The similarity between “Dream Deferred” and “Hope” is the thing with feathers poetry elements is that they're both a lyrical poem. A lyrical poem which is a (usually short) work expressing an emotion or a thought. In which they both are. The difference between “Dream Deferred” and “Hope” is the thing with feathers is that “Dream Deferred” uses similes. While “Hope” is the thing with feathers uses metaphors.
Edna uses alliteration several times throughout the poem. Some examples of this is when she writes “Yet many a man is making friends with death” (7) or “Even as I speak, for lack of love alone.” (8). Alliteration is also important in portraying the theme because Edna uses the most alliteration during the change of what love is not versus what love is making the theme and the change more obvious.
Her poetry ranges from many themes, but most fall into the categories of love, nature, the mind, and death. While the idea of death was frequent in her life, it soon became one of the foremost themes in Dickinson’s poetry. While Emily included the theme of death in her poetry, no two poems have exactly the same understanding of death, however. Death is sometimes soft, sometimes threatening, and sometimes simply inescapable. In “I heard a Fly buzz – when I died –,” Emily describes and explores the physical process of dying.
Many poems, like the essayist’s Richard Harrison’s work, deeply explore universal ideas about death, love, grief, and the mystery of life. Many readers, like myself, can find connections with Harrison’s poems on such topics of life and loss and deeper meaning hidden in the poem. Not only could I make connections with some of Harrison’s poems, but I also made new understandings and realizations
The evidence provided by Dendinger gave many examples of both of these with poems like, “Bells for John Whiteside’s Daughter,” “Janet Waking,” “Piazza Piece.” and, “The Equilibrists.” All of these poems are connected together through Ransom’s own unique style as described by Dendinger. Each of them use irony and diction in their own unique way and greatly set them apart from other poems of their time. Due to this, Dendinger’s analysis is proven
What kind of stories can come from the dark minds of writers during the Dark Romantic Era? One’s similar to Edgar Allen Poe’s “The Raven” and “The Black Cat” and Nathaniel Hawthorne’s “The Minister’s Black Veil” and “The Scarlet Letter.” In these short stories and poems, you find a lot of symbolism that was popular during this time. Symbolism is an artistic and poetic style using symbolic images and indirect suggestion to express spiritual ideas, emotions, and states of mind. In all stories and poems, the use of symbols are what make the story feel so real to the audience.
Whether music is poetry or not has been up for debate for a long time now. Because of the use of assonance, rhyme, rhythm/meter, and cultural influence, “Distance” by Richard Caddock and Hyper Potions is more poetic and artistic than “Travels Together” by Heather Milks. Both the poem and the song make great use of metaphors. The idea of both of the pieces is that life has challenges that can be overcome to reach and end goal, and going through them together with a significant other can be a nice experience. In Heather Milks’s “Travels Together,” metaphors are used to describe the obstacles and rewards.
Over the course of human history, a countless amount of poems have been written by a numerous amount of poets. With such a myriad of poetry, similarities between these literary works is inevitable; in the same vein, this guarantees a huge degree of diversity as well. Even with two poems that appear to be the same, one would likely find contrasting elements within them, and vice-versa. This can be related to life itself: many people go through the same types of condition but face different outcomes, or conversely, different circumstances with similar results. Two poems about like situations in life and their differing aftermaths are “The Lanyard” by Billy Collins and “The Gift” by Li-Young Lee.
What is vastly contrasting, however, are the results of this manipulation seen as each poem develops to form vastly divergent interpretations of death; Poe’s “Spirits of the Dead” grows turbulent and melancholic, while Dickinson’s “Because I could not stop for Death” becomes relaxed. Interestingly, however, the speaker of “Spirits of the Dead” eventually comes to terms with death and accepts the mystery that clouds it, and in the poem’s final moments, Poe employs a similar use of imagery to Dickinson in its tranquility. Furthermore, Poe’s abstract exploration of death is expressed not in a clear and logical “journey” as Dickinson’s is, where throughout, the speaker guides the audience through a consecutive sequence of events. Instead, Poe predominantly explores the psyche in reaction to mourning, an already deeply abstract approach that is not necessarily grounded in physical reality.
In her poem, #465, Emily Dickinson’s speaker allows the reader to experience an ironic reversal of conventional expectation of the moment of death in the mid-1800s, as the speaker finds nothing but an eerie darkness at the end of her life. Although the author’s speaker reflects upon her life from beyond the grave, she remembers her final moments in the still room and suggests death is not as grandiose as anticipated. In fact, the speaker recalls the room, “like the Stillness in the Air — / Between the Heaves of Storm” (3-4). Here, the speaker compares the aura of the room in which she is dying to the calmness before a large storm.