Hip Hop: The New Civil Rights Movement

1797 Words8 Pages
Kömives Dániel
Can we consider Hip Hop as the new Civil Rights Movement?
Chapter 1: What does the Civil Rights Movement gave to the African-Americans compared to Hip Hop as a subculture/movement. African-Americans through their history faced the toughest ways of oppression, racial segregation, racism and slavery. Their affliction led to the emergence of the Civil Rights Movement which was one of the biggest social movements in the history of mankind. The legacy of this movement had a powerful impact on the formation of Hip Hop as a subculture, community and subsequently one of the biggest music industry. Hip Hop also plays a very important role in modern culture and society of African-Americans.
After the abolition of slavery, African-Americans
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The block parties, graffiti art, rapping, disc jockeying and diverse forms of dancing built Hip Hop by the black youth. They expressed their feelings, thoughts, but most importantly the problems they had to face, which were related to their race, gender and social positions. The rights that were given to black people during and after the Civil Rights Movement left the following generations at a lack of how to continue the fight for black rights. Hip Hop gave them this platform and with the usage of black nationalism, Hip Hop can explore the challenges that confront American-Americans in the post-Civil Rights Movement era. In the 1990’s Hip Hop lived its prime, sub genres started to appear and famous groups, MCs led the whole community, providing a voice to a group of people trying to deliver their message. Through their lyrics they were able to express their opinions about society, the government and the treatment of African-Americans in the U.S. for decades. The black community used this platform to protest against social attitudes and try to change them. The famous MCs like 2Pac, Biggie, Snoop Dogg and rap groups for instance the one and only Wu Tang Clan or the generally known gangster rap group from Compton called N.W.A. were orators of a generation with the intention of raising the black culture and community from the oppression remained in the post-Civil Rights movement era. On the one hand these artists were important public figures while on the other hand they were mentors for the black youth who would otherwise had a lack of important relatable
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