Embroidery And Cultural Identity
To discover the history of embroidery; How can embroider telling stories? How embroidery identifies female identity? How embroidery related to cultural identity? And finally How are these related to each other.e HISTORY OF EMBROIDERY Embroidery is the art of a textile craft that is decorating fabric or other materials with needle and thread or yarn, other decorative element can also combine into the design such as beads, feathers and sequins (Saward, 1885). It has been practiced for decades. In the past embroidery was considered as a beautiful painting on fabric. Each design should have symbolical meanings, inspired by religion or even to record an important moment. Needlecrafts; were found by primitive men. They discovered to use plant …show more content…
– 1100 C.E.); (Leslie, 2007). And there were coincided with the same period that called the Viking Age. However, in two centuries later around the year 1000, the embroidery in Europe was really taking off. The Christian church in this period were started to grow and gained so much power spread to many countries. To prove their power and wealth by decorating garments and ornaments6yg through the form of tablecloths and wall hanging (folklorecompany, …show more content…
In Medieval times, was the great period of English Embroidery and very high standard of work that made England famous throughout the world. The special method of English embroidery in this period was known as Opus Anglicanum or the work of the English. The English embroidery was an art that have combined a special design and some of the most costly raw materials like gold, silks and precious jewels on earth and embroidered on silk, velvet or linen in expensive threads such as gold, silver or color silk and silver-gilt threads. (Carol Leather, 2011; stitchedupbyphoenix, 2011; Dan Jones, 2013). According to Dan Jones (2013) article, from the mid-13th to mid-14th centuries English were produced wonderful pieces of beautiful copes decorated with biblical scenes and stories. Rome was the biggest market at that time, which popes were, collected a vast collection of Opus Anglicanum to show off their fashion, piety and wealth. “ Money poured into England and embroidery sailed out. The party was ended only with the Black Death, which killed off a generation of skilled embroiderers and gutted the industry” (Jones, 2013). By the 15th century, the production had moved to the Low Countries and the quality had declined, never again to reach its high gothic
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1915 Words | 8 PagesThe following excerpt is from the Florentine Codex and it describes what a father would tell his maturing daughter, “Even if the humble nobility is in misery, look after it well, dedicate yourself well to the very womanly task, the spindle, the weaving stick. Open your eyes wide as to how to become an artisan, how to be a feather worker, how to make designs by embroidering, how to choose colors, how to apply colors, like your sisters, your ladies, our ladies, the noblewomen. Observe closely, apply yourself well to the combing, the warping, the measuring. Do not fail to know, do not be negligent, do not be careless,” (Restall, Matthew, Sousa, and Terraciano 210). Essentially what the father told his daughter was that she has to dedicate herself to becoming an excellent artisan and that weaving was going to be the central focus of her life.
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