“The Glass Menagerie” is a play written by Tennessee Williams. This play is so heavily influenced by Tennessee Williams that it is an autobiography. He even named one of the three main characters after his real name, Tom. The character Laura is based on his real life sister, Rose. And of course the character Amanda who is obsessed with “Southern Living”, reflects Williams’ mother, Edwina. These characters symbolize denial, as Amanda refuses to accept her daughter for who she is, Amanda constantly remeises about her old life as a Southern Belle with wealth and social class in order to avoid the harsh reality of what her new life has become. Then we have Tom, who uses to “movies” or bars to escape his responsibilities, and his homosexualilty. …show more content…
And while Tennessee Williams was repressed by his father for enjoying poetry and was even pulled out of university to work at a shoe company, his escape was writing. Tennessee has given Tom these exact same obstacles and outlets for frustration, and the only reason he does not make Tom explicitly gay is because of the time the play was written, 1944. A time when homosexuality was considered a mental disorder that need to be correct through acts of electrical shock treatments or conversion therapy designed to “pray the gay away”. Even Rose was experiencing some mental health issues in her life and as a result was given a frontal lobe lobotomy, and when that didn’t work she was admitted into a hospital for the rest of her life. Which I think is what the ending of the play symbolizes, when Laura blows out her candle, she has been lobotomized, and hospitalized. Essentially killing who she really was, figuratively that is but Tom considers her dead. And refuses to look back because he can’t forgive his mother for what she has done. As Tennesse and Rose were close in real life, and Tennessee never forgave his mother for what she had
Intelligence is not based on how people act, but how people choose to live. The Glass Castle, a memoir written by Jeannette Walls contains true stories based on her life growing up. Throughout the novel, many difficulties and hardships arise. Jeannette Walls accounts for her problematic lifestyle growing up with an alcoholic father and a simplest mother. The ending of this novel is not only predictable but also a little boring.
In his 1994 paper, Claiming the Pardoner: Toward a Gay Reading of Chaucer's Pardoner's Tale, Steven F. Kruger begins with an intriguing reference to Allen Barnett's 1990 short-story Philostorgy, Now Obscure. Barnett, according to Kruger, understands the Pardoner to be "a voice that might angrily challenge or campily subvert the legacies of homophobia" (Barnett 118). Kruger, however, is skeptical of such an interpretation of the Pardoner, because of the homophobic way in which Chaucer wrote him. Thus, Kruger is concerned that if the Pardoner is "claimed", the modern gay community might involve themselves in this bigotry.
All throughout the story Tom and his wife seem to argue very much. Tom never wanted to please his wife and would never try or do anything to please her. Also, both Tom and his wife were so miserable in their marriage they cheated on eachother. “... with the loss of his wife, for he was a man of fortitude. He even felt something like gratitude towards the black woodsman, who, he considered had done him a kindness.”
After all the disputes and accusations, Tom and Daisy stay together and move away back to the Midwest. Conservely Tom and Daisy’s relationship only stayed together because of the time period they lived in and the social rules they were obliged
Myrtle is accustomed to living an underprivileged life where feminine power engulfs her, but Tom is too egotistical to allow Myrtle to speak with such authority to him. Similarly, Gatsby’s need for assurance from Daisy pressures her into revealing to Tom that she never loved him (Fitzgerald 132). Deep down, Daisy knows that she truly did love Tom once, but Gatsby’s assertiveness and persistence drives her over the edge to telling Tom that what the two of them shared meant nothing to her. Daisy’s attribute of being a pushover is revealed immensely because she refuses to stand up for herself. Daisy is used to enabling Tom to constantly control all aspects of her life, and that leaves her powerless in society.
The actions Tom takes near the end of the story show how hypocritical Tom really is. For some reason, Tom is irritated that Gatsby and Daisy seem to have feelings for each other, but his affair with Myrtle is completely fine with him. To Tom, there is nothing wrong with him cheating on Daisy, but Daisy wanting to be with Gatsby is a horrid thing, even
Tom’s compassion for his daughter is clearly shown in the quote, “Whether he died or not, he would be lost to Daisy. His wife
In the novel Giovanni’s Room by James Baldwin, the protagonist David’s obsession with maintaining a traditionally masculine façade is what leads to the demise of all of his relationships. David’s masculine presentation and insecurity over his own homosexuality are frowned upon by Western society in the 1950s, the novel’s setting. This general societal consensus leads to David’s internalization of homophobia, eventually leading to the ruin of his relationships with family, friends, lovers, and himself. Western society’s view of homosexuality and masculinity at that time is the primary reason for the expiry of David’s relationships.
Tom cared more about his affair with Myrtle than his own wife. Neither Tom nor Daisy truly wanted to be in the relationship. George had his life all mixed up not knowing that Myrtle is being unfaithful to him. These instances of dishonesty from all of these characters against each other result in their own twisted realities due to unfaithfulness and dishonesty.
Rank Doesn’t Matter In The Great Gatsby, the reader sees a handsome young man, a wealthy husband, and a pretty lady. The theme of dissatisfaction is demonstrated through Tom and Daisy Buchanan, and Jay Gatsby. They are all unhappy with their lives and they destroy the lives of others in order to satisfy themselves. None of these characters are happy, instead they are dissatisfied with their marriage, love, life and themselves.
Tom shows his cruelty by abusing Daisy. Tom does not abuse Daisy by hitting her, but merely more by causing emotional abuse. He mistreats and uses Daisy without caring about her feelings. Tom does what he needs to do to get whatever he wants, thus proving
In the 1920s, homosexuals were widely accepted. The author of a popular play about homosexuality, Mae West, was an early advocate of gay rights. In the 1930s, the public didn’t want to deal with homosexuality in the actors, so they forced them to retire or keep their sexuality private. Homosexuals would not be accepted again until the 1960s. In the 1930s, life was harsh for homosexuals.
Repressed Homosexuality in Cat on a Hot Tin Roof In the play, Cat on a Hot Tin Roof, American play writer and author, Tennessee Williams, creates a piece that brings attention to a very dysfunctional, Southern family due to dishonesty, greed and concealed emotions. This story takes place around the 1950s and is centered on a broken, alcohol-loving man named Brick, his vivacious wife named Maggie, and their extremely… unusual family, but this isn’t the typical 1950s type of play. Most of the story and its conflict centers around one main topic: repressed homosexuality. This play was eventually cut down, altered and turned in to a film created by director, Richard Brooks.
The Glass Menagerie, by Tennessee Williams, tells the story of how the standards of society influence two siblings. Tom and Laura Wingfield are two miserable people who no matter how hard they try, cannot seem to fit in. The play takes place in St. Louis, 1937, in which men and women have specific roles and expectations. Men are expected to have jobs, get married and provide for their family. Women are expected to get married, have babies and stay home to raise their children.
Trophies are not always made of gold, or even placed on a high pedestal. That’s right, housewives can be trophies as well (at least, that’s what men thought during the early 20th century). Unless they wore an apron, had food in hand, and maintained an hourglass figure, society forced women to believe that this was the only way the could be housewives, and deserved to be married to a husband. Tennessee Williams’ The Glass Menagerie featured Amanda Wingfield, a housewife that is unfortunately a victim of societal pressures.