Rebecca Nickles
Piano Literature II
Dr. Kodanashvili
5/2/18
Enrique Granados A composer that was just gaining momentum with his compositions before his untimely death, Enrique Granados left a small but notable impact on the musical world. Although the majority of his compositions do not exhibit a great deal of originality, sometimes composers’ charm come sometimes nearer to our heart than that of greater geniuses”. Enrique Granados was born on July 27th, 1876 in Catalonia. He was raised primarily in Barcelona, Spain. For unknown reasons, Granados actually believed himself to be born in 1868 rather than 1867, even stating so on his life-insurance policy. Yet we know he was born in 1867 due to his baptism records. The name Granados means
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He also had passed his twentieth birthday while recovering, shattering his hopes of being accepted into the Conservatory, who maintained a strict age limit policy. Fortunately, Granados’ journey to Paris was not in vein, as he was still able to take private lessons with Charles de Beriot, who was one of the leading pedagogues at the time. He was also fortunate enough to study with Felipe Pedrell, who taught him of Spanish popular music, but sufficient time was not spent on developing Granados’ technical knowledge of the subject.Despite these lessons, many feel that Granados returned home without ‘sufficient equipment and style’ to help guide his compositions, as is evident in his earlier works. Again, because of these setbacks, Granados is hindered in his musical development as a …show more content…
Author Jean-Aubry believes that “it is certain that had Granados received a more methodical teaching, he would have achieved a steadier way of expressing himself and greater variety of style”. One of Granados’ most notable ‘defect’ as a composer is his often overuse of a theme. Yet, despite all of this, Granados’ compositions still possess a certain level of charm and familiarity that make them appealing to listeners. Jean-Aubry goes on to state that:
Perhaps he would have lost some of his characteristic qualities - that unique spontaneousness, that musical instinct which gave him, in spite of his refinement, some likeness to those troubadours of yore, inventors of themes who never troubled themselves about purity of style, haunted as they were by the desire for communicating their feelings in the most direct way.
Because of his lack of training, defining Granados as a composer is a difficult task. Douglas Riva, who recorded all of Granados’ works for Naxos, offers his thoughts on labeling Granados:
There’s his voice, his sensibility, but they’re not all of a sort. It’s hard to pin him down, and maybe that’s why he’s considered a Spanish nationalist because people don’t know what else to
One of which was the unbearable learning curve of playing an instrument. The early years of our orchestra performances of “music” was relatively similar to a swarm of bees and I was surprised that our audience could sit through our torture, but Maestro Johnson did not yield to the challenge that was in front of him. He did not give into our lifeless prowess; instead, he helped give life to what I can call music to my ears. Day in and day out, he would continue to stand at the heart of our orchestra, as our conductor and as our mentor, and ensured that every time we laid foot into his class, we improved both in musical talent and in self-identity. Maestro Johnson allowed the weight of the orchestra to rest on his shoulders as he carried us to greater heights, making leaps and bounds to the peak of success.
Selena was born to Mexican parents, Abraham Quintanilla and Marcella Ofelia Samora, on April 16th, 1971 in Lake Jackson, TX. She was the youngest of 3. Her older brother was called Abraham and her older sister was called Suzette. Selena started singing at 3 years old, she started singing in both English and Spanish when she was 6, even though she didn’t know how to speak Spanish at the time. Her father started a family group called “Selena Y Los Dinos”.
On April 21, 2017, I interviewed one of the Burbank High School Spanish teacher name Mr. Tito Proano. The reason I interview him about mariachi was because he writes and sing Spanish and English music’s and knows about mariachi music too. Instead of singing and writing songs, he plays guitar and drums. Also, he likes to Latin American, English, and rock and roll music. He talked about the mariachi history, root and instrument.
He considered his music as part of category of American Music and he devoted his life to music to give new meanings to the field (PBS). Organization of the paper: This research paper is based on the notable personality
It also stuck out to me how in the end the classical work used the repetitive sounding of the trumpets in somewhat spaced-out intervals to help capture this idea of great accomplishment or triumph. The overall feeling of the piece was that it did not have any movement conveyed in it but that more so on the contrary that it seemed to give a message of standing strong and firm like an unmovable
He is such an influential person in the music industry that he has been given many awards and distinctions, even after his death. It shows his worth for the music industry. His life has many lessons for those who have interest in music. He has been hard working, and throughout his life, he always thought of music and how to contribute to it. Such a professional approach to one’s career should be learnt from his life and this is why his life has been highlighted in this
Calderon de la Barca created Zarzuela to celebrate the birth of the prince of Spain, in fact writing and composing music to royal families was a common practice in the Baroque era. Composers sometimes abdicated their own personal goals
Writing and signing all her songs selena brought the latino community together through her music. Selena was known to adding her own twist to tex mex (genre) which attracted more latino communities throughout the U.S. to her music. She never let fame or money get in her way on making her music. She realized what she could do and managed to break records. “While she's known for her music, and as admired icon and legend, Selena helped change things for latinos and her influences was felt across the spectrum of everyday life, from Texas politics to fashion and merchandising.”
In this paper I will focus on the personal history of an artist named Selena Quintanilla. She became famous at a young age due to her singer talents. Moreover, her early exposure in the musical world in the band “Los Dinos” was mainly due to the support of her father. Her participation in “Los Dinos” influenced her to continue her passion for music. I chose Selena Quintanilla as the artist that I will write about due to the great impact her music has in society.
As a Mexican American in a working-class life, culture is a massive influence not only on his writing but his overall life. As stated in his biography on the official Scholastic website, “A lot of my work seems autobiographical, because I write a lot about growing up as a Mexican American. It's important to me to create and share new stories about my heritage. It’s a huge part of my life”. An example of this influence in his writing can be found in the poem “Mexicans Begin Jogging”.
György Ligeti (1923 – 2006) Musica ricercata György Ligeti has been described as one of the most important avant-garde composers in the latter half of the twentieth century and one of the most innovative and influential among progressive figures of his time. Born in Transylvania, Romania, he lived in Hungary before emigrating and becoming an Austrian citizen in 1968. Ligeti's earliest works have been called an extension of the musical language of Béla Bartók by some, and his piano cycle Musica ricercata (completed in 1953) most certainly falls into this category. It has been described by one biographer as inhabiting a world very close to Bartók's set of piano works, Mikrokosmos.
“to find a medium that reflects both backgrounds in one’s identity” (Sahagun 1). Therefore, listening to music can help maintain that balance and shape people’s identity. Furthermore, there is an explanation of music taste and the significance of music leading to the feeling of home and aware of one’s feelings and thoughts. This work does affect my thinking because it allows me to answer partially my topic question of Spanish music affecting people’s development of self-identity. Although it does not specifically answer my full question, I believe it answers that Spanish music makes an identity to be form in the youth (college students) and it deals with one’s culture and identity in a particular setting.
His first real piano lessons were from a neighbor’s daughter who taught him pieces such as “On to Victory” and “The Mountain Belle.” Even as a child, he would compose pieces and ask for his mother’s opinion, which he would continue to do
Although Schnittke studied and later taught at the Moscow Conservatory, his approach in composing still held influences of his education in Vienna during his adolescent years. Schnittke 's music comprises of a distinctive feature, the polystylistic idiom, which can be found all over his extensive repertory. Towards the latter years of his life, Schnittke suffered a series of strokes, but notwithstanding, his compositional creativity did not falter, rather, it flourishes even more. Assessing Schnittke 's extensive oeuvre, one would not pick up on his serialism, but instead, will perceive the eccentricity of his style. "I set down a beautiful chord on paper—and suddenly it rusts."
Andres Segovia was a prolific twentieth century classical guitarist who had a profound influence on the classical guitar. Segovia emerged from a musical family in Linares, Spain and from a young age had lessons in an array of traditional classical instruments. But he did not discover his passion for music and the guitar until attending a private concert of a flamenco guitarist after which he received his first lesson. Following this, Segovia began studying the instrument, working diligently, ignoring the wishes of his family “to study an acknowledged and respected classical instrument” (Gorman, 2008). Soon after this Segovia began to realise the guitar’s shortcomings in the realm of classical music.