NEW HOLLYWOOD
The purpose of this essay talks mainly on the transition and changes that occurred from the golden age of Hollywood to the era of New Hollywood. With addition of different researches of case studies to further backup the points taken in this essay.
During the golden age of Hollywood, a mode of production named “ Hollywood Studio System” was in placed. This system was an arrangement of film production and distribution dominated by major studios such as “ Paramount, Loew’s/MGM, 20th Century Fox, Warner Brothers and RKO”. The studios were known as the (THE BIG FIVE).
Under this system, directors and actors were more of an employee instead of an artist as they were bounded contractually under their particular film studios. This
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1960s was a rapid social, political, and a heavy artistic shift occurring in America as a new generation fought to reorganize its understanding of gender in the face of how their parents understood it. This film summaries and talks about a disaffected youth rebelling against his parents and the whole direction of American culture. It was a portrait of New America the young sixties against the Old fifties. The film focused on the internal and external struggles of the main character, Benjamin who is symbolic of the painful tensions between the traditional male and the new image of the American male. Benjamin struggles with issues, such as how he was supposed to assert his manliness in a society that is no longer the “man goes to work, woman serves man” theory. But his parents were still living in a more traditional world and did not understand that the world is changing. As a result, he was mostly confused and was constantly pulled in two directions. A side towards the understanding of his father theory of manhood and on the other hand the need to seek his true identity in a world that his parents would never understand. This film successfully addresses this dissatisfaction of gender relating issues and the youthful alienation that was happening at the point of time in America. On top on that, this film portrayed how aimlessly the young generation back then when they …show more content…
The theme of the film created controversy, as it did not portray an idealistic American. But the film gave inspiration and freedom to all future filmmakers and the same time letting audiences to align with the true happenings in society. The theme of drugs is very apparent within Easy Rider as it displayed a ‘critical America’ as during the rise of Hippie culture it was estimated that around 800,000 Americans had tried marijuana. An example would be Billy and Wyatt convincing the American Lawyer to smoke marijuana. This represents how the Hippie culture is starting to take over the American. In terms of racism, a scene in the cafe when a panning shot establishes that everyone in the cafe was white. This instantly displayed the idea of a racist society and conveyed a message that America can be a racist and homophobic society. In conclusion a critical America is represented within Easy Rider and the film leaves the audience wondering why the American society allow freedom to the people which makes them question as to why the American dream lifestyle is always represented in films when it is so hard to find in reality.
Overall, the appeal of Bonnie and Clyde and Easy Rider lies a large extend of evocation of freedom as both were clouded by a sense of doom above their head. Bonnie
The dramatic coming-of-age film Dead Poet’s Society follows a group of young as they attend Welton Academy, an ultra conservative all-boys preparatory school, in 1959. Enthralled and inspired by the unconventional musings of their new English teacher, Mr. Keating, each of the students embark on a powerful journey of self-discovery, reflecting core transcendental themes of civil disobedience, non-conformity, and self-reliance. Heeding the mantra of their eccentric professor, the film’s characters learn they must rebel against societal conformity and willingly accept the consequences to truly seize the day and make life extraordinary. Aware of the repercussions of their bold and brazen actions, three of the film’s central characters undergo a process of igniting change to
Bulman is based on why Hollywood films represent students and education in constant way that can be predicted by the actors/plot social class based on American culture. The difference among urban, suburban, and private school genres are separated and compared to find their consistencies in films. Bulman uses Durkheim’s theory of individualism (utilitarian and expressive) to indicate how individuals are dependent on one another and although it is a product of social life, it can restrict some from recognizing their connection to the social life. This foundation of individualism guides the reader as the book further breaks down how the films ‘choose’ their plots to portray a stereotyped social class. Urban schools are in need of a savior, suburban schools have student heroes and do not need education, and the private school that challenges the culture of privilege are the three sections
As Smith uses his words to create a poetic trailer for this stereotype-free movie, he tells the story of a young African American boy. Rather than being focused on his color, he focuses on his
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
In 2015, HBO aired a six-part, true crime documentary series titled, The Jinx: The Life and Deaths of Robert Durst. Writer and director, Andrew Jarecki, examined the details of three crimes associated with Durst, including the disappearance of Durst’s first wife Kathy, the murder of his dear friend, Susan, and the murder and dismemberment of his neighbor, Morris Black. While the mini-series was met with acclaim, many – including myself – criticize The Jinx for its storytelling approach. The series seemingly blurs the lines of storytelling – for entertainment purposes – and journalism; raising many questions regarding ethics. Initially, Durst approached Jarecki regarding an interview after he saw All Good Things, a film Jarecki had released
Easy A, is not just a “chick flick” movie it expands beyond being a film that has a ridiculous unrealistic ending. This movie introduces sociological concepts like manifest and latent functions. Moreover, this movie gives examples of the power elite demonstrating who has a greater sense of control. Overall, I will be discussing the difference between manifest and latent functions and showing the importance of power elite in two scenes of the movie. Manifest and latent functions are two controversial topics.
The late 19th century consisted of rigid work hours for children, the growth of strikes, and the use of yellow journalism. It was a challenging time for anyone below the upper class to live in. This is demonstrated throughout Newsies, a Broadway Musical displaying the challenges from this time period. Child labor, a major part of the movie, was the way of life and consisted of young children doing hard work as a vital part of the nation’s economy and income of families of the time. Another part of the movie, strikes, were the people’s way of refusing to work as a result of not getting their desires.
The film brings light to issues that the general public doesn’t really realize are happening. Drug and gang violence are large issues in America and this movie shows that. The largest example showing violence from the movie is when Ricky gets shot by the Bloods in the leg because of issues that Doughboy created (Singleton, 1991). This violent scene has the biggest effect on the audience and it truly educates people watching the movie. This also leads to another message that the director cooperating through the
Through the use of a younger cast and romantic relationships, the target audience was definitely reached and moved by this film. By effectively using the rhetorical appeals, the audience was able to relate to some of the ideas shown and look at their community through an entire new lenses. The Breakfast Club can be classified as a coming to age film. According to “As Film Studies: The Essential Introduction”, the coming of age films tend to rely on dialogue and emotion and often involves an important decision made in a short period of time (271).
Moreover, demonstrate consequences are taken to oppress racial and ethnic minorities to keep them in a subservient position. Overall, this film has provided me with a visual depiction of how stereotypes are a mental tool that enforces racial segregation and self-hate. The label of “White” became a necessity for Sarah Jane to achieve in society. To attain it she needed to move to a new city, change her name and deny her mother.
This film is a great image of how American pop culture was consumed in the early 90s. This film focuses on the relationship and interactions between three African American males
The highly popular and widely discussed 1960’s romantic comedy film “ The Graduate “ displays an inner theme of what is called a generation gap, which is Benjamin Braddock’s alienated and social behavior contrasted from their parents social lives that are expressed by the use of the camera and the plot. From these first frequencies of scenes, in the beginning, the director Mike Nichols displays the camera on how Benjamin feels and acts in this world through the generation gap theme. He is completely silent, alone, and is conforming to society as if he were a zombie. The first twenty seconds of a zoomed out shot of Benjamin on the plane gives all the audience needs to understand the film’s theme: a generation gap leads to isolation through lack of communication. The song composed by Simon and Garfunkel “ Sound of Silence”, is being played as
Italian Cinema Introduction: Since the start of the Italian film and cinema in the early 20th century, Italian movie makers and performers passed in a successful era on an international level and have influenced film industries throughout the world. Italian films have earned 14 academy Awards for best foreign language film which out the country in the first placement in the world and 12 Palmes d’or which place it in the 2nd place worldwide. The first Italian films were the adaptations of books or theatrical plays, using complicated set designs, rich costumes and high budgets. One of the first Italian cinema style was Italian futurism.
Why did Hollywood become the dominant film industry with audiences inside and outside America by the end of the 1930s? Hollywood became the dominant film industry with audiences inside and outside America by the end of the 1930’s due to the implications of World War II Hollywood rose to become the dominant film industry with audiences inside and outside America by the end of the 1930’s due to the implications caused by World War II. The Hollywood era of the 1930’s, which is also known as the Golden Age, was filled with great benefits for the film studios of Hollywood. The main factors that, enabled Hollywood to become the dominant film industry by the end of the 1930’s included a combination of factors including: the rise of the five major studios, the Great Depression, and technological developments.