How Does Adolf Loos Objectify Josephine Baker In House For Josephine Baker?

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How does Adolf Loos objectify Josephine Baker in House for Josephine Baker?

Gender, its roles and norms are a fundamental aspect of society and help to categorise our lives. Architecture serves as the setting our lives play out in and these two parts of our society affect each other implicitly. As feminist discourse has risen up in the late 19th century to now, more literature exploring the relationship between gender and architecture has been published. By analysing an architectural project, we discover the roles and stereotypes that appear in our society subliminally and how they play out in the buildings we inhabit.
The history and events surrounding feminism and the women 's rights movement occurs in waves. Women’s awareness of their plight as second class citizens began with first-wave feminism (1). Second-wave feminism was characterised by the fight for women’s rights to their bodies. The movement was concerned with reproductive rights and legislation concerning abortion (2). It began in the late 20th century and was not localised like first-wave feminism. Due to the advent of modernisation, the movement involved international organisations like Amnesty International. By comparing the prevalent architectural elements and themes from gender theory such as those listed above, a conclusion can be reached. This methodology is described by Borden as “theorised and interdisciplinary studies” (3). A wide range of elements have been developed from both

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