In The Good Earth, Lung’s sons stray from the family’s traditions and customs. This could be perceived as positive or negative. The sons’ being disrespectful to elders would be negative. It could be considered a weakness to not have a deep connection with the earth but, it could also be considered wise not to rely too much on the earth for all of one 's needs. Religion not being practiced could also be contemplated as favorable or unfavorable. If Lung’s sons did not break tradition then it would have been the next generation or the one after. Change is inevitable and a new view can not be avoided. Entire nations learn to grow and develop new customs, exactly like the Wang 's do in the novel in order to strengthen their family. As Winston
This connects to the theme of respecting boundaries because respecting boundaries had a positive effect on Jonathan and his dad but not respecting boundaries had a negative effect on him and his
And the development of Elie and his dad's relationship. Elie and his dad's relationship developing is an important part of the book, because although they endured many dreadful things, it brought them closer together. This is important because they depended on each other and could not have gotten through the camp without each other. This topic is introduced
Though it is hard to try to see the good in the bad, we must try. Elie Wiesel is a good example of that. He fell short of seeing the good and mainly saw the bad, giving him a hard time to see
(as said in the epilogue as well) In the book the author also gives the reader hints that the choices in the past made up who they became but it affected
The Ones We Love? Family; a blessing, or a curse? In the book Night, Elie Wiesel offers many significant themes, but the question, “is family a blessing or a curse,” is one of the most prevalent and begging themes in the novel. During the novel, Wiesel often questions if he should try and keep his father around, or if life would just be better without him in the picture. “‘Don’t let me find him!
Family; a blessing, or a curse? In the book Night, Elie Wiesel offers many significant themes, but the question, “is family a blessing or a curse,” is one of the most prevalent and begging themes in the novel. During the novel, Wiesel often questions if he should try and keep his father around, or if life would just be better without him in the picture. “‘Don’t let me find him! If only I could get rid of this dead weight, so that I could use all my strength to struggle for my own survival, and only worry about myself,’ I immediately felt ashamed of myself, ashamed forever,” (Wiesel, 111).
The fathers might be being selfish as they know that they are too old and frail to make it through so they’re dependent on their sons. Rabbi Eliahu searches for his son after the run even though he must think that his son left him fall behind for a reason. The fathers try to stay with their sons as elie’s father sticks with him and helps him stay healthy. You could talk about stein and his situation in the book. He was living only to find his family and once he learns of their fate he kills himself, but at one point he warns Elie’s father to keep Elie
But, in Henry’s family, they start to turn on Henry when his father finds out that he is still friends with the Japanese girl that he had previously said Henry could not see anymore. This has a major effect on the family, “His father pointed at the door, ‘If you walk out that door—if you walk out that door now, you are no longer part of this family. You are no longer Chinese. You are not part of us anymore. Nor a part of me.’
East of Eden, by John Steinbeck, reflects the complexities in father/son relationships. The connection between a father and his son is vital to their development. The novel explores the impact of these relations is immense. The central allusion of the novel is comparing several characters to Cain and Abel, who were formed through their attempted relationship with their father-like figure, God. They struggled and vied for the attention, love, and respect of God, which subconsciously influenced their actions and thoughts.
The son undergoes moral development during this moment, and Wolff demonstrates this by using foils, symbolism, and by changing the connotation of the word snow. It is due to these literary devices that Wolff demonstrates the son’s moral development during a memorable moment. Throughout the novel it is apparent that the father and mother of the son are complete opposites.
The book and the movie possess similar qualities. First, in both the movie and the book, all the mothers left their old lives in China for a new one in America. ” My mother could sense that the woman of these families also had
In the novel East of Eden, contrary to Fontenrose’s criticism, Steinbeck portrays the relationship between good and evil as an inherent part of the human condition, shown through his characters as they struggle with their choices and ultimate path, providing an understanding of humanity within the biblical struggle generation after generation must face. Steinbeck delineates good and evil as attributes present in everyone, existing from birth, and asserts that both are resolute and immutable in their existence. “Humans are caught… in a net of good and evil,” (Steinbeck 413). From the moment Adam and Eve ate the forbidden fruit, humans were doomed to have both good and evil inside of them, without any ability to truly overcome the evil. Though Fontenrose supplies valid points in that Steinbeck uses the
Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which
Walter states that the Youngers are a calm, good family who “don’t want to make no trouble for nobody,” and are not looking to stir up trouble. All they intend to be is hard working, peaceful “good neighbors” and that give them every right to live in Clybourne Park. Afterwards, Mama, talking to Ruth about Walter, states that, “he finally come into his manhood today,” (151). Walter made his family proud and after much struggle they feel that he has matured. For Mama proudly exclaims that Walter “come into his manhood” by doing the morally right thing “finally.”
Mengestu has had multiple extreme changes to his cultures and atmosphere. At the end of the essay he finds a groove and it has a mixture of both new, American culture, and also old, Ethiopian culture. I live in the middle of the country and Culture is very similar and moving to a different part of town changed almost nothing. Mengestu seems to be an open person who is ready to make a couple changes in life, unlike me because I have found a groove and stuck with it and everything has gone fine. Every now and then there is new things being introduced to the groove and I can expand my horizon and little changes are fine.