Horatio's Loyalty In Hamlet

“ Lo, here I lie, never to rise again. Thy mother’s poison’d. I am no more. The King, the King’s to blame” (Shakespeare 126). Laetres realized he has been trapped by Claudius, he points out Claudius as the murder.

Additionally, in scene two act III the scene that may have any effect on the direction of the play is the introduction of the Ghost appearing to Hamlet and telling him that Claudius his uncle and brother to his father killed the king father to Hamlet and asks him to revenge his death. This makes Hamlet to distrust almost everybody around him except Horatio his close friend. From the scene, Rosencrantz asks “Good my lord, what is your cause of distemper? you 338   do, surely, bar the door upon your own liberty, if   you deny your griefs to your friend.”. Hamlet “340   Sir, I lack advancement.”

Unaware of the role Hamlet is playing, Ophelia feels rejected and hurt. Eventually, Ophelia’s heartache, along with the death of her father, causes her to commit suicide. Next, Claudius and Gertrude’s role play affect their relationship with Hamlet. At the beginning of the play, Claudius takes on the role of a kind, just king; he seems to genuinely care for Hamlet. He often gives him fatherly advice, and shows affection for Hamlet in ways that an uncle would.

This affects Hamlet’s mental health and relationship with his mother as he considers committing suicide as well as blaming his mother to help him recover from his father’s death. Through Hamlet’s anger towards his uncle, depression, and blame towards his mother in conflict with his fears of killing his uncle, having God mad at him, and hurting his mother, Shakespeare explains that people often desire revenge, but feel too fearful to fulfill it. Claudius becomes king after killing Hamlet’s father and marrying his brother’s wife, establishing Hamlet’s negative attitude towards him throughout the play. The king also talks condescendingly towards Hamlet in multiple instances, making Hamlet more angry that his relative does not

Depress can be used to relate to describe the murder of his father, and his brother marrying his wife. In Act I scene ii Shakespeare took a play from “The Murder of Gonzago”, to demonstrate the intensity between his mother and him: “ “ Seem,” Madam ? Nay, it is - Nor customary suits of forced breath, - together with all forms, moods, shade of grief-”. Hamlet become down and ignores his mother when she worry about why his grief seem so important.

When Hamlet loses his father he must find a way to save himself before his depression hurts him. Hamlet looks to confide in the first person that truly understands him: Horatio. In his play, Hamlet, William Shakespeare uses the relationship between Hamlet and Horatio to represent the fatherly bond Hamlet lost. The characterization of Hamlet and Horatio 's bond through the grief of death, their respect for each other, and how much they care about one another proves how Hamlet replaces his father with Horatio out of desperation for someone to look up to, just as he did his father. Hamlet is immediately drawn to Horatio because of their shared grief over the death of King Hamlet.

William Shakespeare’s Hamlet intricately weaves in a dualistic the theme of cowardice and bravery in the spiralling plot revolving around the palpable effects of King Hamlet’s death. The young prince, distraught by the recent death of his beloved father as well as his mother’s hasty marriage to his uncle, oscillates between decisions “to be or not to be. ”*to act or not to act- Throughout the majority of the play, Prince Hamlet fails to take action, hence remaining in a state of neither being or not being. Hamlet’s emotional state, in turmoil due to grief and rage, further deteriorates after the unanticipated appearance of the Ghost of King Hamlet in the first Act.

In Shakespeare’s play, at first he’s initially just the protagonist. By the end of act one scene five, King Hamlet’s ghost gives him a task, to “revenge his foul and most unnatural murder.” (1.5.25) These instructions are traditionally heroic, for real, Hamlet has to avenge the death of his father. But Hamlet is going to act insane instead (or is he…?), which leads to honor coming in at the beginning of act two scene one.

In the world renowned play Hamlet by William Shakespeare, the main character Hamlet procrastinates his duty to avenge his father by killing his uncle/step-father Colonius, even though he prolongs his duty, it is done right. “To be or not to be.” Hamlet fulfills his duty to reach his full potential by confirming Claudius actually did murder the former king of Denmark. Hamlet also confirms that when he kills Claudius will suffer after death as well. Hamlet, with advice from Horatio, gives himself some extra time to make sure that he can and will kill Claudius, before their battle.

Hamlet’s worst fears about his uncle are confirmed. The ghost exhorts Hamlet to seek revenge, telling him that Claudius has corrupted Denmark and corrupted Gertrude, having taken her from the pure love of her first marriage and seduced her in their incestuous union. But the ghost urges Hamlet not to act against his mother in any

Throughout the play, Hamlet demonstrates a great amount of loyalty towards his father who had passed away all he wanted to do was bring peace to him in his afterlife. Hamlet was devastated when he had first found out that his father died all his emotion went towards his father. When he first finds out that the mother is re marrying again he felt that his mother was not being loyal to him whatsoever. One of Hamlets act of loyalty was his

The Tragedy of Hamlet Prince of Denmark is authored by William Shakespeare, a seventeenth century playwright and poet known for his plays. It is a elaborate and full story with sympathetic and abhorrent characters the audience can understand all too well. It entails elements of betrayal, loyalty and inaction. The Lion King is a Disney movie with general plot of Hamlet where, a king is murdered for his throne. While the Lion King has some character and plot resemblances, its differences is what marks the gap between a children's movie to a richly told story.