The bitterly cold wind picked up her pleasant coat as she entered the alluring shop. She closed the intricate door hastily to block out the loathsome gale and turned. The room she stood in was enormous with pearly handdrawn sketches on the walls and pitch black tiles on the floor. She looks straight ahead and sees tall tubes filled with exotic candies. She closes her thrilled eyes and takes in a deep breath through her nose. She smells the sweetness of chocolate, the sourness of gummy worms, and the spiciness of the Hot Tamales. She quickly opens her eyes and races towards the chocolate. The walls were covered in heavenly chocolate, all laid out in separate sections. At the first counter, there laid small truffles nestled in paper cups. The first that caught her eye were tiny square chocolates with three tiny ridges caught in the chocolate. It looked like a duvet had been roughly placed on top. Next to these were small round swirls of white and milk chocolate. The swirls hypnotised her and she was entranced by their beauty until she noticed …show more content…
She looks at all the tubes that are emptying out into little buckets of candy. She smiles a toothy grin. It is her favorite place in the world. She walks down the rows of candy scooping some into her bag at each station, carefully emptying the scoopers so none of it falls to the floor. She walks up the counter and delicately places the bag of sweets onto the scale. 1½ pounds. She pulls out the crinkled dollar bills and coins in her pocket that she has been saving up from her weekly allowance. She pulls out $5.96, but the total comes out to $4.90. She smiles and pays for her candy and then walks over to the little ice cream booth. She looks at all the flavors and decides on Rocky Road. She gives the cashier a dollar for one scoop in a cone and walks out of the store
I did not know it yet, but I had discovered a portal into a new world. I tentatively gripped the mouthpiece with my lips and blew. The note rang clear and true, and the vibrant fullness and clarity of the tone caught me by surprise. “That one’s a steal” opined the lank-haired owner of the shop behind me. “We had a guy drop it off for some repairs and
Logan lives in the grand candy factory called Life is Sweet. He has grown up here, and accommodated to the unusual lifestyle. Need a person to tell you if you need a teaspoon more chocolate in your enormous vat? Logan can do it… From SMELLING THE CHOCOLATE.
Even in her silly christmas pajamas, she was still beautiful. The children ran in circles in the large, grassy field. Their lunches abandoned on the quilt as they chased butterflies and made wishes on dandelions. The woman's flowery sun dress billowed in the wind, and once again the man couldn’t help but notice how beautiful she was. The way she hugged their children, always dragging him into the hug too, and sipped her lemonade as the sun lit up her face.
This excerpt from Maxine Clair’s “Cherry Bomb” is a prime representation of an adult character reminiscing in memories of youth and innocence. Through the description of her “box of private things” and the cherry bomb incident, she uses appropriate diction, figurative language, and imagery while reflecting on past summers where time wasn’t consumed by school, capturing the pure moments of childhood. To begin with, the persona’s younger self picks up the “lofty” saying ‘I am in this world, but not of it’ without a clear understanding of what the message truly entails. She chooses it based on the fact that it seems to sound important. This reflection of her past shows a sense of immaturity, and is supported by other various examples of forward diction that tie back into her young personality at the time.
Before she would go home she would buy a hot chocolate and can still remember she would have change
She drove away from the party. She made some quick stops she stopped in Churches Chicken for some food and True Value to buy a shovel. Then she went to the woods. Then got off with the shovel that she had just bought in True Value. She started digging up a hoe in the middle of the woods.
Every night she orders a bowl of soup and while breaking saltines, “she drags it out as long as possible, breaking the crackers into smaller and smaller pieces,[...]” (Ascher 3). After she is done with her soup, the narrator comments on how empty the rest of her night will be. One interesting thing about this woman isn’t only that she came to the cafe alone, but she has nothing in her purse, like pictures of her family or anything personal. The author says everything in her life is normal.
Her dark brown eyes surveyed each of us as she spun her practically white blonde hair around her slim finger. We told her we needed directions and she said to us that she needed to stay at her post. Rather than leaving and walking us over to where we needed to go; she gave us a map, drew small arrows with Sharpie and sent us off on our way. We found the ride surprisingly quickly. I slide into line right behind Aunt Christy and Patrick prepared to wait.
She loaded up on candy it was nice to see that something as trivial as candy could make her so excited. It
He finally tells her to not move, to leave things alone, and she is so still that she gets priced by a store worker. At the end of the story the father cannot leave the store without paying for her at the register. She proclaims that her father had finally bought something that was good. (Book read on Youtube.com) An activity that I would do with this would
Like Water for Chocolate The theme of magical realism is manifested in the Laura Esquivel’s novel Like Water for Chocolate. Elements of magical realism are reflected mainly through Tita’s food recipes, as the food takes on supernatural qualities. The effects that they have on the characters in Esquivel’s book may seem far-fetched and yet it fits in with the nature of her book where impossible lactations, ghosts, the salt producing tears and so much more. These elements are cathartic releases for the characters. There are many instances in Like Water for Chocolate where Laura Esquivel uses magic realism.
An Exquisite Equation Below the worn pavement and below thousands of footsteps, an unsuspecting terminal of tracks exists. The stagnant air of pungent aromas is filtered when the bullets carrying passengers glide by. The train station resembled a beehive; determined individuals zipping through rows of chairs to catch their ride while others frantically search for an exit. Past the makeshift shops that attempt to welcome the tourists, an outlet of steep stairs ascend. A strange phenomena seems to wash over as toes lift off the top step and heels collide with the rough sidewalk, introducing a feeling as if you’ve just teleported into a foreign world.
At the start of the story she is just around the house contemplating of how her life is. She moves up and down to ensure everything is in order before her mother-in-law arrives. After ensuring everything is properly arranged, she goes to the station to go pick her mother-in-law. On
I can see my breath when I breathe out. I can hear the snow crunching underneath my thick wool boots and fuzzy socks, and can hear the sound of my own breathing. The faint howling of the wind sounds like ghosts swarming the city on Halloween. I notice an old abandoned, dilapidated house far off in the distance, in desperate need for a new paint job. With it’s rickety old
A memorable and heavenly man aroma filled the air. The smell of cherry, wintergreen, apple, and butternut flavoured pipe and tobacco smoke mixed with the scent of hair tonics, pomades, oils, and neck powders. These aromas became ingrained in the wood and every cranny of the shop. The moment a man stepped inside, he was enveloped in the warm and welcoming familiarity. He was immediately able to relax, and as soon as the hot lather hit his face, his cares would simply melt away.”