Dating back all the way to the late eighteen hundreds, fear itself and fear of the unknown has been a major concept in a person’s life. In the novel Dracula, written by Bram Stoker, Stoker introduces the first idea of fear of the unknown through an encounter with a mysterious being. Throughout his novel, Stoker explores fear within an individual through the genre of horror fiction. Furthermore, revealing fear of the unknown by virtue of the novel’s characters, such as, Jonathan Harker, Lucy Westenra, and Dracula. The welcoming of the unknown is often accepted, producing individuals to experience fear in different ways.
Within the process of writing the novel, Bram Stoker was influenced by many factors. This gives the novel a deeper aspect
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Obstacles are thrown in one’s path to get a reaction through fear. As an obstacle is given towards Lucy, someone brings forth God into her path, “‘Well, the devil may work against us for all he’s worth, but God sends us men when we want them’” (Stoker, 106). In this case, the devil equals fear, god equals the overcome obstacle. Once Lucy had come into contact with Dracula, many more obstacles are thrown her way. Some view Dracula as the devil and with each of his attacks, the aftereffects grow worse and worse. According to Marco Torres, in his article “Fear of The Unknown Is Creating Hysteria In Every Part of Our Lives”, “The dangers of modern life have a stranglehold on people’s imaginations… cultures increasingly preoccupied with threats to safety… definitely imagined” (Torres). Referring to an unknown, similar to Dracula himself, his threats cause great harm to the society. Faced with a fearful event allows the individual to use their fears to overcome. When Lucy died, many odd things happened around the town. Seward and Van Helsing visit her grave every night, “I drew near and looked. The coffin was empty” (Stoker, 142), trying to figure out what is the cause. Lucy’s body in the coffin disappears each visitation and as this happens, children go missing. Marco Torres, in his article, states, “Fear… creates desperation and indecision that paralyze our logic, …show more content…
“‘And now, my friends, we have a duty here to do. We must sterilize this earth, so sacred of holy memories, that he has brought from a far distant land for such fell use’” (Stoker, 217). As the plan to kill Dracula sets in, the aftereffect is decided: rid the world of Dracula’s drastic force. The group hunting down Dracula are in constant fear. The only way to save everyone is to rid the world of Dracula since he is harming society by turning people into vampires. Anything should be looked as a possibility of doing if an individual wants to create the end to their fears. One including, “‘I have an idea. I suppose it must have come in the night, and matured without my knowing it. He must hypnotize me before the dawn, and then I shall be able to speak. Go quick, dearest, the time is getting close.’” (Stoker, 265). Van Helsing believes that the count is scared since the group is coming in closed to his location. Van Helsing wants to hypnotize Mina to trace Dracula’s movements. Stated by Mark Perry in “Fear of the Unknown: How Can I Overcome It?”, “In some cases, the fear of the unknown would be based on specific factors that are beyond our control. In such instances, educating oneself about the fear is the best way to curb the fear of the unknown” (Perry). Now, that Mina can speak spiritually to Dracula, the group may educate themselves on the situation. This can allow
The four pieces of literature to be compared in this comparison are Dracula by Bram Stoker, Bram Stoker’s Dracula (1992) by Francis Ford Coppola, Nosferatu (1922) by F.W. Murnau, and Dracula (1931) by Tod Browning. In these works of fiction, there are answers to what it would have felt like to be a vampire, what it would have felt like to have a vampire in one’s life,
The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).
In Stoker’s novel Dracula, Renfield is a patient in Dr. Seward’s mental asylum who has a desire to gain the life of small, living organisms (e.g., flies, spiders, and rats) by consuming their souls. Although the purpose of Renfield’s character may be considered irrelevant to the central plot of Dracula, it is of utmost significance. To elaborate, the Renfield sub-plot functions as an “abstract representation for a better understanding” and in-depth knowledge to the character of Count Dracula through Renfield’s actions (Dracula). According to Gray, the character of Renfield “parallels aspects of Dracula 's livelihood,” such as his need to consume life. The dark relationship that Renfield and Dracula share is evident in the scene when Renfield
At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the
The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that
Vampires and Spells Vampires are often accused of using “sorcery” or “spells”. They are known to have the ability to take people under their control. Call it what you please, but they do possess this ability. In the Bram Stoker novel, Dracula, it is often shown that Dracula has the power to capture people under his spell. Dracula takes Renfield, Lucy, and the wolves under his spell throughout the novel.
Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.
Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.
Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.
Dracula’s deceitful traits carry over to his victims that become
This man belongs to me!’”(48.) This fury and possessive behavior are in no means typical in a healthy relationship, but perhaps Stoker chooses to represent Dracula in this way, as to show the jealous rage sometimes associated in obsessive, forbidden love, and the anger surrounding the acceptance of one 's
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening
A battle between good and evil is a common plot to Dracula. The forces of evil, Count Dracula and other vampires (the un-dead), try to take over Britain. The novel heroes Dr. Van Helsing, Dr. John Seward, Johnathan Haker, Quincy Morris, and Arthur Holmwood are the first responders for this evil invasion of the British Empire. In the novel the characters Dracula and Van Helsing play a major role for being the leaders of their respective groups, therefore they controlled the actions of their groups. Dracula’s actions in the novel have the purpose to flourish the rise of the un-dead, while Van Helsing’s actions aim to preserve and protect the human race.
The downfall of Lucy Westerna and the arrival of Dracula arose fears in which only challenging their sense of humanity and understanding of the world could they be able to overcome the dangers which had surrounded them. A sense of urgency is created in when Bram Stoker uses exclamation marks, as the turn of Lucy begins. “Arthur! Kiss me!” she states it as if it must happen now, or it never will.