How Does Ophelia Get Revenge In Hamlet

Hamlet, also, could not get over the death of his father. He found out when his father’s ghost came back that his brother, and Hamlet’s uncle, murdered him. He then was willing to do anything possible to get revenge on Claudius, his uncle. Both of

Hamlet embodies the conflict between medieval notions of blood revenge, and rapidly popularising Renaissance Humanist beliefs which promoted individualism, critical thought and the value of human life. Claudius’ corrupt murder of Hamlet’s father is the catalyst for Hamlet’s vengeful motivations, and his unscrupulousness as a character is reflected in his opening monologue through balanced antithesis, “with one auspicious and one dropping eye, with mirth in funeral and with dirge in marriage”. Shakespeare carefully constructs this to intensify Hamlet’s antic disposition as he attempts to reconcile his Renaissance humanist thinking with his duty and adherence to the Medieval code. He then reflects how this corruption catalyses his inner struggle to be an avenging son by personifying the Ghost’s instruction for vengeance as his sole intention; “thy commandment all alone shall live within the book and volume of my brain”. However, he also expresses emotional frustration at being unable to reconcile vengeance with his Humanist beliefs by juxtaposing a hyperbolic assertion of man’s glory over animals, “What a piece of work is a man!

Typically, people do not do anything if they are not gaining something out of it. In “Hamlet”, Hamlet is constantly seeking revenge for the actions of his stepfather, Claudius. Claudius murdered his brother, Hamlet's father, gained extreme power, and became King. All of these actions drove Hamlet to insanity. Hamlet found the only way to end his pain was revenge.

Shakespeare's primary contradiction and ideology is brought into sharp relief in this death: that, despite the fact that exacting revenge brings about real justice, doing so is immoral and leads to the victim's own death. The entire Hamlet narrative is given an entirely new significance in light of this. The drama as a whole sheds light on a more general truth about the pursuit of true justice. It is clear by looking at the lives of Shakespeare's characters that genuine justice is unpredictable and that everyone

Firstly, Hamlet is a play of a man by the name of Hamlet, whose father was murdered by Claudius, his uncle. Claudius murdered the king by pouring poison in his ear to claim the throne for himself. Hamlet is then told by a ghost to murder Claudius for revenge, and he struggles within himself for the length of play whether to do it or not. When Hamlet begins to hesitate it does more damage than good and causes a chain reaction of tragic events, and makes the readers question whether Hamlet is truly sane or not. Claudius’s corruptness begins to show when he uses his authority to order those around him to rid of Hamlet.

For the duration of the play, Ophelia was portrayed as a naïve and submissive woman. Her passivity and powerlessness reinforce the voicelessness of women during the Elizabethan era. For example, “I shall obey, my lord” (I.iii.134) shows that Ophelia concedes to her father’s will, even though she believes Hamlet’s love is genuine. She is willing and expected to obey her father despite the fact that she still loves Hamlet, which emphasizes her character’s submissive nature. Furthermore, in Act I Laertes warns Ophelia that it would be shameful of her to love Hamlet, and she responds with “I shall the effect of this good lesson keep as a watchman to my heart” (I.iii.45).

The story of Hamlet by William Shakespeare is a story of betrayal, revenge, and intrigue. Hamlet, the title character discovers that his uncle killed his father and married his mother effectively stealing the throne. Hamlet decides he must kill his uncle Claudius as revenge for what he had done. However, as the new king, Hamlet isn't sure how to get to him, so he decides to fake madness, but his plan backfires as Claudius doesn't trust him and makes sure he is always watched. In his fumbled plan for revenge, Hamlet accidentally kills Polonius, forces Polonius's son Laertes to seek revenge against him, and drives Ophelia crazy causing her to kill herself.

The main character of William Shakespeare’s tragedy is actually a confused person that’s stuck between two choices. Some may argue that he feels guilty for his father’s death and so it’s his duty to avenge it. While others may disagree and conclude that he is just a maniac who is both violent and dangerous. Hamlet passes through the lane of hesitancy, where he hesitates to kill King Claudius. As a matter of fact, the main conflict of Hamlet is that he feels both the need to solve the crime and punish the responsible.

As if what Hamlet was living was not extreme enough, the ghost of his father begins to appear to demand revenge for his death. Hamlet found out through his father’s goth that he was murdered by Hamlet’s uncle. It is very difficult to imagen the level of pain, anger, and desire of revenge after losing both parents under so bizarre circumstances. The evil actions of the uncle to take control of the throne, I have no doubt,

This amorality stems from his desire to avenge the “rank and gross[ly]” (Shakespeare, 29) cruel actions of his uncle, the King Claudius. In the end however, both Hamlet and Claudius die with little pomp, victims of each other in a cyclical stream of karma. Shakespeare uses this eventuality to denounce the use of cruelty as a means to an end, for it brings nought but meaningless death. The fact that Hamlet becomes so cruel specifically because of Claudius’ treachery is a testament to the relationship between oppressor and oppressed. As Hamlet becomes that which he once hated, Shakespeare emphasizes the fact that the line between victim and oppressor is often more blurred than defined.

Hamlet repeatedly acknowledges his faults, most precisely to her. In conversation, he tells Ophelia how he is guilty of such terrible things that he shouldn’t have been born, and that he proud, revengeful, and ambitious (3.1.132-135). Hamlet is fully telling her his faults and that, while being scathing towards her, he is no better. Even after her death, he continues to express his flaws around her presence. This is seen at her funeral, for which he says to her brother, Laertes, “For though I am splenitive and rash, I have in me something dangerous, which let thy wisdom fear,” (5.1.275-276).

Have you ever been wronged by someone so badly that you felt as though revenge was needed? Perhaps your best friend stole the woman you loved, so you felt that you needed to act and do something to get back at him. Maybe you destroy his life by starting a false rumor about him, or you get in a fight with him and humiliate him. This is just one common example of “revenge” in our everyday lives. In the play Hamlet, written by William Shakespeare, there are much more serious things going on, involving death, murder, and wars between nations.

The reader's beliefs of revenge are re-assessed following Hamlets meeting with the ghost of King Hamlet. In Act One scene five, Hamlet states “ o villain, villain, smiling damned villain.” The

The ability for an author, character, or actor to portray certain emotions is key and can potentially change the whole storyline of a play. Shakespeare's writing is no exception and may sometimes leave the reader confused. Throughout the play of Hamlet, there is a constant battle between love and revenge amongst the characters, which causes the reader to vacillate between the idea of which emotion the plot is based around. In the play, the protagonist, Hamlet, is confronted with the problem of his uncle marrying his mother and killing his father. Along the way he continues to contemplate whether or not to kill his uncle, Polonius.

Hamlet, one of the world’s most popular revenge tragedies, is a play written between 1599 and 1601 by renown playwright William Shakespeare. It tells a story of the royal family of Denmark plagued by corruption and schism. Prince Hamlet, the protagonist, embarks on a journey of incessant brooding and contemplation on whether to avenge his father’s death. In Hamlet’s soliloquy, at the end of Act 2, Scene 2, he asks himself, ‘Am I a coward?’ (II.ii.523) after failing to carry out revenge.