How Does Shakespeare Use Jealousy In Othello

The portrayal of the character, Othello, is changes greatly throughout Act 3 due not only the antagonist but to Othello’s growing incurable jealousy on Desdemona’s ‘affair’.

Honor and reputation are another theme found throughout the play. “Reputation, reputation, reputation! Oh, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial. My reputation, Iago, my reputation!” In this case, Rodrigo, another victim of Iagos lies has made a fool out of himself in front of authority causing him his job. Reputation is so important in this play, that the characters would go through significant situations to maintain them. In act four scene three, Shakespeare uses Desdemona 's handkerchief to dramatically symbolize the possibility of infidelity. Othello had never questioned Desdemona 's actions before. “For she had eyes, and chose me/I’ll see before I doubt, when I doubt, prove, and on the proof, there is no more but tis, away at once with love or jealousy” says Othello. This quote shows how loyal Othello believes his

To be jealous is a feeling or showing of envy of someone or their achievements and advantages "Othello" was written by William Shakespeare in 1603. In this play a character was envious of other characters and used this to cause problems throughout the play. Throughout the story both romantic and non romantic jealousy are displayed by characters. Romantic jealousy is shown when characters believe their wives are being unfaithful which is shown by Iago and Othello, Emilia, and Roderigo. Non-romantic jealousy is shown by Iago and Brabantio.William Shakespeare 's, "Othello" is a tragedy derived from both romantic and non romantic jealousy, the jealousy causes many of the characters to come to conclusions without proof and this ultimately causes their demise.

William Shakespeare demonstrates the human aspects of vengeance and hatred through his use of dramatic irony and conflict in the tale of Othello. Throughout the play it is obvious that Iago is deceiving Othello into thinking that his wife is unfaithful. Through Iago’s soliloquy, it brilliantly demonstrates how Othello was tricked into believing a tale that was not true, while using Cassio and Roderigo his personal puppets to carry out his vendetta. Through lies, deception, intrigue, hate and envy, we see the demise of Othello and

e themes of jealousy and deception in the domestic play “Othello” by Shakespeare are one of the major ones, because they build up the plot of the story and appear through out the text. The jealousy and deception have touched each character of the play: Othello, Iago, Desdemona, Roderigo, Cassio, Emilia, Bianca and Brabantio, however Othello’s jealousy has been manipulated by perhaps most jealous character Iago, who’s jealousy has caused unwarranted deaths, what makes him a villain. Othello, the general of the armies of Venice, who has been living a passionate life, who acts instantaneously and is a trusting person, whom jealousy has consumed and had ‘swell into a well high incontrollable flood’ as the critic A.C. Bradley in “Shakespearean Tragedy

Othello shows the two types throughout the story and the play, envy and fear, and how they can claw and chew away the the fragile human psyche, like a monster, trying to claw out of a deep dark hole that has had a trap on it for days without end. Othello is one of the great examples of how jealousy can teach us not to be overcome by dark things, to always stay strong and believe in our own thoughts, and that the poison known as jealousy, can make or break even the best of people a slow killing venom that makes the weak sick and twisted. This play teaches us that jealousy has no good outcomes, only horrid and how it shows no mercy to anyone. Jealousy is a card no one should or ever want to play with a deck full of

This is an analysis of the lines 260-279 of the third scene of the third act of Shakespeare’s Othello.

Othello’s human flaw of hubris results in the disintegration of his dignity and his eventual demise. Initially, the arrogant tone and anaphora of “my parts, my life, and my perfect soul shall manifest me rightly” portrays Othello’s pride and certainty that his positive reputation in Venice will outdo Brabantio’s rebuttals. After Cassio loses his position of lieutenant the hyperbole in “I have lost the immortal part of myself, and what remains is bestial” epitomises society’s excessive focus on reputation and its adverse effects to one’s confidence. Othello’s emphasis on his reputation is highlighted in his exaggerated declaration “Farewell the … pride, pomp, and circumstance of glorious war!” indicating that his reputation, being tainted by Desdemona’s supposed infidelity has stripped him of his military prowess. Following Desdemona’s murder, the satanic allusion in Emilia’s accusations “thou art a devil … thou art rash as fire” reduces Othello’s initially high status of an honourable soldier to that of a “cuckhold”. This loss of his positive image leads to Othello’s self-execution in an act of attempted atonement, portrayed in the paradoxical statement “for nought I did in hate, but all in honour …” demonstrates his preoccupation to salvage his reputation. Othello’s inability to face the consequences of his actions, resulting from his obsession with reputation facilitates his ultimate demise and the pathos in this allows the play to retain relevance with modern

In Othello, Shakespeare illustrates the dangers of jealousy through the belligerent actions of the characters. Jealousy can be incited by circumstantial proof, that can ruin lives. Shakespeare uses dramatic techniques to aid him in conveying his message.

In William Shakespeare’s Othello, jealousy is a major, plot-advancing mechanism, as well as one of the most prominent themes. As planted by Iago in Act III, Othello’s own doubts and jealous tendencies cause his demise. Shakespeare utilizes ambiguity, adoring tones, and the power of suggestion to develop the young hero’s unfortunate hamartia. In doing so, it is proven that sometimes naivety and too much faith in an unvalidated source of information can cause deadly miscommunication.

Othello was one of Shakespeare’s most famous play that during the 17th century was repeatedly play due to the diversity of race and controversial emotions. Moreover, is great example of how Shakespeare was able to impersonate the strength and weakness of humans. Othello is nonetheless an excellent illustration of emotions build his character throughout the story. As the story begins we see Othello is a well respected diplomatic who seems strong and modest. During act III, Iago’s poisonous feelings start to manipulate Othello actions, but is not until act IV that it completely takes over him and in epilogue V is when Othello loses all his senses of reasoning that makes him do an outrageous deed at the end of Othello.

Othello was not a naturally jealous man. Jealousy was simply not in Othello’s nature until Othello started exhibiting blind trust in Iago. Othello’s initial sentiment when Iago started to point out that there was a possibility that Desdemona may have been having an affair with Cassio was that “she had eyes and chose [him]”(Shakespeare III.iii.220). Initially Othello did not act jealous as it simply was not part of his nature. It can be said that “Othello is one not easily jealous, but being wrought, perplexed in the extreme” (Shakespeare V.ii.405-406). Throughout the play Othello’s blind trust in Iago led him to a perplexed state in which he was vulnerable to flaws that he did not usually struggle with. In a perplexed state Othello “becomes jealous and eventually a murderer” (Kliger 222). Without Othello’s blind trust in Iago Othello would never have become perplexed and would not have led to flaws that resulted in the murder of Desdemona. Othello recognized his growing problem as he said “There is no more but this: Away at once with love or jealousy” and yet Othello was still unable to shake his jealousy as Iago kept feeding him lies (Shakespeare III.iii.222-223). Othello became so jealous that he began to think he would be “happy if the general camp, pioneers and all, had tasted her sweet body, so [he] had nothing known” (Shakespeare III.iii.397-400). Othello’s jealousy was

In his jealousy he has given into doubt and later a sureness of Desdemona’s sins. For example, when speaking to Iago, in regards to Desdemona’s dishonesty, he responds to Iago in saying, “For she had eyes, and chose me. No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more” (3.3.220-222). Othello is confident in his statements of her love, but he begins to show doubt in his mention of proof. Him mentioning proof brings doubt, because he is accepting the possibility that there might be proof to be seen of Desdemona’s dishonesty. Othello, after killing Desdemona, even comes to a realization of his actions when he says, “Then must you speak. Of one that loved not wisely, but too well; Of one not easily jealous, but being wrought, Perplexed in the extreme” (5.2.402-405). Othello is becoming aware of his irrational acceptance, and has begun to know that is was his emotions of jealousy are what corrupted his love. He has realized this at a moment when his actions had already been followed through. Once he had competed his actions and there was an absence of jealousy and anger, he had become fully aware of what he had done. This had brought him a regret and hindsight, that he otherwise would not have though of in his emotional

Iago’s jealousy is essentially what creates the whole play of Othello. His jealousy is what motivates him to start manipulating everyone in order to get revenge. His actions done in jealousy cause multiple deaths and make a great man turn into an insecure and irrational one. He creates a domino effect in which every action has a consequence that benefits him but slowly ruins everyone around him. Iago tells Othello to beware of jealousy because “..it is the green-eyed monster…” (Shakespeare. 3. 3. 48), when actually he needs that advice more than Othello. Even though Iago never fully admits his motives for what he did, his jealousy of Othello is clearly a motive rather than just being passed for a position, because when he gets the position he wants, he still seeks out

In Shakespeare’s Othello, Iago is a spurious, manipulative character that fabricates a scheming plan to use Michael Cassio as a scapegoat in ruining Othello’s life. Once again, Iago addresses the crowd with a soliloquy to formulate his plan. Iago seemingly takes on the role of a ringleader, pawning the rest of the characters throughout his act. Earlier in the play, Cassio and Desdemona share a friendly gesture of holding hands, after Desdemona’s debate with Iago. Iago expresses in great detail the prejudices against the female sexuality by claiming that all types of woman, whether beautiful or ugly, are deceitful and ‘sex-crazy’. Cassio reassures Desdemona by saying that she should “relish him more in the soldier than in the scholar.” (2.1.165-166)