(Page 7, line 87). This then inspires the new plan on killing Caesar. Despite Brutus’ confliction, he decides it is what is best for Rome. There are more disadvantages than advantages in this act, because the conspirators had gone against the minds and beliefs of all of Rome.
Sorrowfully Anthony tells the crowd that he will “show [them] Caesar’s wounds, poor dumb mouths, and bid them to speak for [him]”(Shakespeare 47). This strengthens his tone of manipulation, because not only bringing up Caesar’s wounds cause emotion in the crowd, but also delivers the message of rebellion. It is important because this is how Anthony says to stand up for Caesar. Anthony is comparing Caesar’s wounds to dumb mouths, because the wounds killed Caesar in other words silenced him and dumb mouths do not
To accomplish his goal of completely removing Caesar from power he tries everything he can. He finally resorts to using his keen insight in human nature to convince Brutus by means of a long drawn out, passionate argument, coupled with bogus notes. In the conversation with Brutus, Cassius says, Brutus sense of honor, nobility, and pride more than he presents concrete example of Caesar’s actions. Then he ends up killing
Achilles is seen to be full of wrath in the beginning of the book. This wrath is not caused only because Agamemnon takes his prize of war. He is angry at the system which allows Agamemnon to play around with other people’s honors and the system which allows him to decide who gets how much honor. In other words, Achilles does not like the idea that someone else can decide what happens to his honor, despite him deserving most of the honor in relation to how much he contributes in war. As the story proceeds, Achilles seems to contradict himself a lot, and the concept of honor helps us understand this better.
Iago’s honest reputation and his two-faced personality ensnares the protagonists into his plan. Initially he gets the character to think that he is generally honest and then builds that small reputation up to a bigger one so then he can spill out lies to trick them. He seems to be honest through his actions when he is in
He continues by saying “as he was/ valiant, I honour him: but, as he was ambitious, I/ slew him (3.2.27-28).” Through these words he shows the people what he is capable of doing and how conflicts must be resolved. In contrast, Antony is trying to make Brutus sound like an imposter and he constantly repeats the phrase “Brutus is an honorable man (3.2.91).” When he uses this phrase in such sentences it slowly starts to sound sarcastic or stretched. “He was my friend, faithful and just to me:/
The tragedy of Julius Caesar conveys several important messages that we grasp from characters and
In order to be believable for readers, the insults must be very painful for Montresor, so it urges him to commit such a crime. “The Cask of Amontillado” is missing an important element of Montresor’s motivation to punish Fortunato by burying him alive. Montresor neglects to explain how Fortunato insults him as the story lays the foundation at the opening paragraph, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” (Poe 866); however, no evidence to be found in the story to support Montresor’s claim.
This further emphasizes his dominant trait, compassion. Despite being a compassionate person, when Oedipus thinks that Creon collaborated with Teiresias to frame him as Liaos’ murderer, Oedipus says he wants Creon’s death, in which Creon questions Oedipus’ trust in him, and Oedipus questions how he can believe in him and that he isn’t a fool to want to save himself” (Fritt 32-33). Here, Oedipus becomes selfish, which is shown when he is asking for Creon’s death to save himself. This shows that even though he typically is compassionate, when his position as king is at risk, he chooses to be a selfish person to protect his
Unfortunately, he trusted the wrong person due to his growing lack of self-esteem. Iago, a hypocrite who hid his evil thoughts by appearing as a man of extreme honesty, saw that he could erode Othello’s self-esteem because of who he was, a moor living in European society. He realized he could manipulate Othello for his own evil ends. He slyly used pathos to gain his trust, saying, “My Lord, you know I love you” (III.iii.118) to convince him of his honesty and reliability. Then he suggested the unpredictable nature of Desdemona by saying, “Ay, there’s the point: as, to be bold with you, not to affect many proposed matches of her own clime, complexion, and degree, whereto we see in all things nature tends - Foh!”