EBSCOhost, proxy.lib.wy.us/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ulh&AN=108801966&site=ehost-live&scope=site. Santangelo, Michael. "Nathaniel Hawthorne: A Biography." School Library Journal, vol. 52, no.
In part one, The underground man rejects utopian societal views and believes in restricts mankind from acting on its desires, ultimately concluding that his free will and hyperconscious give him power because he means that he is superior due to his vast amount of intelligence. On the other hand, in part two, he applies what he learns from romance novels onto real life situations, which does not work because of the differences from fantasy and reality. He struggles to validate himself to society by displaying power over others. The Underground man needs self validation, and the only way he can achieve this is through dominance over others, which he attempts to receive through his intelligence with Liza. Power struggles signify a desire for confirmation of self
In the Allegory of the Cave, there is a group of prisoners chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them and give names to these shadows. One prisoner is freed from the cave and comes to understand that the shadows on the wall are not reality at all. Although the prisoners were experiencing something different than what was happening outside the cave, they were still in the same reality as the people outside the cave. In the Man Who Lived Underground, Fred Daniels, a young black man unjustly accused of murdering a woman, is forced into signing a confession.
Too, Liza holds hope in her possession of a doctor’s letter, allowing a human spirituality in a situation of physical degradation. Profound love and compassion—as given by Liza to the Underground Man—has healing redemptive qualities, an empathetic love distinct from a landscape of
As I read through the first lines of the play, I was put in a particular mood. LeRoi Jones stated on the first page of the play in italics,” In the flying underbelly of the city. Steaming hot, and summer on top, outside. Underground. The subway heaped in modern myth (Dutchman, character list).” The words hit my core so deeply.
According to the definition of an anti-hero, the anti-hero is a central character in a story, film, or drama who lacks conventional heroic attributes. (Murray et al., 1961). Many anti-heroes have troubling circumstances that have resulted in their current state of being and go through psychological and spiritual conflicts within themselves, which have an impact on the decisions that they make. (Warner, 2008) The anti-hero is often a reluctant rescuer - the one that we follow and adore if only because of his own imperfections and essentially flawed human nature. He or she is someone who resembles ourselves, reminding us not only of the ambiguous morality of reality but also the possibility of liberating change and otherworldliness.
Superhero is defined as, “a benevolent fictional character with superhuman powers, such as Superman”. With the exception of fictional characters, there is no one in our society with superhuman powers. In everyday life when humans think of a superhero, the immediate thought that comes to mind are these made up abilities. Despite this cliche image seen in movies or read in comics, superheroes in this world usually do not have those superhuman abilities. Versions of a superhero in reality is an individual who strives to be exceptional and lead others into being the best person possible.
There are different locations throughout a city that can have various effects on the human psyche. In Ralph Ellison’s Invisible Man, the narrator struggles with his relationship to innocence and corruption as he moves from the South to Harlem. The corruption he experiences is him being affected by having identities imposed upon him by different people and not being able to define his own identity. Mistaken as a traitor during a riot, he is left alone in a manhole, forced to burn the contents of his briefcase in order to be able see his new surroundings (567-568). The allusion to the womb, as signaled by the manhole, marks the narrator’s metaphorical reversion into the womb and process of rebirth into an innocent being, signifying that isolation along with psychological rebirth is the salvation against corruption
What defines a Superhero? (A psychological analysis of Satan as the presented Epic Hero in Milton’s Paradise Lost) With the Marvel movie Black Panther’s release this weekend in theaters, thoughts of superheroes are on everyone’s minds. What classifies a person as a superhero, or merely a hero? Often times, the media and Hollywood portray superheroes as people with special abilities that help them conquer evil. These superheroes are glorified and well-known among most of the world.