Thomas Nast’s art was also influenced by the Civil War, but instead of showcasing it like Homer he chose to give political commentary on it in his comics and cartoons for Harper Weekly. http://www.biography.com/people/thomas-nast-9420600#early-life- He used his influence on the world through his illustrations to expose Boss Tweed and other corrupt politicians of their misdeeds and remove them from their seats of power. Tweed offered Nast a large sum of money to leave the country, but Nast refused; this caused Tweed to eventually flee instead. One of Nast’s most popular pieces is titled “Let Us Prey”, where he depicts Tweed and other New York politicians as vultures feasting on a carcus labelled “New York”. Nast also created the iconic symbols
He also would paint political figures such as George Washington , Thomas Jefferson , Andrew Jackson , John Quincy Adams , and Senator Thomas
Washington and his men faced a cold, violent, and victorious battle when they rowed across the icy Delaware. The brave continentals were determined to attain a victory against their overpowering enemy. On December 25th, 1776, the valiant General Washington and his heroic crew conquered the Hessian army. The painting, Washington Crossing the Delaware, by Emanuel Leutze, and the poem, “Washington Crossing the Delaware”, by David Shulman, highlight this essential and crucial moment of the American Revolution. Although the artists depict this event in two different ways, with two different perspectives, their works share more similarities because of their use of vivid imagery and their portrayal of General Washington.
His exceptional work of The Old Homestead presents a dejected scenery of a farm, which was painted during the peak of the Civil War in 1862. Both Yardsale and The Old Homestead were created by the artists with meaningful purposes, and they incorporate contrary feelings
Unlike Adam and Eve’s battle of the sexes, Twain highlights how a group of men in a militia are a slave to their pride and naiveté. They have a preconceived idea that with war comes glory, but they do not consider the truths of it. Instead of understanding war as bloodshed and deadly, the narrator is a “naïve young man whose alliance is less with the Confederacy than with the romance of soldiering itself” (Ladd 45). As young men, they see fighting and war as a masculine act to be part of. Their guns are a phallic imagery that symbolizes their masculinity, but it is the very same object that makes them realize what war truly is when they accidentally kill a man.
Many great painters came about that time, one of which was Aaron Douglas. Aaron Douglas was a major figure in the Harlem Renaissance. Douglas incorporated geometric shapes drawn from African art. In addition to magazine illustrations, Douglas also made murals. Douglas illustrated how African-Americans have been all over the world.
The painting, George Washington Crossing the Delaware, illustrates this concept by assigning all of the men in Washington’s boat different styles of clothing and different skin tones in order to show that they are all from unique backgrounds (Leutze). This also qualifies as an emotional appeal, it attempts to bring pride to minority groups by showing that men from all origins had to work together to accomplish the task of defeating the British. The fact that the American Revolution relied on such a wide scope of individuals, even though racial discrimination was prevalent at the time shows that today it is just as vital for members of all races and ethnicities to come to terms with their differences and cooperate in order to ensure that America continues to survive as a nation. Lincoln’s address discusses how both the north and south “pray to… God” and “[invoke] his aid” (4). The use of anaphora can be seen as logos because Lincoln gave multiple examples of how the citizens of the Union were not as different from the people living in the south as they may have initially imagined.
window(Biography of Thomas Cole). Colonel John Trumbull, already widely known as the painter of the American Revolution, saw Cole’s pictures and instantly purchased one, recommending the other two to his friends William Dunlap and Asher B. Durand(Biography of Thomas Cole). What Trumbull recognized in the work of the young painter was the attention to detail and his unique perception of American scenery that landscape artists before had mostly ignored. Trumbull brought Cole to the attention of various buyers, who began eagerly buying his work. Dunlap publicized the discovery of the new talent and Cole was welcomed into New York’s cultural community, which included the poet and editor William Cullen Bryant and the author James Fenimore Cooper.
In the Declaration of Independence, Thomas Jefferson is able to reason in order to clearly communicate the colonies’ grievances and the need to segregate from the overly controlling and demanding grip of King George III. Jefferson is able to appropriately use logos by explicitly stating the people of the colonies’ rationales for severing their connections to Great Britain. He elaborates on his complaints and requests by using logos in order to declare and represent the people’s interpretation of their rights, what they should be, and why they deserve them. He articulates that the King has neglected and deprived the people of the colonies from their god given rights as people.
Rights are a foundation for a society's survival. Rights are defined as power or privileges granted to people either by an agreement among themselves or by law. African American slaves were widely traded for their labor and aid in the production of crops, such as cotton throughout the American colonies. They were viewed as property and disregarded as human beings. From the start of American history, African Africans were treated unfairly and given fewer rights than white Americans.
The painting “American Progress,” shows indians leaving their land and settlers behind them who seem to be pushing the indians away. There is also a woman with wings holding wire that is connected to power poles. She can be seen as a symbol of westward expansion because she is bringing power towards the west. The illustrator seems to be supportive of expansion, and believes the americans wanted to obtain all the land they could. The
Generally in politics, people support those who promise to support them. With this being said, I feel as though the artist portrayed this in a clever way. Not only are the businessmen, soldiers and sailors literally supporting McKinley in the image, yet they are supporting him in a political sense as well. In addition to this, I believe that the artist was symbolizing wealth and prosperity with the gold coin platform that McKinley proudly stands on. I feel as though the overall message of the piece is that with the support of common citizens, McKinley was able to leave behind a successful economy for his people.
The political cartoon “Let Him Go, McKinley” seemed to portray McKinley as a weak present that did not want America to get involved in other country’s fights. He was elected on his platform enforsing Cuban independence, but when it came time to let Uncle Sam go fight, he tried to remain neutral. This cartoon was made to increase the call to have America fight in The Spanish-American War before the vulture (Spain probably) got to the people. The cartoonist wants President McKinley to let Americans go to war with Spain.
This is meant to demonstrate how farmers were taken advantage of in exchange for their produce. The struggle of having mortgages on their land because of the little financial assistance at the time is also depicted in this cartoon. This populist movement sought to overthrow the powerful individuals they saw as the source of their issues. Because of this, as well as their battle with railroad firms, they felt that the nation was against
When choosing a portrait to analyze, some may have a very difficult time doing so due to the abundance created over the years. For my analysis, I chose the portrait called Washington, General Lafayette and Tilghman at Yorktown. This painting, done by Charles Willson Peale depicts the three generals after their victory at Yorktown during the American Revolutionary War. As a response to the victory, the Maryland House of Delegates asked Governor Thomas Sim Lee to commission Charles Willson Peale to paint the portrait- which he finished in 1781.
This painting shows George Washington, then a general in the American Revolutionary War, crossing the Delaware River with his troops on the night of Dec. 25, 1776. The crossing immediately advanced Washington 's surprise attack on the Hessian forces in the Battle of Trenton. Although the painting portrays a historic part of the American Revolution, it was spuriously painted by Emanuel Leutze, an artist born in Germany. Moreover, where the original was actually painted.