In Ovid’s Metamorphoses and Oedipus the King by Sophocles, change is a recurring theme that directs the plot of the stories completely. In the Metamorphoses, the stories of Jove and Io and of Daphne and Apollo have changes that are related to those of Oedipus in Oedipus the King. The changes in these stories are not the choice of the character but happen because of fate or other outside forces. The common ground with these three examples of change is the fact they are all unexpected and they could not have easily been avoided.
In Metamorphoses, Cupid pierces Daphne with a dull arrow, which turns her life away from love. Apollo never stops loving her; he tries over and over again to gain her love. He chases her until she can no longer run. She then asks her father’s river to destroy her and change her into another body. She pleas, “Let me be a virgin always” (Ovid 1076). She then transforms into a tree. This change was her choice but if she did not change, Apollo could have abused her and she could have lost her sacred virginity. Apollo became obsessed with Daphne and changing was the only option that she had. This change is similar to that of Oedipus because
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These changes are all unpredicted but they are all necessary, forced, or sudden. For Daphne, her changing into a tree is necessary because she is being threatened by Apollo’s love but she is not interested. Io has no choice when she is changed; Jove turns her into a cow and feels bad but does not truly understand the remorse that Io feels. Lastly, Oedipus is just as shocked as everyone else is to find out that he fulfills his prophecy and kills his own father. Not only is he disappointed, he is enraged with the fact that his royal life has come to an end because of a mistake that he barely remembers from long ago. These three texts all indicate changes that affect the life path of the
He dismisses her altogether and has spent the good part of their 15 year marriage physically and emotionally abusing her. A few of the town’s people commented on how Delia was once beautiful and how all of the beatings from her husband have changed her looks.
Odysseus, one man on a journey to return home, goes through many struggles on his quest in which he “fought only to save his life, to bring his shipmates home… [but] their own recklessness destroyed them all” (951). The Odyssey is a story reflecting on Odysseus’s past 20 years of adventure, challenges, and battles as he struggles to return home. Written by Homer, it showcases the adventures of Odysseus one by one as he struggles on his quest. Character archetypes enhance the story by affecting Odysseus and his quest based on the traits of the archetype, either as a hindrance or help, including Circe the temptress, who evolves into a spiritual guide, gods playing the part of the mentor, and the many monsters he faces along the way that serve
Ovid implies that Daphne has an apparent habit of running away from her issues, especially when her issue is Apollo: “He had so much more to say to her, but Daphne/ pursued her fearful course and left him speechless” (Metamorphoses Book I 726). He cannot understand why Daphne would not want to be with him, especially after listing his accomplishments: “Hatred of female freedom to oppose- that Ovid in his turn assigns to his lusty gods and human males” (Anderson 267). She cries out for her father, the river god Peneus, to destroy her beauty that she may escape; Peneus turns her into a laurel tree. Unable to love her in the way he wished, Apollo claims that “Although [she] cannot be [his] bride/… [she] will assuredly be [his] own tree” and goes on to list all the ways he will use her in his hair, his lyre, and his weaponry, effectively tying her to him forever (Metamorphoses Book
As philosophy progressed in the 7th, 5th, and 6th centuries, philosophers shifted from using mythos to logos. Mythos, which involves stories, myths, poetry, and inspiration, was closely tied to beliefs in the Greek gods. Logos, which involves reason, logic, language, and observation, began to replace beliefs in the gods. This did not mean that logic and reason completely replaced Greek myths. But philosophers began to explain the world relying more on logic and less on mythos.
In essence, Athena transformed Odysseus several times to reconcile him with his son, and gave them the opportunity to conquer the suitors in the archery contest. Finally, Athena resolves the entire story by returning Odysseus safely home and reuniting him with his family. While Odysseus has been struggling with the many obstacles he faced on his journey home, his wife Penelope was losing hope of the possibility of him ever returning home.
Odysseus endures many aspects that inevitably cause him to change his ways. For example his values are different, now that he has gained this immense respect for the gods. As well as his arrogance and the overflowing amount of pride that he once had has changed because of his new perspective that was left because of his hero's journey. Odysseus not only proves his worthiness to the gods, but to
Ovid’s Metamorphoses is broken down into fifteen different books, each consisting of unique transformations. Greek and Roman mythology play an important role in the epic poem, contributing to the idea of transformation. Within the anecdotes, different themes are present, allowing readers to understand Ovid’s purpose behind the importance of change.
Creation myths span the globe in scope, effect, and creativity. Ovid’s Metamorphoses is a mythic-historical narrative poem that weaves many tales of transformation to tell the story of creation. Beginning with chaos and ending with the deification of Julius Caesar and the rise of Augustus, Ovid explores many themes: transformations (metamorphoses), origin, rape, love, art, death, sex, revenge, and so on. This paper will sort through the notable themes of origin and rape– focusing primarily on Jupiter with the latter – and trace their transformations in Metamorphoses, arguing that certain transformations were openings or barriers to origin and/or rape.
Although, Peneus does warn her that her beauty will prevent her from getting her wish. This exchange implies that Daphne was on the track to living the life she was told to live by the patriarchal
Ovid’s Metamorphoses was originally published in 8 AD, after Ovid was influenced by his readings of Alexandrian poetry. This collection of stories cannot be labeled only one genre, as Ovid’s work is narrative poetry, while also being an epic, an elegy, a tragedy, and a pastoral. Book III of Metamorphoses begins immediately after Jupiter abducted Europa while Mercury turned Jove into a bull. In this particular book, it tells the story of Cadmus’ search for his sister and the struggles that he endures, Actaeon returns and is handed down a punishment.
It can be seen as a trend throughout history that stories reflect a society’s culture and values. One of the most memorable and inspirational civilization that made a substantial contribution to literature was Greece. Sophocles, a renowned Greek playwright, is beloved for his dramatic and action-filled plays that effectively satisfied the ancient audience. In Sophocles’ tragic play, Oedipus the King, the main character, Oedipus finds difficulty proclaiming his purpose against the fate bestowed upon him by the gods. Alongside his struggling, the values and cultural aspects of the Greeks emerge, reflecting their views on society during that time period at which the play was produced.
Every character in stories or in plays has their flaws and strengths; Oedipus is no exception to this. Oedipus has his strengths and weaknesses that shape him into the character he is perceived to be in the play. He is intellectual which is why the city looks up to him, he is caring, and tenacious. Like any other character Oedipus also has his flaws, he jumps to conclusions and makes rash decisions, he has anger issues, and hubris which eventually leads to his downfall. Intelligence is something that is highly respected in individuals, especially in leaders.
The overarching theme in Ovid’s Metamorphoses is change, or "forms transformed to bodies new and strange" (Book 1, “Invocation”). Change is observed throughout Ovid’s narratives, particularly in his account of “Calisto and Jupiter.” This myth also asserts cosmological origin and explores the psychological complexity of gender in ancient Roman culture.
In the original myth, Daphne is described as a river ‘nymph’ which inherently means she is a divine, inferior female. Within the myth she is also viewed in a vulnerable position with Apollo having power over her as he is a god, as well as having noticeable strength over her as she is unable to escape his grasp without having help and being transformed into a
“Lamia” Lamia is a monster with the body of a human that supposedly preys upon humans (Lamia, n.). John Keats’ “Lamia” is a narrative poem describing the short life of Lamia, a woman turned serpent to woman by a god in exchange for her assistance. Upon being transformed, she seeks out a youth, Lycius, and they fall in a dream-like love (296-7), living in seclusion until he insists on showing their love to the world; despite her reluctance, a wedding procession takes place, in which a conflict between her illusionary state, and the philosopher, Apollonius, resulting in the vanishing of Lamia, and death of Lycius. Philosophy and mythology are a continuous theme throughout the story and are painted as separate ideas and entities; the differences