Music and society
As everyone knows, music includes pitch, rhythm, dynamics and so on. It can be performed by a vast range of instruments, produced by composers whose styles are really poles apart. Speaking honestly, it is really seemed like a mixture including history, custom even the whole society, hence, in my opinion, it stands for the social form of the time when it was produced, certainly, music is based on society, in other words, society provides music (or composers) subject themes. In a word, they influent each other. I’ll explain this viewpoint in three respects as follow which contain two ways that music affects society by influencing people’s emotion, social concepts and society affects music by providing unique background.
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People share their moods and emotions in society, meanwhile, emotion is affected by various kinds of music, pop, classic and so on. It can be understood easily if I give an example, Certainly, this influence is obvious in a society facing huge challenges, instantly, China. The national anthem of the Republic of China () is one of the most typical examples about this topic. Most of people may have heard of the war between Japan and China, called War of Resistance Against Japan [1937-1945]. It is really a disaster for all Chinese or even the peace of world. “During the war of aggression against China, invading Japanese troops committed innumerable crimes such as murder, arson, looting, and rape. One is the Nanjing Massacre. Nanjing Massacre is among the most brutal crimes committed in China by the invading Japanese troops…another is Japan’s Unit 731.” (Reilly James, Remember History, Not Hatred: Collective Remembrance of China’s War of Resistance to Japan, Modern Asian Studies,2011) The whole country was plunged into an abyss of suffering, meanwhile, the song was born in this disaster. At the beginning of the war, Chinese wasn’t united, they were so scared that they could do nothing but be killed, however, after seeing their family members or friends dead in their front, a few people understood our nation should rise to revolt, that’s why composers wrote the wonderful song. Thanks to the …show more content…
“The only things artistic that have yet sprung from American soil and been universally acknowledged as distinctive American products.” (Revered African American poet James Weldon Johnson,1920s) From James, we can know the importance of blues in American music history, certainly, it also confirms that that music which belongs to black music is received public recognition even if society exists racial discrimination. Blues was a tool people used to express their moods at the beginning. “The blues is both a state of mind and a music which gives voice to it. Blues is the wail of the forsaken, the cry of independence, the passion of the lusty, the anger of the frustrated and the laughter of the fatalist. [The] blues is the personal emotion of the individual finding through music a vehicle for self-expression.” (Paul Olive, The Story Of The Blues, 1998) And the basic function became a vital feature. Blues helps black people express deep and personal emotions containing fear, sadness aroused by the discrimination and the brutal slavery, meanwhile, the emotions make music truer, more moving and powerful. That’s the reason why blues can touch people’s heart and is popular in the whole world. In 1920s, white people began to listen to negro music, and “father of the blues” William Christopher Handy took the blues from regional music style to national style, he made the listener from black people to others.
Elijah Wald published the book Escaping the delta in reference of the music genre of the blues, in which he explains some of the myths that surround the blues genre, in which according to him were misleading about the culture of the genre. Derived from a lot of history, the foundations in which were perpetuated to promote the genre according to Elijah Wald were not accurate, and he tries to explain in detail the misconceptions in the book. One of the main ideas that Elijah Wald tries to explain is the concept of the blues being described as a definite genre. According to Elijah Wald, the genre exists but also does not exists (Wald, p 23 ).
Understanding the 12 Bar Blues . Retrieved from PBS : http://www.pbs.org/theblues/classroom/essays12bar.html Johnson, R. (1936). Crossroad Blues [Recorded by R. Johnson]. San Antonio, Texas , US. Miller,
Tristan Iolonardi ENG 102 F2 research paper The Jazz Harmonies of Connection and Disconnection in "Sonny's Blues" by James Baldwin In James Baldwin's "Sonny's Blues" is told from Sonny's brother point of view the "narrator. " This story is about the hardships of black individuals that faced discrimination, unemployment, etc. The story starts of with the two brothers being separated, one living by himself and one stuck in jail.
Baldwin 's "Sonny 's Blues" and Hurston 's “How it feels to be Colored Me" both take a captivating look at how jazz music portrays such an important role in the lives of these characters and their journey through unyielding times of change. In this essay, I will be dissecting the lives of Sonny from “Sonny’s Blues” and Zora from “How it feels to be Colored Me” and the significance that jazz music has played in each of their lives. James Baldwin 's "Sonny 's Blues" begins with the narrator on the subway reading his brother 's name, Sonny, splashed across the morning paper. It had been heroin that got Sonny arrested. Throughout sequins of cascading events, the narrator and his brother Sonny will reveal the differences between the two of them.
Sonny’s Blues incorporates racial frustration, self-expression, avoidance, lightness/darkness and symbolic nature of music. Baldwins descriptive mental images gives readers a sense of the time frame the characters are in. With our understanding of the setting we are able to understand how life was like in the 1940s and why the theme of racism plays a factor in these characters lives. Through this short story Baldwin manages to show pain ,and hardships and the journey that is needed to transcend from
Despite Jazz being formed out of two cultures, the issues of social stratification and racial identity never had to be addressed in early jazz history. But as Jazz grew in popularity in a prewar 1930s America, the issue of racism started to form. As Jazz prospered within the economy and as a musical style, it’s roots revealed it’s racial identity. Jazz emerged from the music used formerly to entertain slaves and was a tool of rebellion against the white man, Jazz’z roots were very much embedded in slave culture. As free slaves moved north, they brought their Jazz influence to parts of the country such as Chicago and New York.
Using his writing as a form of self-expression, James Baldwin, an African American author, spent his life seeking to reveal the cruel reality of African American men. “Sonny Blues” Baldwin’s short fiction, was published in 1957 and takes place during the Harlem Renaissance. The literary work tells the story of Sonny and his brother (an unnamed narrator), as they seek to understand how to navigate the delicate and dangerous waters of familial relationships, their role in society and themselves. However, it is not until the end of the story when Sonny’s brother narrates the powerful, melodic sound of Sonny’s blues that he acknowledges his own pain. It is during his epiphany, when he finally begins to understand Sonny’s pain and the pain of every generation who came before him and after him.
The History of Pioneer Black Musicians Music Influence on that of Michael Jackson Michael Jackson was a great singer in his time and one of Americas’ prolific singers to ever grace the music scene. From the time he graced the music scene, he would go on to become a great singer that inspired other great singers during his period and in the future generation. Music has got a unique element that is so unifying and touching depending on the type of music one could be listening. In the history of the United States, black musicians from way back in the early days of singers such as James Brown, Prince, and Smokey Robinson have had an influence on the music culture. There are many genres today that can be traced from black musicians who popularized
The genre of blues exploded into the blues craze during the 1920’s. During this time, white record producers saw the untapped goldmine that was blues music performed by people of color. Ma Rainey was one of them, and to some, one of the first, giving her the title, ‘The Mother of Blues’. The 1920’s was not only an era of continuing homophobia from the past (although that would change, briefly, into a mild form of acceptance until the more conservative 1930’s), but also of harsh racism. And yet, one singer, Ma Rainey’s, broke these restrictions.
The Chicago blues is a subgenre of blues music local to Chicago, Illinois. It 's foundation is revolved around the sound of the electric guitar and its enhancer. In this paper, I will investigate what made is the essentialness of Chicago blues and what prompt to production of this subgenre in the city of Chicago and it 's legacy in the present setting. The blues initially started to show up close to the end of the 1800s after the Emancipation Proclamation.
Then, there are the blues, a type of song developed by African American originally that many white American tried to appropriate from African American to only increase their wealth and fame while at the same diminishing the culture of African
Sonny's Blues was written in 1957, 37 years after the roaring twenties had come to an end. Long after the great Migration, where millions of blacks moved to northern cities to escape Jim Crow, and embrace the new found possibilities offered. During this period African-Americans in New York, collectively gathered in Harlem mainly, it was usually alluded to as the black capital. There blacks shared culturally and also, influenced music greatly. This is also where the "new negro" persona was crafted, blacks were no longer going to be referred to as someone's mammies or boy.
Carrying such powerful lines as “the world is big / big and bright and round / and it's full of folks like me” (Simone, 1967), Backlash Blues became a popular song in the civil rights movement, allowing African Americans to express their proudness and protest racism in a more accessible way. Freedom songs such as Backlash Blues were and are still so significant to African Americans as they “sustain as well as … publicise the struggle[s]” they face (Stefani, 2015). Furthermore,
Blues music as a genre and form was developed by African Americans in the south of the United States at the end of the 19th century. The genre has origins in many cultures such as in African music, African-American work songs and European-American folk music. Blues music incorporates field hollers, shouts, chants, etc. The blues form, found in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, and also the twelve-bar blues structure, which is the most common feature. Early traditional blues verses consisted of a single line repeated four times.
In this case repetition is used to regularly insinuate a sense of desperation and isolation. In addition to this, the first two lines of the stanza rhyme. Blues music was created and first sung by the African slaves who would sing to convey their hardship and isolation from others. Blues music to the African slaves was a strategy to explain their feelings and help them cope with their suffering.