“The Destructors” is a story of the Wormsley Common gang’s destruction of an old house shortly after World War II. The gang consists of teenage boys who meet every day in the parking place next to an old house. Mr. Thomas is the owner of the house. The teenagers consistently harass him and finally destroy his house under Trevor’s leading. In Graham Greene's “The Destructors,” Mr. Thomas’s house symbolizes England after World War II.
First of all, the structure of the house, known as the “Old Misery’s,” represents the past glory of England. The elaborateness of the house is symbolic of the old class structure. Trevor, or T., describes the house to be “beautiful,” and this word worries Blackie, the initial leader of the gang, because it “[belongs] to a class world” (90). To the new generation, the class structure is an unpleasant remnant of the past. The house, like England, has a rich history:
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The setting of the house represents the influence of World War II. The house is standing alone amidst the destroyed neighbor houses, just like England who remained independent during the war. The war, however, did leave marks on the English society which is now on the verge of collapsing: the house is tilted and needs the support of “wooden struts” because of the “blast of the bomb” (88). The broken pipes represent the damage caused by World War II. Pipes are essential to a house’s daily function of water circulation. The Second World War broke England’s “pipes,” which represent its social structure, and the society was stagnant. Mr. Thomas, also known as the Old Misery, symbolizes the old generation which failed to take care of the old society. Although he is able to repair the house, he is “too mean” to do it (89). The establishments of England were not willing to “spend money on the property,” and they did not know how to fix the society, just like Mr. Thomas, who “had never learnt plumbing”
Jeannette’s family never had enough money to buy themselves a decent house, so they lived out of rugged shacks, old abandoned buildings, and even out in the desert without any form of shelter. The author would describe each new house that her family moved into in such a way that it would persuade the reader to have such strong feelings of hatred towards Jeannette’s mother and father. Neither Mr. Walls, nor Mrs. Walls could keep a job for any decent amount of time, so after living in a house for a little, the family would get behind on the payments and have to pack their things and move on to a new place. The most memorable example of these terrible houses is the house that the family bought in Welch West Virginia. On page 153, “We called the kitchen the loose-juice room, because on the rare occasion that we had paid the electricity bill and had power, we’d get a wicked electric shock if we touched any damp or metallic surface in the room.”
This broken down house also symbolizes the family and how they are broken apart from each other. For example from the story, Rex lost any respect he had with his children once he whipped Jeannette, as that was her final straw with him.
The house was used for dining, cooking, visiting, and chores. There were normally at least 10 children living in the house and many servants and apprentices. A many named Tristan and his wife moved in along with his 4 children. They lived there for about 50 years or so. His wife was the last one in the coffin.
This time period is usually associated with dreadful working conditions for the working class and unimaginable unemployment rates. The light that Griffin shines on the subject contradicts what many believe to be a terrible period for all those involved. We see a glimpse of this
Symbols in the story depict two different themes: the American dream or its horrible post apocalyptic interpretation, and the alienation. The last term means an indifferent attitude to the surrounding environment and a feeling of an absence of connections with it. It is impossible to talk about feelings or emotions of the house’s artificial intelligence; it looks more like a
During the 1900’s, as people grew disillusioned by politicians, the ‘House of Lords” was used as slang for a lavatory, thus revealing the crappy reputation of politicians during this period.
At the time of its release, Night of the Living Dead (Romero, 1968) was the first film of its kind. The movie was shot on an extremely low budget that utilized limited technology and infinite creativity. As a matter of fact, the creativity that George Romero displayed with this work has shaped many of the concepts that are used in the modern era of film making. The idea of zombies as the world knows them today can be directly correlated to the ones in the movie itself. Likewise, using graphic content the way Romero did was unheard of in this era.
This location shows how the aspiration has been perverted into something terribly dark and sinister. This is the desire of wealth at any price and also the ideal that cash will cause you to happy. “This is a depression of ashes- a fantastic farm wherever ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke…” (Pg. 26). this quote shows the results of the fashionable materialistic society of new york.
The hopes of Wes, Mary, and many others can be depicted through the sight of their new neighborhood in which “flowerpots were filled with geraniums or black-eyed Susans, and floral wreaths hung from each wooden door” (Moore 56). Not only does this use imagery to describe the beauty of Dundee Village, but the metaphoric aspect contributes to the message that Moore is trying to
In detail, there are no human characters in the story. They died in a nuclear explosion. The speaker makes a comment that a silhouette of the owners of the house was left on a wall showing their final actions. For example,“The entire west face of the house was black, save for five places. Here the silhouette in the paint of a man mowing a lawn... Still farther over, their images burned on wood in one titanic instant”(Bradbury 2).
Deception in ‘The Strange Case of Dr. Jekyll and Mr. Hyde’ ‘The strange case of Dr.Jekyll and Mr Hyde’ is a novella by the scottish author Robert Louis Stevenson, first published in 1886. Stevenson, born November 13, 1850, is also the author of the well known book; ‘Treasure Island’. Robert L. Stevenson, who died December 3, 1894,, was said to be influenced by authors such as Charles Dickens and Edgar Allen Poe. This book is part of the gothic genre, a genre of literature that combines fiction, and horror, death and at times romance. The Strange Case of Dr. Jekyll and Mr. Hyde, or simply Jekyll and Hyde is about a London lawyer named Mr, Utterson who investigates strange occurrences between his old friend Dr. Jekyll and the evil Mr. Hyde.
He adds to the idea of personification by letting the readers in on the House’s fear of death in the following quote: “The house tried to save itself. (Bradbury 31)” by shutting its windows tightly to starve the fire and keep it from burning the house down. In this scene, it forgets all other things and concentrates simply on stifling out the fire to save itself. The emotional connection created with both these lines is meant to let the readers believe that life has not changed so much that humans no longer have a place on Earth anymore, even if it is emphasized that Mankind has deserted the planet long ago. Humans’ desires to be remembered are prominent in the human-like traits granted to technology and how they are played with in the
For instance , the images such as “ decayed trees “ also reveals that the house is located far away from urban which is portrayed as “
“A Rose for Emily” by William Faulkner is written about the change from Old South to New South and Emily refuses to accept the changes by living in her own version of reality. An analysis of William Faulkner’s “A Rose for Emily” will explain how Faulkner portrays the change in the social structure of the American South in the early twentieth century as a change from Old South to New South by showing the Griersons no longer hold power, the changes in the town, and Emily’s denial to change. In the New South the Griersons no longer hold power. Emily believes that her family still holds the power that they had in the Old South, so she never payed her taxes.
Set in the 1920ies, individualism and materialism was on the rise (khanacademy.org, par. 9). The time period was also characterised by a post-war emptiness and cynicism (www.telegraph.co.uk, par.14). As such, the modernist story (Keshmeri & Darzikola, p 99) deals with loss of meaningful life, with the sterility and vacuity of the modern world and with the crucial