Since the temptation of Eve in the garden of Eden, humans have always been at war with desire and temptation. In Tennessee Williams’ 1947 play, A Streetcar Named Desire, Blanche DuBois lives as a result of her desires. Williams uses symbolism, allegory and juxtaposition to show that desire is a fatal flaw. He believes that humans are constantly battling against desire, and the decisions they make in relation to that battle are what dictates their fate. Instead of suppressing desires and sexuality, one must face them with honesty. The play’s main character, Blanche DuBois, is constantly tempted by her desires. Her sexual promiscuity, raging alcoholism, and other desires lead to her downfall. Her fall from grace is foreshadowed from the start; …show more content…
This is best expressed in scene five, where Steve and Eunice fight and then quickly reconcile. This demonstrates that Stella and Stanley’s violent love is the norm in New Orleans. Eunice and Steve’s sexual attachment is much healthier than Blanche’s attraction for the newspaper boy. Blanche acts in this destructive manner due to her background. She is one of the “epic fornicators” of her family, who indulged in forbidden acts because they could not find a healthy outlet for their desires. Throughout all of these encounters, Blanche still maintains a mirage of innocence and purity. Having grown up in a society that requires her to suppress her desire, she hides it from those around her, and attempts to maintain her sense of entitlement and social status. She plays the role of the person she would like to be, and instead of telling the truth she tells “what ought to be. Instead of embracing her sexuality, she pushes it deep down. “After all, a woman’s charm is fifty percent illusion”. In scene five, Williams juxtaposes the sexual attraction between Steve and Eunice to the Blanche’s desire for the newspaper boy, who “makes her mouth water”. With this juxtaposition, Williams demonstrates that while everyone experiences desire, dealing with it in a healthy way creates a strong, passionate relationship, while hiding it leads to forbidden and self-destructive
Brilliant and creative writers are able to exploit simple ideas or objects to emphasize an important message or characterize a persona in his or her play. In “Streetcar Named Desire,” by Tennessee Williams, Williams utilizes light to help characterize Blanche DuBois. She is presented as an individual who avoids reality, has sexual desires, and displays herself ostentatiously, but she is really an insecure tragic figure; she lies about her age and steers clear of things that will expose the truth. Williams uses light, in his play, as a motif to illustrate that Blanche does not only hide from the light to disguise her age, but by choice (very much) hide her imperfections (flaws) and the truth. There are many interpretations as to what “Blanche”
In literature, the presence the outsider can be traced from ancient Greek dramas to modern literature, from Medea to the Underground Man. Most of the literary works pertaining to the outsider focus on the conflict between the outsider and the insider, conflicts that arise from the Otherness of the outsider. For example, in Jane Eyre, the Otherness of the titular protagonist—her fiery spirit and her subverting idea of equality based on individual merits rather than social status—leads to her alienation and conflicts with the insider wherever she goes. However, Tennessee Williams, in A Streetcar Named Desire, explored a different dynamic—namely the conflict between two outsiders, Stanley Kowalski and Blanche DuBois. In the domestic sphere
When Blanche and Stella first meet everything seems fine. They are excited to see each other and both seem perfectly happy. But as the story goes one, we see that their relationship is not so good. Blanche begins to act judgemental towards Stella and her living condition. As subject of the family losing their plantation is brought up, Blanche instantly puts the fault on Stella making her the guilty one because she was never around to help.
A Street Car Named Desire is a play written by Tennessee Williams which tells the tale of the neurotic Blanche Dubois, who comes to New Orleans to live with her passive sister, Stella and her ruthless husband Stanley after losing the family home. In this essay, I will focus on Stanley Kowalski as Tennessee Williams conveys numerous behaviour traits through him. Williams uses numerous dramas and literary techniques to develop Stanley Kowalski behaviour traits.
”(159) Throughout the story Blanche talks about this rich guy Shep who she used to know in high school and lies about how she knows him and tells people that he's going to come and get her. But when she is in a moment of peril, when she is about to get raped by Stanley, she has a brief moment to at least try and save herself. But when she tries to call someone she calls Shep who she should know won't pick up because she doesn't even know him, but she is so delusional that she truly starts to believe that she actually knows him and calls him for help instead of the police. After Blanche is raped she tells Stella, but Stella
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
Both Blanche's family and Belle Reve represent her dream to indulge in a sophisticated, high class, and luxurious life. When all of Blanche’s family dies and Stella leaves, Blanche loses the first piece of her “beautiful dream.” She no longer has the money to support herself, since her educational career provides insufficient funds. After the tragic loss of her husband, Blanche loses Belle Reve and loses her job, symbolizing that her “beautiful dream” has been fully crushed and the only remnants of her dream are the lies she feeds herself. This fall of social class leads Blanche to carry a tone of classism.
Blanche clings to the past in her struggle for reaccommodation. Right from the beginning she is an unusual presence, even hilarious. She enters the scene dressed in a very sophisticated manner which contrasts sharply with the world around: “Her appearance is incongruous to this setting. She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat…” (scene 1; stage directions). Although she senses her incongruence with the overall picture, she continues ‘playing’ a role.
She feels that she had failed her young husband in some way. Therefore, she tries to alleviate her guilt by giving herself at random to other young men. And by sleeping with others, she is trying to fill the void left by Allan's death — "intimacies with strangers was all I seemed able to fill my empty heart with." And she was particularly drawn to very young men who would remind her of her young husband. During these years of promiscuity, Blanche has never been able to find anyone to fill the emptiness.
When talking about “A Streetcar Named Desire”, Blanche has a strong impact in the play’s tittle because its significances relates to her life. The play was published by Tennessee Williams in the year 1947, one of the main characters is Stella’s sister, blanche who has philological problems. In addition, the tittle of this play relates with blanches’ life from the beginning of the play, when she has to take and streetcar referring to a taxi, which is called desire. The taxi is suppose to take her far from where she was just spell for having sex with a young boy who was her student. Moreover, Sex seems to be one of blanches principals problems everywhere she goes she tries to have some kind of intimate relation with other characters in the play.
That is one way the theme can be related to the text, but another interpretation is how Blanche appears to be sane. In reality, she has trauma related mental problems that become apparent throughout the text. The author tries to portray the character’s lives different then what is actually going on in their private lives. Symbolism is used in the play by Blanche’s “fancy and expensive” items. These possessions from Blanche’s perspective look new and expensive, but they actually are worn out and cheap from the outsider’s view.
Blanche and Stanley are two very different characters of the play written by Tennessee Williams. Blanche represents the high class, aristocracy and Stanley is the working group of people. They become opponents the same as those two groups clashed with each other in the first half of the 20th century. The problem with them is that they are both right from their points of view, what makes difficult the choice of the side to the audience. And there is also the issue with interpretation: how the director or the author interprets the play determines the spectator’s feelings.
A Streetcar Named Desire is a story told from a women’s perspective. The story develops as the protagonist, Blanche DuBois. Tennessee Williams lets readers to follow a women’s experience under a patriarchal society and how women lives their lives in the 20th century: powerless, submissive, dependent and chaste. In the story, Stella has created an image of women should be submissive and compliant.
Blanche represents the old southern ways of The South, while the contrast to her is Stanley who represents the new Industrial Age. Throughout the story Blanche is constantly trying to recreate her past and bring things back to the way they used to be. This happens when she tries to persuade Mitch to be her suitor, but this is ruined by Stanley because he told Mitch the horrific past of Blanche. This makes Blanche realize that her past will always haunt her and this is where the readers start to see the old south dying out. Stanley finishes destroying Blanche by physically and sexually assaulting her.
The Pulitzer Prize winning play A Streetcar Named Desire written by Tennessee Williams is a “haunting story of a faded southern beauty whose illusions about herself are at war with reality” (Tennessee Williams). After the loss of her home, Belle Reve, due to foreclosure, Blanche DuBois, a teacher from Laurel, Mississippi travels to New Orleans, Louisiana to live with her younger sister Stella and brother-in-law, Stanley. Immediately after her arrival, Blanche ordered Stella “open your pretty mouth and talk while I look around for some liquor! I know you have some liquor on the place!” (Williams 19).