After the camera was invented in the early eighteenth century, photography became a common media and a tool that people use to record the facts and show as an evidence, but not very often, it didn’t always show the facts of historical value. However, because of the invention of the cameras, seems like painting turned into a historical value that people do not really spend time to observe the image lately. Some artists that argued photographic images are very easy to make copies of. It was debated that images presented proximity and clarity of representation in an approach that traditional art such as painting, graphic design or sculpture could not possibly reach. And now sculpturing is even replaced by 3D printers.
Barry Schwabsky is an American
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And those photographers were influenced by the history of painting; they develop their works freely. Schwabsky wrote in the essay. “ A polemic today’s painters no longer seem to feel called upon to make decisions of the image-realm over some other reality. Instead, they feel that everything has to be a matter of images.” However, he also mentioned, “It was photography taught us the modern idea of the image, it is painting that allows us to internalize it. It’s a question of touching and being touched. The photograph may have been touched by the light of its object, but the sense of contact is entirely subsumed in the seamlessness of the photograph’s surface.” These two analyzing sentences proved his point of view in between the photographs and paintings.
Walter Benjamin is a German philosopher, historical materialism and cultural critic. Benjamin wrote in his essay “Extracts from the work of art in the age of mechanical reproduction” about the future of painting. Benjamin discussed that since photography was born, images
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However it lead me to think about something far more then I thought of. I was always fascinated in the relationship that photography and painting had. It is not only because they are both reflected in showing an image, but also because of the history and the materiality. It has always been a very interesting question of mine why does some artists’ think that photography has overtake the painting. Personally, I think photography and painting are both very powerful art material that influenced people in many different ways. Although photography was invented much later when painting was already there. It is a matter of time and space, especially after the digital revolution. For painting, you need all the equipment like canvas, brush, palette, easel and color. For produce a realistic image you need a camera, and it can capture the views much faster than spending time to paint. In consider of the different purpose, contemporary artists are using different media, sometimes, they might even combine both materiality to create a piece of art, for example the artist ‘Aboudia’ who is currently showing in Saatchi Gallery. No one should be surprised by the convergence between photography and painting, the overall argument of the
They both seeks freedom from the traditional art’s narrative and description of the literal visual world. Trying to free painting from the limitation of representational association, Wright focus on the juxtaposition and reverberation of pure primary and secondary
There's an old saying that says; “A picture is worth a million words.” Photography is an important
Art is not nearly as well rounded nowadays as it was in the renaissance. For example the Mona Lisa by Leonardo da vinci was an exceptional painting that had tons of detail such as the the ripples in her sleeves and the curls in her hair( doc. a). This painting shows that this was a happy point in time because she is smiling in the portrait(doc. a).
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
Despite both being from the same school of thought, the Frankfurt School, Walter Benjamin and Theodor Adorno found themselves debating the value of art in a world on the brink of war. The basis of Benjamin’s and Adorno’s argument was not a critique of the art itself, but rather ever-growing trend of the reproduction of art. For Benjamin, as described in, “The Work of Art in the Age of Mechanical Reproduction”, the reproduction of art and the novelty of film, which stemmed from technological marvels, was a natural progression and a detractor to the growing fascist presence. However, for Adorno, as discussed in “The Fetish Character of Music and the Regression in Listening”, the simplification of art, specifically music, to a mass producible
Photography is the art or science of capturing images on a light-sensitive surface and has evolved over time as our technology becomes more advanced. While it has been used to record the most
The Ontology of the Photographic Image André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay. Plastic arts were used in the Egyptian civilization to preserve human beings.
Just as Sontag emphasises in her essay, photography is useful tool that captures the memories, defenses against anxiety, and brings familiarity. In additional, personally I also believe that photos can empower the world by sharing
Photographs are works of art that capture moments in time. They’re important because they document instances, which can later complete or create history. Looking at a photograph one is immediately intrigued. After studying the composition of the photo its meaning comes to mind, one begins to wonder why such a photo was taken. The overall meaning will have different effects depending on the viewer, but one must wonder again.
The authenticity or the “truth” represented from a photograph does not always stand by on its own without being altered by different perspectives. How the photograph is being used or perceived by the photographer, the viewer and even by the photographed may have varied interpretation or understanding to the image. The status and use of a photograph changes according to the viewer’s relation with the subject or circumstances. For instance, a portrait of a family member might be of interest to social historians, not because of personal familiarity, but as evidence of clothing and furniture from the period and place. Photographs often do not activate individual memory directly, but operate through soliciting identification with needs, desires and
What created this change in perception, and why do Berger and Benjamin see this as important? In both John Berger’s (1972) works, ‘Ways of seeing’, and Benjamin , Bullock and Jennings (1996) works ‘The work of art on the age of its technological reproducibility , they identify that photography and the creation of the film and camera, greatly influenced the way visual aspects are viewed, replicated and communicated to an audience. Compared to previous forms of artwork i.e. painting. It is apparent within Benjamins et al.
CHAPTER TWO LITERATURE REVIEW AND THEORETICAL FRAMEWORK 2.1 Introduction: This chapter would analysis photography under conceptual review as the main concept of this study, it would look at the history of photography, types of photography, and types of cameras available till date, followed by empirical review and lastly the theoretical framework would come at the end of this chapter. 2.2.1 History of photography The concept of photography was coined out of a Greek words “photo” meaning light and “graphy” meaning writing and when merged together the word means writing with light. Although different scholars proffered different definitions of photography, the concept, however still remains the same.
First, the access to art is becoming increasingly open and available with a range of opportunities in the field. There is a
1.2 Statement of Significance Art can do lots of things that can create powerful and great changes in ourselves. Artist is someone that is so hard to read if we fail to understand them to interpret the underlying meaning behind their painting because it is their getaway to express their emotions and desires to the community. To accomplish this, the artists are communicating with the society by delivering their messages through their artworks.
Photography is important because it opens a view into a person’s mind and allows them to convey messages. It’s a universal language: anyone can look at a photo and decipher its meaning or be influenced by it. Photography has a positive influence on society by evoking emotions and insight. Photography inspires people; it can influence the direction one may take in life. This inspiration may lead to a person doing what they love or following in the footsteps of someone they look up to.