Layton Nosbush
Reading & Writing
E. Hudecova
Oct-15-15
Weighing Era Influences: Two Sides of the Fulcrum Pushing boundaries and discovering how to create something new that no one has seen before is what art is all about. Since the earliest practices of art, artists have been breaking through the standards of what art can really be. Early impressionists disrupted the rules of academic painting and created a style uniquely their own. Edgar Degas was one impressionist artist that wanted to express what he saw in the exact moment. With this style of Impressionism, Degas captures a complete naturalism. Although this new style is unique, it is clear that there were many classical elements that heavily influenced Impressionism. Along with that,
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Although labeled as an impressionist, Degas claims his work was in no way spontaneous. He did paint the realties of the world while in the moment, but he claims his works are, “[A] Result of reflection and study of the great masters…” He labored to express naturalism, especially within his depictions of people. Within the classical era, the human form becomes increasingly naturalistic with perfect proportions. This practice is very evident in Degas’ early work of nearly every human depiction, but can easily be seen in any ballet painting simply because they show many full bodies in varied poses. In Degas’ painting “The Dance Class” – 1874, the figures are shown with natural weight distribution as well as a prominent display of the equal affect that a particular position would have on the rest of the body, which Polycleitus strove for in the Doryphorus. Capturing a natural form in the moment from observation is perfect blend of Impressionism and Classical. Much of modern art lacks too much of the naturalism seen in not only Edgar Degas’ work, but other impressionists to have it be labeled as an influential aspect of modern art. Obviously, There is evidence of naturalism within modern art; however, with this area, it is clear that Classical Art had more of an impact on Impressionism than Impressionism had on modern …show more content…
Realism is a part of one’s artistic preference and with that varies from one artist to another regarding how realistic they choose to make a piece. So, Classical Art, for this area, may not have necessarily have influenced Impressionism as a whole, but indeed influenced Edgar Degas as an Impressionist. Modern art can, of course, be realistic, but there is no hard evidence showing that it was influenced by Impressionism because much of Impressionism did not express realism. “Musicians in the Orchestra” – 1872, is a great representation of Degas’ proficiency with realism. Within the piece, there is an extreme attention to detail as well as an obvious delineation from person to representational portrait. Degas is portraying a specific person rather than an imagined form, which is the classification for realism rather than idealism. Obviously, this is in part because he paints the moment he is in, but it also comes from his study of the great masters who, in the veristic period of Classical Art, become extremely interested in portraying the “everyday subject” in its most realistic form: portraying a specific person rather than a general and recognizable form. With this and many other pieces of his, Degas prominently adopted those classical
This painting is able to redefine the “still life” painting; Max’s piece is abounding with movement and energy seen most easily in the choice of color as well as brush stokes. In order to analyze a piece of artwork, it is imperative to understand where and how the creator was raised. Peter
Meredith Liu Professor Ila Sheren TA: Heather Read (Section K) 28 April 2017 Paper #3 The Transformed Dream: Elusive Realities The most fascinating art is often the most perplexing. In the case of Giorgio de Chirico, his repressed consciousness manifests itself in the surreal concoction of oil paint on canvas known as The Transformed Dream. At first glance, the viewer might simply see an odd collection of objects composed into an oblong still life.
First of all, Edgar Degas was a French artist that he was “trained in a traditional academic style, which is particularly evident in the classical subjects of his early works, and he was a master draftsman and captured of emotions” according to
The impressionism movement has proven to be a very important time in history. It influenced the way art is generated and viewed today. The views and techniques utilized during this period have influenced the way individuals currently view the world. Impressionism laid its foundation in the artworld with its innovative ideas and techniques, the desire to rebel against what was recognized as art, as well as with its prominent artists.
In his work, titled, Laundresses (1884) he depicts the working class woman-doing chores by the riverbed. He also had numerous pieces of ballet dancers. His viewpoint is that of a male voyeur, watching young dancers. Degas took an interesting approach to these particular pieces.
Impressionist: The unique styles of Impressionism Beginning in the 17th century in France what was known as the Impressionist, swept away individuals with their paintings. These paintings were known to have a smooth surface with no visible brush strokes and was seen as being so life like it resembled a photograph. “Impressionist Masters” made sure to include this beautiful work while showing the work of each Impressionist. As these paintings became widely known and sought after a gallery was opened to showcase the work of each artist known as the Salon. The Salon was created and used through the local academy, which placed strict stimulations on what art work was accepted into the Salon.
The artists of this time were very vocal about how they felt about the strict rules that had been in their eyes hindering and constricting the art world. They in turn made their own group that started drawing and painting in a new more emotional style that showed what life was really like. They also used their new found style to portray how they saw the world around them. It was not necessarily what was really there but more of what they felt is what they painted. A good example of this is the artist Monet.
Competitive by nature, Picasso sought to outdo the attention received by Matisse's Joy of Life, creating an early Cubism masterpiece that simultaneously contrasted and reminded the viewer of both The Large Bathers and Joy of Life. Unlike both The Large Bathers and Joy of Life, Picasso's nudes are well aware of our observation, and seem to be posing just for us, instead of being aware of each other as in the other paintings. Additionally disturbing is the looks on their faces, which size us up, assessing us. Indeed, Picasso's women are prostitutes. Each glares at us, the discovered voyeur, coldly gauging whether or not we will choose her that evening (Harris & Zucker, n.d.).
The exhibition was marked as a percolating rebellion against the Academic Salon. Overall, Impressionism not only broke the authority of the Salon, but also changed the aesthetic value of art from historical subjects to genre themes. Impressionism also remarked as a breaking free from naturalism. There are two distinct effects on impressionism painting: Impressionist interpret the vision of a world developed color to the status of the subject matter. Furthermore, it also reasserted
A varied balance between the symbolic and realism has been struck world over by the painting. In the fifteenth century Western painting began to turn from its age- old concern with spiritual realities towards an effort to combine this spiritual expression with as complete an imitation as possible of the outside
The shapes are overlapping. Also, the palette is reduced in this painting: there are only a few colors (shades of brown and blue, red, green and white).Juan Gris made a portrait of Picasso, also in the style of cubism. There are diagonal lines going through the painting, and Picasso seems to be cut by them. Picasso does not seem realistic at all, but we can still recognize that it is a person.
It is an idyllic scene of reclining nudes, embracing lovers and carefree dancers. The colors are flat, the figures sketched in, some drawn as sensuously as Ingres' nudes, others as boldly as Cézanne's bathers. Nothing like it had ever been painted, even by Matisse. Picasso understood this at once and took it as a challenge." (Picasso and Henri Matisse.
In the painting the drapes are used to point out the painter`s departure from the traditional form of painting. In the era of Renaissance, the painters perfected the ideal of the human form but Picasso approach to the distortion of the ideal human form led to the remarkable work of art . The painting can be seen as a reflection of the artist`s fear of venereal disease, his perception of mysteriousness of sexual energy and his private affairs with women. The painting consists of an element of psychological anxiety communicated by the masked figures. The effort of labour that Picasso indulged in painting Les Demoiselles D Avignon which is although said to be incomplete work has definitely led to a certain sense of liberation of the artist through his work ,Les Demoiselles DAvignon.
One renowned artist of the Impressionist era that was fond of Japanese art was Edgar Degas. Degas was not one to hide his love for Japanese prints; as Ives stated “when his personal print collection was sold in 1918, it included over a hundred Japanese woodcuts and albums by Utamaro, Hokusai, Hiroshige, Kiyonaga, Toyokuni, and other Ukiyo-e masters,” (Ives 34). Despite Degas’s extensive collection, he was not prone to integrate Japanese objects into his work. However, Degas still managed to pay homage to Eastern art with his newfound taste towards subtle line use, daring foreshortenings, and unusual organization of space (Ives 35).
Edouard Manet ripped the painting, cutting through the canvas (“ART; Degas and Mrs. Manet”). This kind of reaction is what Edgar Degas did not get out of his ballerina paintings. In fact, his The Dance Class was displayed ___. Again, it is tough to pinpoint the social commentary that came with the painting as it was simply painting to view, therefore the social commentary on the painting was more on the techniques. Much like impressionists, Degas wanted to paint something with no specific