The Harlem Renaissance, or the New Negro Movement as it was known at the time, was an intellectual, artistic, and social outpouring that celebrated black culture with themes of what it meant to be black in America. This movement lasted from the 1920s through the 1930s and included artists and intellectuals such as Langston Hughes, W.E.B. DuBois, and Duke Ellington. The Harlem Renaissance went beyond art, literature, and music, there were also political, social, and economic aspects as African-Americans questioned how the United States viewed them and how they viewed themselves. The New Negro and the rise of Harlem came about at a time when African-Americans began to urbanize and form a unique urban culture.
Extended Essay: The Harlem Renaissance Question: What contribution did the Harlem Renaissance have in shaping the voice of African-Americans in New York City during the 1920’s? Introduction: For many, the 1920’s evokes images of flappies and speak-easies. But for one group of Americans, the decade was also the start of rebirth. The Harlem Renaissance was the first time African writers, musicians and artists won recognition for their achievements in vast amounts of areas. Their goal was to create an outlet for group cohesion and self determination, as a means for achieving equality and civil rights.
The Jim Crow laws enforced racial segregation where ninety percent of black Americans lived. This gave black people hope for a new better life in the Northern states where those laws weren’t enforced. This renaissance was a cultural party that helped expose black writers, musicians, poets, artists, etc. This changed the culture forever and the talent started to spillover within the black community. Art was pushed to its limits and was a form of a statement and representation.
“The Harlem Renaissance” was the name given to the cultural, social, and artistic explosion that took place in Harlem between the 1920s and 1930s, around the end of World War I. This movement took place in Harlem, New York a predominantly African American community. The Harlem Renaissance was associated with the origin of African American culture drawing writers, artists, musicians, photographers, poets, and scholars to Harlem. Harlem became the community for which many of the great African American leaders in arts and academe lived, worked, or visited to be a part of Renaissance taking place in this African American community, which still exists today. “The Harlem Renaissance” impacted and changed the identity of African Americans and American
The Early Contributions of African Americans to the World of Music Throughout history African Americans have made many contributions to American culture and have impacted the world of music in monumental ways. African American music introduced unique rhythms and song structure that represented the diversity of cultural influences from Africa. Ultimately, African Americans influenced the creation and evolution of music genres across the country and contributed to the multifaceted impact on the American music industry. African American music was strongly influenced by African culture and traditions. Prior to the 20th century, the rhythm and vocal traditions of African American music, such as the call and response song form can be
Born on February 1, 1902 and raised in New York City very own Harlem, Hughes would prove to be one of the most significant writers and thinkers of the Harlem Renaissance. In 1926 Hughes published one of his many symbolic poems Weary Blues. The Weary Blues is a poem that was able to fuse together poetry, jazz and blues which describes one of the distinctive characteristics of the “New Negro” of the Harlem Renaissance. The Weary Blues portrays the overcrowded conditions and employment difficulties blacks faced in Harlem. Those who suffered from ambiguity because of lack of monetary resources and basic luxuries: In a deep song voice with a melancholy
The Harlem Renaissance inspired new music, art, and literature that reinvented African American culture. The renaissance also influenced the Civil Rights Movement in the 1950s and 1960s. The main goal of the Civil Rights Movement was to end racial segregation and discrimination towards African Americans. The Movement was also enacted to defend legal acceptance and to protect citizenship rights created in the U.S. Constitution. The Harlem Renaissance set the stage for these influences and changes in America.
The majority of Blacks have settled in Harlem. Among them musicians, writers, critics, etc. Harlem became the source of intellectuals and one of the greatest literary centers of all talents. Focused on the Harlem locale of New York City, the Harlem Renaissance was a piece of an across the country urban insurgency started by World War I (1914-18). The social upheaval, which took after the emotional flood of Southern blacks into Northern urban communities amid and after the war (the supposed Great Migration), brought the open deliberation over racial personality
The introduction of the uniqueness of art, jazz, literature and dancing became the new attraction. The Great Migration of many African-American people from the South to the North, and many into Harlem was the cause of this circumstance. Harlem became the midpoint of settlement. There are principles that lead to the creation of the Harlem Renaissance. During the 1916 to 1970s the great migration occurred.
The Harlem Renaissance was a phase of a larger New Negro Movement that had arisen in the early 20th century and in some ways ushered in the civil rights movement of the late 1940s and the early 1950s. The social foundations of this movement included the Great Migration of the African Americans, from rural to urban spaces, and the dramatically advancement of literacy. The creation of national organizations dedicated to helping African American civil rights, and “uplifting” the race by developing race pride. The Renaissance was a literary, artistic, and meaningful movement that sparked a new black cultural identity that lasted until the 1920s to the mid 1930s. Essence summed up by critic and teacher Alain Locke in 1926 when he declared that through art “Negro life is seizing its first chances for group expression and self determination”.