ipl-logo

Homosexuality In Dracula

142 Words1 Page

There were thus harsh restraints regarding female and male sexuality, but male homosexuality was considered even more of a taboo. After the well publicized trial of Oscar
Wilde in 1895, sodomy was criminalized, and the public was urged not to commit this evil act. If they did, people could end up in prison. There is no doubt that homosexuality is one of the main themes in Dracula, for Dracula penetrates both women and men where Nina
Auerbach analyzes the homosexual codes in the book, stressing the evil attractions of the
Count. She claims that the Count is a sexual threat who threatens to destroy the moral order and turn it into a depraved society through his violation of people. The violation of the men by penetrating and sucking the blood

Show More
Related

  • Homosexuality In Dracula By Bram Stoker

    1009 Words  | 5 Pages

    In "A Wilde Desire Took Me: The Homoerotic History of Dracula" by Talia Schaffer, she states, "...figure of Dracula to define homosexuality as simultaneously monstrous, dirty, threatening, alluring, buried, corrupting, contagious and indestructible." (Schaffer 473). Monsters, like Dracula, are not only an antagonist but the vilest thing ever to be undead. Dracula is not afraid of showing off his sexual desires, whether with a woman or a man. He violates and contradicts the norm of a man having to be with a woman.

    Read More

  • Summary Of Homosexuality In Bram Stoker's Dracula

    901 Words  | 4 Pages

    The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).

    Read More

  • What Does Religion Symbolize In Dracula

    1196 Words  | 5 Pages

    Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.

    Read More

  • Thesis On Dracula And Religion

    332 Words  | 2 Pages

    The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.

    Read More

  • Essay On The Importance Of Religion In Bram Stoker's Dracula

    863 Words  | 4 Pages

    Bram Stoker’s novel Dracula, displays the increasing scientific and technological advancements, but demonstrates the importance of religion in the Victorian era. Technology will always be advancing in society, but people choose to use religion that has been around for thousands of years. Victorians do not acknowledge the use of religion, but come to rely on religion to protect themselves against the evil superstitions, in which they never believed in. Stoker’s Dracula, emphasizes the importance of religion against technological advancing era. Stoker uses Transylvania to demonstrate how Transylvanians heavily rely on religion, despite the technological advancements.

    Read More

  • Religion And Religion In Dracula

    1688 Words  | 7 Pages

    Truth and Progress: Reconciling Religion and Rationalism to Defeat Dracula Bram Stoker's 1897 novel Dracula deals heavily with the theme of religion and faith, and, framed in the context of a fantastic struggle against an evil vampire, explores a controversy about religion which dominated its contemporary Victorian period—the debate between Christian religion and modern rationalism, an ideology fuelled by recent scientific advancements which provoked religious doubt. Literary critics tend to attempt to fit Dracula to one side or the other of this Victorian debate, but the novel’s position is difficult to discern, as instances of faith versus reason are not presented in binary opposition—neither side is marked as discernibly good or bad. What

    Read More

  • Gender Roles In Bram Stoker's Dracula

    1350 Words  | 6 Pages

    At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

    Read More

  • Desire In Bram Stoker's Dracula

    1160 Words  | 5 Pages

    The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that

    Read More

  • Suddenly Sexual Women In Bram Stoker's Dracula Summary

    1830 Words  | 8 Pages

    Feminist Reading: Dracula between Beauvoir’s and Roth’s Ideas In her article, “Suddenly Sexual Women in Bram Stoker’s Dracula” Phyllis Roth argues that Dracula is a misogynistic novel which is obvious in the system of power in which men are dominant and active figures whereas women are just followers and obedient to their system. She draws on Simon de Beauvoir’s idea that “ambivalence as an intrinsic quality of Eternal Feminine”, in order to show that women are victims to men powers. In her chapter, “Myth and Reality”, Beauvoir discusses the way that anybody in the society, specially men, doesn’t do their job in taking a step towards the oppressed women, but to act just like what the system of myth impose them to act.

    Read More

  • The Oppression Of Women In Bram Stoker's Dracula

    1218 Words  | 5 Pages

    In Dracula, Bram Stoker makes a contrast between two types of women in this novel. Women who are in the vampire state are vastly more powerful than the everyday human woman, but seem to still be subordinate. Towards the end of late 19th Century, the new woman develops toward the economic change as well as the sexual changes in society, with both men and women struggling to find a sense of this new order. The new woman was strong, finding a sense of independence and men were beginning to become terrified of their own woman. Stoker explains his idea behind the characters of the women in Dracula, he believes that “for women to deny their traditional role was to deny their womanhood, to challenge the distinctions between women and men upon which

    Read More

  • Morality And Morality In Dracula

    1329 Words  | 6 Pages

    During the Victorian period in which Dracula was written, morals and ethics were often strictly enforced. Some of the morals that were upheld had to do with personal duty, hard work, honesty, as well as sexual proprietary. It was very important during this period that one was proper in their sexual behaviors and conventional in whom they had sexual relations with. However, during this period, many authors sought to challenge the ‘norm’ with ideas of reform and change and Bram Stoker was no exception to this. In his novel, Dracula, Stoker provides a critique of this rigidity in his portrayal of Dracula and Dracula’s relationship with Jonathan Harker.

    Read More

  • The Abuse Of Women In Bram Stoker's Dracula

    2103 Words  | 9 Pages

    In Bram Stoker’s Dracula (1897), women play a role of overall incompetence and are shown to be powerless and obedient to men. Women’s role in the 19th century during the Victorian era of the United Kingdom consisted mostly of taking care of the children and maintaining the house because they were unable to work or vote until nearly two decades after Dracula’s conception. This way of society led to Stoker depicting women to be lesser than men and exist as victims in the aspect that Dracula exploited various women throughout the story. In Stoker’s Dracula, women are depicted as feeble, dependent, and exploited by men which is directly related to the setting Stoker wrote the story in.

    Read More

  • The Symbolism Of Religion In Bram Stoker's Dracula

    785 Words  | 4 Pages

    In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening

    Read More

  • Theme Of Xenophobia In Dracula

    1771 Words  | 8 Pages

    Xenophobia is an intense fear of people from other countries foreigners and the theme of xenophobia is present in the novel, Dracula, by Bram Stoker. By building on Micheal Kane’s suggestion that Count “Dracula … sucks the very life blood of the community” (1) and Kane’s remark about how the “'outside' becomes the imagined repository of anything deemed undesirable which exists ‘inside’." (10), I will be discussing Count Dracula’s actions which signify the fear brought by Count Dracula into England. Further by discussing Dr. Leila S. May’s remarks “about the fear of a contamination that, already exist[s] within, could even infect the forces of vigilance themselves” (16), I will further investigate Count Dracula’s role as a foreigner that portrays fear and how Van Helsing is similar yet different from Count Dracula. Scholars have analyzed the character of Count Dracula, however the character of Van Helsing, who plays the opposition of Count Dracula has not been studied in depth.

    Read More

  • Orientalism In Dracula

    1260 Words  | 6 Pages

    In the book Count Dracula gives us a clear example of the mentality of people surrounding this

    Read More

More about Homosexuality In Dracula

Open Document