Hope Edelman's 'The Myth Of Co-Parenting'

“We live in a world where we rarely speak out and when someone does, often nobody is there to listen,” is a quote by Jaycee Dugard in her memoir A Stolen Life. Authors must be able to appeal to their readers in order for the story to be heard. While writing, they consider using multiple different tones and stylistic choices to entice an audience. In A Stolen Life, Jaycee Dugard utilizes a concerned tone and matter-of-fact style in order to express her emotions, provide readers with ample knowledge of her situation, and reflect on her life experiences.

People who become parents, generally understand that they have to raise their children in a certain way so that they will become healthy and functional members of society. Most of these parents also understand that if they do not give their children proper care and attention, their child may not have a successful future. Often times, parents would argue which method is the best to raise their child and which way is wrong. Everyone seems to have their own definition of parenting. Most people however, would disagree with the way Rex and Rose Mary Walls in The Glass Castle raised their children. Some believe that the Walls’ children would have been better off in foster care, others do not. I believe that the Walls’ children would not have been

In the 1970’s women were expected to stay at home and take care of the household. They were usually not expected to further their education, but instead take care of the children or tend to their husbands’ needs. In 1972 Judy Brady decided to let the readers of Ms. Magazine know how she felt about her “duties”. In her short essay, “Why I Want a Wife,” Brady uses pathos to connect and appeal to the reader’s emotions while explaining why she wants a wife.

“Why have hope?”, is the question raised in the poem “Drifters” by Bruce Dawe. Bruce Dawe’s poem explores how change can damage a family 's relationship and cause them to drift apart. This poem has underlying and straight forward themes depicted about change. Straight forward depiction is the physical movement of the family from place to place and not everyone is in favour of this change. The very first line of the poem, “One day soon he’ll tell her it’s time to start packing”, supports the inevitable change that no one else has a say in except the man. This highlights the power imbalance in a patriarchal house hold. The underlying depiction is the fact that the family is drifting apart because of this change. This is conveyed through the mother choosing to ignore the children and packing aimlessly almost as if she’s following a routine. This idea is reinforced by the repetition of ‘and’ as well as the listing effect which creates a sense of routine.

Parents are the biggest influence upon their children. From the time a child is born to the time they leave the household, the values that the parents hold are instilled into their children. Parents are required to make crucial decisions about how to raise their children in order to guide them through the inevitable obstacles and hardships of life. In The Glass Castle, many would argue the lack of care and responsibility the Walls had for their children. The author, Jeannette Walls, uses Rex and Mary Walls to demonstrate that their strong traits of non-conformity, self-sufficiency and perseverance are passed on to their children, allowing them to develop to their full potential. Children are dependent on their parents to

In addition, Lydia lives under the pressure of her parents’ high expectations, which cause negative effects on her psychological health. This pressure begins after her mother’s return in her childhood. Marilyn accepts the reality that she has no abilities to pursue a doctor career once she marries and has children. However, when she hears that Lydia loses the cookbook, she decides to let Lydia to fulfill her unable dream. She expects Lydia to be successful without any gender barriers like hers. To make Lydia interests in science, Marilyn involves math when she interacts with Lydia, and gives books as gifts to inspire her. She does ask Lydia’s opinions, but every time Lydia complies with everything Marilyn wants for her. Because Lydia feels

Co-parenting is an essential issue to a married couple. Co-parenting as a concept concerns with sharing responsibilities at workplace and home equally between the married couples. Co-parenting is a matter that both the couples strive to achieve and maintain regardless of how much it is hard to sustain it. Hope Edelman and Eric Bartels in "The Myth of Co-Parenting: How It Was Supposed to be. How it was." and "My Problem with Her Anger" respectively demonstrate through first-hand experiences the difficulties married couples face during co-parenting. With Edelman’s article “The Myth of Co-parenting: How it was supposed to be. How it was" coming from the notion of a frustrated wife and Bartels ' article "My problem with her Anger" perceives a distressed

There are some people that are very good husbands. But there are some husbands that are not good husbands at all . In the story Their Eyes Were Watching God, Janie has three different husbands throughout the story. Her first husband is Logan Killicks and he is a landowner and Janie’s grandmother chose him as her first husband. Her second husband is Joe Starks and he is a successful businessman. Her third husband is Tea Cake and he is loving. Even though Logan Killicks has land and Joe Starks has money, they can not satisfy Janie like Tea Cake can because he is a good husband unlike them.

lIn the book “The Glass Castle” there are examples of many different Family Developmental periods, however I will discuss one that stuck out to me the most. Family development according to the textbook “Family Theories: Foundations and Application” by Katherine R. Allen and Angela C. Henderson is “a longitudinal process of going through a hierarchical system of age and stage related changes” (Allen & Henderson, 84). This means that as a family there are various stages at different ages that result in different changes. For example, this can be seen within the book The Glass Castle in many ways. One way that stuck out to me the most was when Lori and Jeannette are making plans to transition into adulthood. Transitioning into adulthood can be a scary process for immuring adults, however Lori and Jeannette where

Brady uses words and various rhetorical elements to bring more awareness towards the feminist movement towards readers. In the essay, Brady establishes ethos by allowing the readers to know that she is a housewife with the first line, “I belong to that classification of people known as wives.” Throughout the essay, Brady uses irony and sarcasm to show the absurd standards that women have to meet in the household, “I want a wife to go along when our family takes a vacation so that someone can continue to care for me and my children when I need a rest and change of scene.” Brady successfully delineates her criticism of societal expectations of housewives by their husbands through her use of words. She effectively crafts her thoughts into words that make the goal of creating equality between females and males more

One of the biggest dilemmas that they face is the redirection of familistic living. Asian and Mexican Americans have traditionally lived in homes with generational members all under one roof. Family members did not live in separate homes neither did they practice “living the nest” manners as native Americans do. Children are encouraged to live at home until they found a spouse and were ready to marry. And even then, mother and father in-laws lived with the newly weds and sustain a household compromise of many generations with traditional cultural norms.

In the short story, “A Good Man is Hard to Find”, the author, Flannery O'Connor, demonstrates how a family vacation can quickly face a violent end, caused by a criminal known as “The Misfit.” Looking at the short story through a feminist point of view, one can quickly gather that O’Connor uses the traditional gender roles right from the beginning of the story.

It is evident that marriage is full of ups and downs, but the way couples manage these fluctuations in their relationship determines the strength of their connection. Both partners in a committed relationship must feel the same way and work equally as hard to push through potential obstacles. Being devoted to the relationship can ensure that the marriage will be able to survive the hardships and maintain a healthy, successful marriage. The emotional hardships and positives that a married couple endures on a daily basis are presented throughout the entirety of the poem, “Marriage”, by Gregory Corso. Corso’s poem explores the pressures and factors that influence marriage and sheds light on Updike’s short story about a couple facing divorce. In particular, Corso’s structure, examples that encourage tone, and theme can help us understand Updike’s story in a clearer way.

Through characterization and vilification, Joyce Carol Oates emphasizes both the wickedness and vulnerability of her female characters. Although Oates’s writing is predominantly seen as feministic or through a feminist lens, Oates says she is "very sympathetic with most of the aims of feminism, but cannot write feminist literature because it is too narrow, too limited” (Chell). While Oates may not directly say she writes feministic literature, the topics she writes about include the recognition of the difficulties specific to a female writer according to Chell. In many of her novels, her writing can actually be seen as both feminist and antifeminist due to her use of diction and characterization.

Despite the creator’s of Modern Family effort to portray a progressive view of American families, the show still accentuates outdated female stereotypes and gender roles; reinforcing gender characteristics, patriarchy and hegemonic masculinity. In contrast to its title, Modern Family promotes traditional gender roles and stereotypes of women, which result in the portrayal of an inaccurate image of the female, and weakens the stance of women in today’s U.S. society.