protagonist, Odysseus, faces hardships throughout different regions that ultimately change his once arrogant character. Throughout Homer 's monomyth, Odysseus undergoes challenges that teach him the importance of humility.
As the creator of the 25 epic hero steps, Joseph Campbell said: “We must let go of the life we have planned to accept the one that is waiting for us” because every epic hero must put aside his own plans for his life to accept the one that was meant for him. In order to maintain the title of an epic hero, a champion must complete the hero's journey steps. The words from Joseph Campbell describe the journey of our once comfortable hobbit, Samwise Gamgee’s transition to becoming an epic hero in The Lord of the Rings as a epic hero must be willing to step out of something they are traditionally comfortable with. Along next to the mighty Odysseus
In his book, The Hero with a Thousand Faces, Joseph Campbell discovered a basic pattern that can be found in all stories portraying a hero. In his hero’s monomyth, the main character is called to an adventure into a foreign land and the skills obtained during the journey are later tested to defeat their toughest challenge. An example of a heroic monomyth can be illustrated in Marissa Meyer’s fantasy novel, Cinder, because the heroine is called to an adventure that she at first refuses, explores an unfamiliar landscape, the castle, where she learns more about her tragic past, and soon comes face to face with her greatest adversary.
Campbell writes about the concept that countless myths all share a basic structure, called the monomyth. In this, the hero of the story undergoes a number of steps in his journey, labelled Departure, Initiation and Return (cf. Ahmed, 2012, 4):