Hans Hubermann is viewed as stern and durable but with Liesel and Hans’ close bond, Liesel helps exhibit how Hans is loving and nurturing. Liesel faced several challenges with being an adopted child into a new family. Hans was always supportive and loving, making Liesel feel more comfortable in the family and connected to Hans. In this passage, Liesel was having difficulty reading and Hans comforted her displaying support and care. The novel says Hans has a “face of warm silver” as he looks at Liesel. Hans also “hugged” Liesel showing that he is there for her and loves her. Here, the phrase, “a face of warm silver” means that Hans has a face that looks to be affectionate and kind. “Silver” is a valuable, precious grayish-white metal. Silver is cold, …show more content…
With comparing Hans’ face to warm silver, that displays to readers that Hans seems to be stern and tough but Liesel helps show that he is warm-hearted. Liesel and Hans have a really close relationship which causes Liesel to easily make Hans “melt” and show affection for Liesel. Hans makes Liesel feel loved making her feel comfortable within the family and at home. Hans and Liesel are very close because Hans Hubermann demonstrates love towards Liesel,which is a feeling she may not be used to with her being adopted. They both bring out good in one another and has many similarities which cause them to have a close bond. For example, they both struggled with reading causing them to bond from working with reading skills which is a constant factor to bring them closer together. Liesel helps exhibit the good in Hans displaying that he is a good-natured, compassionate, sweet person. Hans Huberman looks at Liesel with a “face of warm silver” because he loves her and has a bond with her like no
At beginning of the novel, when Liesel arrives at her new foster parent’s home, and she is just starting to meet with Hans, they start to go over the alphabet: “With the alphabet completed and studied a dozen times, Papa leaned over and said”, “Enough for tonight?” “A few more words?” He was definite. “Enough. When you wake up, I’ll play accordion for you.”
Liesel has realized she must respect the man who was the reason for her and her entire families suffering. She has realized she officially has lost her home, that she is completely isolated from the community. “It was quite a sight seeing an eleven year old girl try not to cry on church steps, saluting fuhrer”(Zusak 115). After losing all of these emotionally wrecking things Liesel learns and understands she needs to keep going forward. She refuses to give up she although times are rough manages to think, it could be worse.
Both these protagonists happen to be political refugees avoiding Nazi persecution: Liesel’s parents were Communists and Max is a Jew. Max and Liesel alike have recurring nightmares about the last time they saw their families and these help Max and Liesel link themselves in areas where no one would understand their pain due to the loss of their family. Unlike most relationships theirs is based on their similar past and personalities as well as unspoken understanding along with the trust for each other. These similarities form a strong bond between Max and Liesel and this makes “The Standover Man”, a book compiled by Max using pages from “Mein Kampf” important, as Max helps Liesel realize that the power of words can be used to delight as well as harm others. “The best standover man I’ve ever known is not a man at all...”, a line within “The Standover Man” implies that Max believes that Liesel and he need each other and this friendship is unique to both of
Their relationship dominates the middle section of the book, as Max comes to Himmel street just as part three starts, and Liesel thinks about him almost constantly as soon as he arrives. Consequently, the first quote I chose for them was when Liesel first catches a glimpse of Max in the kitchen. “She lingered a moment before her feet dragged from behind. When she stopped and stole one last look at the foreigner in the kitchen, she could decipher the outline of a book on the table” (Zusak 186). In this scene, Liesel sees Max’s book, and this is the start of the two of them and their connection with words that appears continuously through the rest of the novel.
Examples of these appeals include the relationship between Liesel and her adoptive parents, Hans and Rosa; the friendship between Liesel and Max; and the beautiful yet haunting scenes of war-torn Germany. The author intends for these appeals to evoke empathy, provoke thought, and elicit strong emotional responses from the audience. For example, the film's cinematography captures the stark contrast between the beauty of the snow-covered landscape and the destruction caused by war, evoking a sense of loss and sadness. Additionally, the performances of the actors, particularly Sophie Nélisse as Liesel and Geoffrey Rush as Hans, create a strong emotional connection between the characters and the audience, allowing viewers to deeply empathize with their struggles and triumphs.
Parents are very important and they did impact Liesel but they don’t take into account that kids and teenagers listen to friends more than they do parents. An example of this is when Liesel is constantly not listening to her mom because sometimes she didn’t treat Liesel the kindest. She also stopped relying on Hans so much when she told him she didn’t need him to comfort her at night after her nightmares. Liesel also formed a deeper relationship with Max then she did the Hubermanns. A quote from the end of the book states, “A man with swampy eyes, feathers of hair, and a clean-shaven face walked into the shop.
Hans Hubermann, Liesel’s foster father, helped Jewish people in whatever way he could. When a Jewish shop named Kleinmann’s was vandalized, Hans asked the owner if he needed any help cleaning up, and promised to come back the next day and paint his door, which he did (Zusak 181-182). Hans delayed applying to the Nazi party because he didn’t agree with their beliefs, and by helping the owner he was put under more suspicion, however he felt that it was a proper action and didn’t allow danger to stop him. In addition to Hans act of kindness, the Hubermanns took a Jew named Max into their care, and allowed him to stay with them to be safe. In a book overview, Tabitha Hall observes, “Though not Jewish, Liesel and her foster parents struggle as they keep their Jewish friend hidden…” (“Overview: The Book Thief”).
Another moment that helped the connection between the two is when Liesel had nightmares and Hans would come in and comfort her by teaching her how to read or when they would go to the basement to teach Liesel how to spell and write. These moments shared between the two created a bond through books since Hans and she spent a lot of time together which developed the trust in Liesel towards
Papa’ She must have said it a hundred times as she hugged him in the kitchen and wouldn’t let go” They have always had a strong bond, even when she first moved to Himmel street. For example, on page 35 it shows that it only took Liesel a short period of time before she was able to trust Hans. It says “Fifteen passed till they were able to coax her from the car. It was the tall man who did it.”
A main reason Liesel develops into the character she is by the end of the novel is due to the individuals she meets and her relationships with them. When Hans Hubermann becomes
Liesel trusted her papa even more after this encounter, Hans knew to keep this a secret to protect Liesel’s feelings. With all the negativity and poorness in Hans’ life, he would have been expected to respond negatively, but in reality, Hans did the complete opposite. Hans Hubermann showed his morals, a comforting essence, and trustworthiness despite living under horribly negative conditions. Under the tireless regime of Adolf Hitler, Hans clung to his personal beliefs. He did this in several ways, he helped two Jews, and helped Liesel develop into a better person.
Liesel often used colors to describe things, such as Papa’s eyes. “They were made of kindness, and silver (Zusak 34).” This implies the bond that has yet to come with Liesel and Papa. The importance of the silver eyes is that Liesel finds comfort in his eyes even though he was a stranger. The comfort Liesel found in his eyes even with the terrible situation. ”
Liesel and her father’s relationship grows each and every day they are together. She feels comforted by his presence. “Liesel observed the strangeness of her foster father’s eyes. They were made of kindness, and silver… Upon seeing those eyes, understood that Hans Hubermann was worth a lot,” (Zusak Ch 6).
In the novel, Liesel’s behavior shows justice and love through her friendship with Max. Although her relationship with Max in the beginning of the book was rather awkward, soon her perspective towards Max soothes and their relationship bonds to a friendship. There are some times when Liesel’s actions were unbelievable, especially during the Jew parade. “ ‘ You have to let go of me Liesel.’
Long John Silver is one of the main characters in Robert Louis Stevenson’s “Treasure Island.” His shifting loyalties and seemingly changing personality make him a target of intense debate. Silver shows many different sides of himself during the book. He is a father figure to the young Jim Hawkins, a good–for–nothing traitor to the captain and the squire, a strict captain of the pirates, and a man who only cares for his own gain when the treasure is found. Silver’s true personality is hidden within several fronts and facades.