Music plays a huge role in the plot and character developments throughout A Streetcar Named Desire by revealing hidden truths about the characters. The inclusion of the musical composition “It’s Only A Paper Moon” leads to deeper discoveries: the exposures of Blanche and Stanley’s true identities. By contrasting It’s Only A Paper Moon with Stanley’s aggressive dialogue during scene seven, Tennessee Williams forces viewers to side with Blanche and her internal belief that in order to live a life where you are truly happy, it is necessary to forsake some truths and start anew. Williams ' choice of having Stanley brutally unveil Blanche’s secrets “contrapuntally” with Blanche singing a sweet tune in the tub serves to expose Blanche and Stanley’s …show more content…
When Blanche first began singing, she started with the first verse of the ballad: “Say, it’s only a paper moon, Sailing over a cardboard sea -- But it wouldn’t be make-believe If you believed in me!” (120). The lyrics to the song directly reflect Blanche’s view on her life and how she chose to live it. The paper moon and cardboard sea represent the new life Blanche had imagined for herself; a life where she was happy and her past didn’t follow her. Blanche truly believes that her false reality “wouldn’t be make believe” if people just believed in her and not the stories told about her. Blanche feels that if people had faith in her and her story that she chose to tell, she could peacefully live among the cruelness of the world. Blanche also sang a line from the song that stated, “It’s a Barnum and Bailey world, Just as phony as it can be -- But it wouldn’t be make believe if you believed in me!” (120). Here, Blanche is alluding to the circus-like function of the world and commenting on how, like a circus, nothing is as true as it seems. Blanche’s constant repetition of “it wouldn’t be make believe if you believed in me” serves to reaffirm her claim that her fantastical reality would be fairly close to actual reality if only she had the support and acceptance of those around her. …show more content…
Throughout the scene, extending through the book, Stanley’s goal never wavered: he wanted to prove that Blanche was untrustworthy and did not have the power over him as she did over other people. Although Blanche was unsuccessful with pulling the wool over the eyes of Stanley, that was never her goal. All Blanched wanted was a chance to start a new chapter in her life without having to reference back to previous ones. This desire for a clean slate in order to live a sugar-coated lifestyle where she is utterly happy has the potential to be very powerful for many readers and viewers. Since Blanche had pure intentions, you could never fully hate her or condemn her for her actions as you could Stanley. Williams’ elaborate character development within the scene thus causes the viewers to side with Blanche because, in the end, she was only trying to hold on to her paper
However the main conflict is Blanche’s inability to accept reality or her inability to let go of her past. Blanche sees herself above her sister’s life and carries a sense of entitlement that no longer fits her environment like it did in her past. Underneath, Blanche is a liar and Stanley is not. Stanley and Stella are able to able to admit what they are while Blanche is constantly trying to hide who she is. She is unable to come to her desire and sees herself superior to the people around her.
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
Blanche’s final, deluded happiness suggests that, to some extent, fantasy is a vital force in every individual’s experience, despite reality’s inevitable triumph. This refers to her reality of how Mitch had came over to apologize to her, and she tells Stanley that she turned him down. This lie backfired, since Stanley knew exactly where Mitch was at this time. As well as Stanley saw through Blanches delusion of how she has received a wire, from Shep Huntleigh, inviting her to go with him down to the Caribbean cruise, in which Stanley later shuts down as
It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself
I tell what ought to be truth. And if that is sinful, then let me be damned for it!” (pg ). This quote proves that Blanche is an over controlling
Blanche acts as if her life is not falling apart and carries herself as the same girl from Belle Reve. She carries herself as the most sophisticated, classy, pure and innocent than everyone else, however later within the play the readers witness Blanche’s true nature. A promiscuous, manipulative, former aristocrat with a poorly hidden drinking problem. “She springs up and crosses to it, and removes a whiskey bottle. She pours a half tumbler of whiskey and tosses it down.
Playwright Tennessee Williams once said “a symbol in a play has only one legitimate purpose which is to say a thing more directly and simply and beautifully than it could be said in words”. He seems to take his own advice to heart when writing such a thought provoking play as A Streetcar Named Desire. While Williams makes extensive use of symbols in Streetcar, the use of animals and animal-like characteristics as a symbol are constantly used to define Stanley Kowalski’s character and convey his desires as primal and ferine. Stanley has the first line in the play and is immediately characterized by Williams with the use of his stage direction “bellowing” (Williams 244; sc. 1). Like a wild animal, Stanley has a desire for unrefinement and
Stanley takes advantage of Blanche using his assertion and Blanche’s vulnerability due to her mental state and high level of intoxication. After the attack, Blanche’s already diminished mental state continues to deteriorate, leading her into
And if that is sinful, then let me be damned for it!” Blanches magic is seen through her illusions and delusions. In Blanches world Mitch doesn’t fit however she has reached a point of intimacy by being honest about her first husband and the guilt she endures as she begins to share the painful moment of her life with him. Stanley’s intrusion ruins her plans of marriage with Mitch and yet again she had to retreat in the world of her delusions. Stanley who represents realism in this novel and play pops Blanche’s illusion bubble through seeing the realism in scene ten
This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
The fragility of Blanche’s mental state is evident when her paper
In the play, Blanche loses her family 's estate, and goes to stay with her sister Stella. Stella lives with her husband Stanley. From the start of the play, the audience begins to notice Blanche and Stanley’s contrasted personalities. Williams uses symbolism to allow his characters to represent something stronger than themselves. Past and present are intertwined in A Streetcar Named Desire through Blanche and Stanley; Blanche represents the past: the Old South, aristocracy, and former sensitivity, while Stanley represents the present: the New South, the industrial class, and modern straightforwardness.
These rumors were a threat to what she has created in order to help her with the chaos in her life. Although she tried to build a new life with Stella, Stanley never gave in to her act and was constantly suspicious of her actions. Stanley's constant investigations and interrogations on Blanche’s old life. This is a representation of reality is starting to creep in of Blanche's newly created life. From the beginning Stanley has doubted Blanche, this is seen as he went through Blanche's things with Stella, questioning her belongings, “has she got this stuff out of teacher's pay?”(2.33).
I. Vocabulary Effeminate- Adjective -(of a man) Having or showing characteristics regarded as typical of a woman; unmanly. (Pg 114) Repertoire- Noun - A stock of plays, dances, or pieces that a company or a performer knows or is prepared to perform. (Pg 130) Malarkey-