A passionate American jazz singer, pianist, songwriter, and a Civil Rights activist, Nina Simone would change the music industry forever. She was born Eunice Kathleen Waymon in Tryon, North Carolina February 21st, 1933 (2;3). Evident early in her life was her talent. At the age of three, she started playing piano by ear, able to listen to a tune and play it back on the piano (2;4). Her parents were both preachers, so consequently, she grew up in the church (2;4). Waymon studied classical piano at Julliard School of Music in New York City, but left before graduation due to financial issues (3;4). She then moved back to Philadelphia with her family and applied at the Curtis Institute of Music, but was rejected (3;4). She began to sing at night …show more content…
During her employment, she adopted the stage name “Nina Simone” (3;4). “Nina” came from the Spanish word “niña,” which was a nickname used by her then boyfriend (3). “Simone” was inspired by the French film star, Simone Signoret (3;4). Though amateurish at vocals, Simone quickly learned to put words to her music and gained fans such as the famous Langston Hughes, Lorraine Hansberry, and James Baldwin (3). At the age of twenty-four, Simone caught the attention of the record industry (2). After submitting a few demo songs, she was signed by Syd Nathan, owner of Ohio-based King Records, to his jazz imprint, Bethlehem Records (2). Nathan averred he choose the songs for Simone’s debut, but eventually allowed her to choose for herself (2;4). After not seeing eye to eye with Nathan, she decided to move to New York City, where she signed a record deal with Colpix Records (2). Simone produced nine albums under this contract (2). In 1963, she wrote the song “Mississippi Goddam,” a controversial song, which became banned throughout the Southern United States (2;3). In 1964, Simone left Colpix and signed with Philips, where she recorded seven more albums (4). Simone, an activist for Civil Rights, went on to write numerous songs about racism and …show more content…
She performed the song live at Carnegie Hall in New York City (5). The chorus of the song is “Alabama's gotten me so upset, Tennessee made me lose my rest, And everybody knows about Mississippi Goddam” (6). The murder of Medgar Evans, a black civil rights activist, in Mississippi on June 12, 1963 and the church bombing in Alabama that killed four little black girls on September 15, 1963 lead Nina Simone to write “Mississippi Goddam” (1). Additionally, in 1960, sit-ins and protests were happening in Nashville, Tennessee, which lead to the bombing of the home of civil rights lawyer Z. Alexander Looby (5). The events that happened in Alabama, Mississippi and Tennessee upset Nina Simone tremendously. Simone locked herself in her room until the song was complete (1). With this song, Simone not only signified her own frustration with the treatment of the African-Americans, but she spoke for many others as
Marie Loïe Fuller was a female theatrical mastermind in dance and entertainment, who improved the lives of many through her unique, enlightening, and innovative energy she contributed to modernizing the entertainment industry. Her full potential and influence given to shape the modern dance movement in America began with her early life and upbringing. Born in the small town of Fullersburg, Illinois, Fuller was born into family of freethinkers with the luxury of Chicago lights just a short distance away. At only two years old the family ended up moving to the city where Fuller got her first taste of showing off in public.
Soon she began writing songs in Spanish. Her success
After being convinced by her friend James Baldwin, who kept urging her to write about her devastating past and how she benefited from those experiences, she finally wrote the book which resulted to becoming one of her best autobiographical work. This book was also a very crucial part of how her fame came to be. Another one of her autobiographical work is, A Song Flung Up to Heaven, which is about her trip from Ghana back to the United States and how she was struggling to cope with the assassinations of her two close friends Martin Luther King Jr., and Malcolm
She took advantage of every opportunity she was given to sing and performed in local amateur shows at movie houses as well as in a number of the storefront churches located throughout black neighborhoods (Greene, pg 9). In 1928, Billie’s mother took her to New York City. It was there where her renditions of famous songs like "Riffin' the Scotch" and "Your Mother's Son-in-Law" established her as a prodigious singer (Billie Holiday, par 2). The biography, “Billie Holiday,” gives accounts her different career accomplishments and collaborations: In 1933, she was spotted performing in Harlem by the critic and producer John Hammond, who brought her to Columbia Records, where she recorded classic sessions with such jazz greats as pianist Teddy Wilson and tenor saxophonist Lester Young, who gave Holiday her nickname, "Lady Day" (Kliment, par
Many people admired her for her creative idea of adding other cultures in her music, so that she can connect with diverse
R-E-S-P-E-C-T, the song that put on her on the charts, Aretha Franklin, one of the most influential female artists of all time is the artist that interest me the most. With her vocals a mixture of jazz and rhythm & blues, Aretha gained fame. Her vocals were so good, that it made her to have hit records over five years, which later on in her career, cause her to be inducted into the rock and roll hall of fame. Also giving her the title “The Queen of Soul”. Like most artists today, Franklin got her career started by singing gospel, and from gospel to pop and R&B.
Whitney Houston was an amazing person. She was very talented and had a beautiful and amazing voice. She inspired many many people from all over the world to give them dreams that one day they might grow to be a big star just like she was. She won many awards in her career, and in public she showed she had a happy life. But there where secrets.
Because of this, and despite her “gawky and unkempt” appearance, he gave her the opportunity to sing with his band at a dance at Yale University as a test run. Webb was quoted for saying that “if the kids like her, she stays”. She was a raging success and true to his promise, Chick hired Ella to travel with the band. She recorded “Love and Kisses” with the band in 1935 and was soon a regular artist at the Savoy, one of Harlem’s hottest nightclubs. It didn’t take too long for Ella to emerge from the shadows and become a star attraction coming out with major hits such as her first number one single, “A-tisket, A-tasket”.
Florence Mills made an impact on the nation during the Jazz Age because of the passion she had for her art. Florence was an amazing singer, dancer, and a leading performer during this age. Florence is recognized as an icon for African Americans everywhere because of her passion that never died. Florence started following her dreams at a very young age. “Under the name “Baby Florence”, she made her stage debut at about age five” (Britannica).
Billie Holiday was one of many influential jazz singers during the period known as the Harlem Renaissance. Billie Holiday was born on April 7, 1915 as Eleanora Fagan and began singing in local clubs and renamed herself “Billie” after the film star Billie Dove (“Billie Holiday Biography”). At age 18, Holiday was discovered by producer John Hammond who was impressed by Holiday’s performance at a jazz club in Harlem (Charles). Billie had a thriving career as a jazz singer until she died at age 44 due to heart and liver complications. Although she lost her battle of addiction that led to her death, Billie Holiday is not remembered as a tragic figure of the Harlem Renaissance, but she is remembered as one of the best jazz singers that ever lived.
Josephine Baker was born June 3, 1906 in St. Louis Missouri and died April 12, 1975 in Paris France. Josephine Baker was a singer, civil rights Activist, Dancer. As she got old she went by the nickname Black Venus, Black Pearl, and Creole Goddess. Her life was filled with, broadway productions, marriage life, racism, traveling, and civil rights movements. She had to face all those different things in her life, but she focused on her dance career more than anything.
Billie Holiday is one of the most influential jazz singers of her time. Her attitude, determination and most of all her music inspired artists throughout time and inspired major social change. Throughout her lifetime she explored the world of jazz, her identity, and how far the limits of her talent would take her. She exchanged her poor life, full of drugs and scandal for a life of performing the arts and showcasing her talents and abilities. Her incredible determination led her to do what she loved regardless of what anyone thought , which led to her inciting major social exchange; moving black suffering into white consciousness.
Concertino for flute and piano, Op.107 Cécile Chaminade (1857-1944) Cécile Chaminade (1857-1944) was a French composer and pianist. Her mother, a pianist and singer, provided young Cecile with her earliest musical instruction, who at a later age began to experiment in composition. Her father’s disagreement prevented her from attending the Paris Conservatoire, so instead she studied privately with members of its faculty, which included Benjamin Godard. She started composing music at the age of 8 and performed abroad at the age of 16. Chaminade became a successful composer and concert pianist in the early 1900s, with a tremendous popularity in the United States and was one of the first French female professional composers.
Because of this, her emotional instability behaviors were amplified. She had a lot of public breakdowns and she disappointed a lot of fans just by walking off stage in the middle of a performance and not coming back. “Her vulnerability, her fragile personality and
Based on Simone's intimate performance, I can relate to her situation through her longing vocals. Allowing myself to express my feelings of unrequited love through her words. 0:00 Introduction: The piano, playing in low-key, sets the tempo in a brief opening. 0:08 Chorus 1, Section 1: Nina begins singing the lyrics. Simultaneously, the piano sets the motive in which